LipsNSpritz of the Week March 06 2016

 This week was an incredibly busy one - I'm an accountant by day, and I'm currently preparing for year end, plus preparing to move house, at the same time, because I am an idiot), so LipsNspritz took an accidental back seat this week.  That said, I did manage to wear some lovely ones:

Monday was a Jo Malone London Vetiver Cologne day.  My (recovering!) parosmia still makes some perfume ingredients tricky for me, anything with a heavy vetiver or patchouli base still smells burned to my nose, and it's troublesome, because the only thing I can smell is whatever causes the reaction in that case, and nothing else in a formulation.  Jo Malone Vetiver is the very opposite of heavy vetiver, however, being a light and fresh, and citrussy take on what can be both smokey and grapefruity.  I enjoyed wearing this a great deal, and it may become my "go to" vetiver, whilst other vetiver-based fragrances remain waiting for my nose to recover more.  I wore it with Sephora Kiss Me balm in Soda Pop.

On Tuesday I wore Estee Lauder Amber Mystique, which is a woody amber, with clouds of oud in the base.  Someone in the office commented that I smelled "very Arabic", which I thought was hilarious, and very true.  I love Amber Mystique, but it appears to be discontinued now, which is a shame. I wore it with Sephora Kiss Me balm in Cherry.

Speaking of cherry, I finally managed to track down a hard-to-find bottle of Mary Greenwell Cherry, and I'm very glad that I had.  The demise of Mary's eponymous (and excellent) perfume range pains me greatly, but I'm happy that I finally have a full set of the fragrances now.  I've featured Plum before - indeed, it was very nearly my wedding fragrance - and Lemon and Fire will obviously feature in the weeks upcoming, but Cherry is quite a literal fragrance in comparison to the sophisticated and rather retro Plum, in that you can definitely pick out the fruit that inspired it.  It rather reminded me of a stick of Juicy Fruit at first, but I soon got over that.  It's sour cherry and blackberry leaves at the top, with licorice and vanilla in the base.  Fun, sunny and cheerful.  Such a shame its gone. Worn with Provocateur Lacquer balm from Revlon, because, what else?

I had a long and tiring day day minuting boards and committees on Thursday (and if you're ever wondering why my instagram isn't full of pictures of beauty launches and cupcakes and home offices with puppies staring soulfully at the viewer, there's the reason right there - no one wants to see pictures of my day, believe me), and in full business-woman mode (did I mention I'm an accountant?)  I wore Estee Lauder Private Collection - the original -  because it's a classic "don't f*ck with me" fragrance, bitter and green and grown up, and I love it very much.  I paired it up with the also classic Tom Ford Pure Pink lipstick (long discontinued, and much mourned), and wore black leather to the office.  Hey, I was around in the eighties, it's totally cool now.

And, what've you been wearing?



The Fine Print: PR samples and purchases


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LipsNspritz 24 January 2016: The Lavender List

Lots of people don't like lavender, and I have no real idea why. Its distinctive scent is unusual in having both floral and herbal facets to the scent, and the smell can range from menthol, to balsam, or (just a little, if you get a screechy batch) like cat pee.  But a good lavender fragrance is a thing of beauty, and this week, I thought I'd wear my favourite lavender fragrances and show just how many different faces lavender can wear.  

On Monday, I wore the dirty lavender of Jicky by Guerlain.  Every perfume lover who considers themselves a bit of a perfumista owns a bottle of Jicky,  because it is a classic, created in the late 1880's, and one of the first fragrances to include synthetic ingredients,   When I first discovered Jicky, it was long before I knew anything about perfume, and I just thought it didn't smell like anything else, it smells of coal tar, and leather soap, and it actually took me several years to figure out that the herbal-fresh scent that plays amongst the leather scraps in the coalyard was lavender, and that's when Jicky finally made sense to me.  Less a perfume, and more a statement of intent, Jicky's the lavender scent that won't remind you of your granny.  Ironic really, as your granny probably did wear it at some point.  My bottle dates back to the early 90's and it's a full-throated roar of a fragrance, even now.

Tuesday brought the spicy, warm lavender of Diptyque's Eau de Lavande.  Unlike most of the lavenders on this page (Jicky is the main exception) which have a cool, or fresh-seeming quality, Eau de Lavande is warm and cosy, positively inviting cuddles and becoming a beguiling skin scent at the end as a result.  Opening with cardamom and ground coriander root alongside nutmeg, the menthol of the lavender is somewhat muted, and it's only after wearing it for a while does the lavender reveal itself. There are some lightly bruised woods at the end, which comes quickly because this is an eau de toilette, and it's simply a pleasure to wear.  I'd love this in an EDP concentration, and I'd probably never wear anything else, if it did come in just a little stronger formulation.

On Wednesdays I wore the woody-chocolate of Creed's Aberdeen Lavander (sic),  which to me starts off quite funky-smelling and rather animalic, but which softens slowly over time to reveal an unexpectedly creamy-chocolate aspect to the lavender flower, atop a leathery base. I've seen it described as a "modern Jicky", and, whilst I wouldn't go that far (it's cleaner and far more definitively "lavendery" than Jicky), it's certainly a very interesting lavender to wear.  Interestingly, it's the only one on this list that I could easily convince MrLippie to wear, having more elements of the "fougere"-style of fragrance than many of the perfumes on this list.

Thursday brought the gender-bending citrus lavender of Tom Ford's Lavender Palm.  A fragrance I've written about before, and enjoyed, I described it back then as smelling like "a burly granny with a mean right hook", and, whilst I wouldn't go quite that far this time around, I can see what I was getting at.  A lively dance of bergamot and lavender in the opening gives a slightly misleading fresh quality to the first few moments of wear, before the scent opens out, and becomes a darker, smokier proposition, filled with vetiver and olibanum.  Somehow meant to evoke California,  it's more of a damp English garden, and a little tweedy.  A lavender you wouldn't be surprised to find Miss Marple wearing, showcasing the steel trap mind behind the affable appearance.

On Friday I wore the classic lavender soliflore of Caldey Island Lavender. Much closer in form (though not in execution) to a classic lavender "toilet water", and most certainly a bargain, Caldey Island lavender begins with a photo-realistic peppermint whoosh, like you've just inhaled an entire packet of polos in one go, then swiftly settles into a cool menthol-herbal lavender which smells precisely as if you've crushed a few fresh lavender blooms in your palm, and that's how it stays, right until it disappears.  Simply beautiful.  A few drops of this added to the water in your iron, by the way, is divine, and can make even that most-boring of chores more of a pleasure.

This week, I also work lipstick (as pictured), but, who wants to talk about lipstick when there's lavender to discuss?

The Fine Print: PR Samples and purchases


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LipsNspritz of the Week 06.12.15

After spending last weekend doused in Tom Ford's finest Black Orchid (albeit in the new Eau de Toilette version rather than the EdP), I was obviously stuck in a rather Tom Ford kind of groove for the early part of this week.  

Monday brought Tom Ford Black Violet, a scent which I have always preferred to Black Orchid, for some reason (but it's now discontinued), a gloriously rich and decadent fragrance, one which reminds me of the glory days of women's cinema in the forties.  It's a fragrance with shoulder pads and red lipstick, which I subverted by not wearing shoulder pads, and wearing with MAC Hot Tahiti, which is a slightly browned wine-shade, which reads like a neutral on my lips.  I did wear black leather though ...

Tuesday was Tom Ford Tuscan Leather, long one of my favourite fragrances.  I was surprised on wearing it this time, however (the first since I lost my sense of smell last year) that I can now pick up the raspberry notes that, in other writers descriptions, have always mystified me somewhat.  A nice discovery!  It still smells leathery to me - which I love - but now it has an extra dimension that I never noticed previously, a great thing. I wore it with Bare Minerals Call The Shots which is a great red lipstick.

Wednesday brought a neglected gem from my perfume collection, which was Maison Francis Kurkdjian Amyris Femme.  This had been shuffled to the back of one of my drawers, and I confess that I'd completely forgotten about it as a result.  I'm completely kicking myself about that now, as it is incredibly beautiful.  I described it on Instagram as luminous and sheer, bright with citrus in the opening, and warm with woods and resins in the base.  Classy and expensive-smelling, it's radiant and gorgeous, and I can't wait, actually, to wear it again.  So I'm wearing it again today as I write this ... I paired it with Laura Mercier Cherries Jubilee Lip Parfait, which is a sheer natural red, which I like a great deal too.

I spent some of Thursday talking to various government bods (like you do) so I thought I'd wear something classic.  Naturally, when I opened the box, I was a bit hacked off that my bottle of Chanel No 5 was actually a bottle of Chanel No5 Eau Premiere. Not the end of the world, admittedly, but annoying, especially when it turns out that Eau Premiere is just a little too restrained for my damaged nose to pick up in any detail.  It's very nice, I'm sure, but it's no No5.  Now I'm wondering where my bottle of No5 has got to, I know I have one!  I wore it with Revlon ColorStay Moisture Stain in India Intrigue, which is one of my favourite pinks, as it lasts and lasts.  It does dry a bit though.

On Friday, I was planning to meet some friends for dinner, so an old favourite fragrance was in order, and I picked Guerlain Pamplune Aqua Allegorica.  Grapefruit scents have been tricky for me for a while, thanks to their sulphurous qualities (I struggle with vetiver as well for the same reason), but I think it's coming back now.  Either way, Pamplune smelled good, well as good as a sweaty grapefruit (and I mean that in a good way) can, let's put it like that.  I wore it with Smashbox Lip Lacquer in Legendary Red, which is a smashing red - I'm ashamed it's taken me so long to wear it.

Saturday I was ill, again, I'm totally fed up with it now, but  it's becoming a way of life at the moment, it appears. Anyhoo, I still wanted to smell good, so I picked up my bottle of Balmain Ivoire, which is soapy-fabulous (even though rather thin in comparison to its 80's-tastic fabulousness before reformulations and re-releases happened to it) and classy and very, very clean.  Still lovely.  I had been planning to wear it with a revlon lipstain, but as I spent the day in my pyjamas, that didn't actually happen ... 

What've you been wearing?

The Fine Print: PR Samples and purchases, all combined.


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LipsNspritz of the Fortnight, Pt II

 This week, I basically took a "lucky dip" approach to my perfume and lipstick choices.  After three months and nearly 80 lipstick and perfume pictures, I realise I'm probably something like a quarter of the way through my fragrance collection, and possibly, maybe, a tenth (perhaps?) of the way through my lipsticks.  There's a few months of this to go, yet, I think!

Monday was Miller Harris Cassis en Feuille, which bears a passing resemblance to Jo Malone London's Blackberry & Bay (a perennial autumn favourite), but just has a little more grassy vetiver in the mix, so has a little more ... oomph. I wore it with MAC All Out Gorgeous, which is rather aply named.

Tuesday was Etat Libre d'Orange's Antiheros, which is the lavenderiest lavender there ever was.  Luca Turin described it as "cheap lavender soap, but strong", and so it proves to be.  I've missed lavender a lot whilst I've been parosmic (up until recently, it has smelled burned and awful), and to have it back is wonderful.  Lavender contains such a variety of scents, it's herbal and floral, and has a hint of balsam, and mints in there too.  That it is maligned as a "granny scent" is an eternal mystery to me.  I wore it with Charlotte Tilbury's Red Carpet Red which is one of the best red lipsticks ever.  

Wednesday had me in something just a little more ladylike, the musky prettiness of Sarah Jessica Parker's Lovely.  I only like a couple of celebrity fragrances, and this is a good one. It reminds me of Narciso Rodriguez, only at a much more acceptable price-point.  I wore it with Illamasqua Stark, which I also like very much, though it's a little patchier than I recall it being on application.

Thursday brought a board meeting and Lancome's Climat - a little-known fragrance from Lancome's back-catalogue.  It's a sweet and powdery ladylike little whisper of a thing, a proper "Grown-Up" fragrance so I rarely wear it, for that reason.  Paired with Stila Long-last Lipgloss in Firey (I think, the label has worn off), it saw me through a board meeting where I managed not to kill anyone, so a winner, I think.

Friday I wore Boucheron by Boucheron, which is a big heavy-hitter of a floral fragrance, in a beautiful bottle, designed like a piece of jewellery, which always delights when I spray it.  Paired with Estee Lauder lipstick in Dominant, which is a very fine pink indeed.

On Saturday I was heading to a party in Soho, so I wore the ultimate party-girl fragrance: Tom Ford Black Orchid, in the new eau de toilette formulation, still loud, and one of the happiest fragrances around, it's a joy.  I paired it with the Matte Balm from Revlon in Striking, which is the loudest red I own, and wore them both with sequins.  A jolly good time was had by all.

The Fine Print: PR Samples and purchases.



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#LipsNspritz 25.10.15

 

I love instagram at the moment, and one of my favourite things I do on there is cataloguing my daily perfume and lipstick choices via the hashtag #LipsNspritz. Lipstick and perfume are really the final finishing touches to any outfit, and, whilst no one needs to know how boring my eyemakeup and dress-choices are every day (cardigans ROOL!), perfume and lipstick do add life and colour to this accountants day, every day.

Occasionally you need a Tom Ford day, and I'm entranced by the Sahara Noir bottle.  It's just so blingy and OTT.  But the fragrance inside is a good one, reminding me heavily of Serge Luten's Ambre Sultan, but drier and with a touch less spice.  I paired it with Tom Ford Cherry Lush, which is a wonderful cheerful cherry red. Far more after the jump...

 

 Cartier La Panthere is another stunning bottle, carved from the inside into an intaglio of a panther head, and the contents are sophisticated and really interesting.  Both waxy and leathery, and heavily floral with hints of gardenia once it dries down, it starts with muted fruit.  It's softer than this makes it sound, and I really like it.  I paired it with No7 lipstick in Soft Ruby, another of my pinky-red favourites.  This perfume really calls for a punchy shade of lip!

 Jo Malone London Wood Sage and Sea Salt.  I don't really know what to say about this one, as it was at the launch of this fragrance where I discovered that I had lost my sense of smell completely.  Being able to smell it now is a mixed blessing. It's a sea-salty-herbal fresh fragrance, with a hint of something else beneath that my damaged nose now can't put a name to.  I'm annoyed that I missed such an interesting fragrance from Jo Malone London!  I paired it with Tom Ford Scarlet Rouge, a bright and very, very warm red.

At a launch for a book written by a friend of mine (more about this later this week), I wore a fragrance I'd had a (tiny) hand in creating myself: Paradox by 4160 Tuesdays.  It's bright with violets and lemons, dark and earthy with orris and grounded by woods and musk.  I truly love it, and can't believe that something so lovely and unexpected came out of such a dark and horrible time of my life.  It's the only fragrance I'll be repeating whilst #LipsNspritz is ongoing, because sometimes, familiarity is what you need.  I paired it with the violet-plum of Becca Matte lipstick in Antoinette, because I'm good like that.

And finally this week, Lily and Spice by Penhaligons.  I'm so annoyed that they discontinued this, I can't even begin to tell you, as it's a stone-cold classic fragrance. An almost photo-realistic lily fragrance over a bed of warm and creamy spice (saffron and clove, apparently), it's a beautiful and glorious perfume for a chilly autumn day.  Such a shame it's impossible to get hold of now.  I was wearing a dress on Friday, and fancied a more ladylike lipstick than usual then, so went with Clarins Joli Rouge in Pink Berry, a creamy pink that doesn't scream LIPSTICK when you're wearing it.

What have you been wearing this week? 

The Fine Print: PR Samples and purchases


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The Reluctant Lippie. Part Two: Pinks

  

By Laurin

A few of the more pressing topics that have been on my mind this week include:  

1. Why do my jeans smell like barnyard dust even though I washed them two days ago?
2. Have my knickers been on inside-out all day? (Turns out yes, yes they have.)
3. Oh hey, is that the guy I dated briefly last year who was in the open relationship and his girlfriend had a girlfriend? (Turns out no, because that guy over there is weirdly sweaty and has a  strange mole on the side of his  face, but I didn't realise that until AFTER I smiled and waved, so maybe quick exit.)
4. Why  do  we  call  pink  lipsticks  pink  instead  of  nude,  because  I'm  pretty  sure  my  lips ARE actually pink when they're nude, AMIRITE?

Above: Clinique All Heart, Kate Moss 05, Tom Ford Incorrigible, NARS Schiap

I  still  have  no  answer  for  the  last  one.  As  it  turns  out,  in  the  absence  of  a  colour  wheel  or some hot, hot SCIENCE, we call them pink and not nude BECAUSE WE JUST DO. Also, it turns out that I don't much care. Really though, pink probably should  have been my first stop on my  lipstick  tour:  it  was  the  first  colour  I  played with  as  a  little  girl  from  my  grandmother's make-up bag, and  it's much easier to  find a  pretty, flattering shade without  risking looking like a zombie. Belatedly, then, here are a few I like.

Clinique All Heart Long Last Lipstick, £17 at Debenhams Studio 10 Age Reverse Perfecting Lipliner, £22 at http://www.studio10beauty.com

I've had a soft spot for Clinique gift with purchase lipsticks ever since I won one in a game of bingo at a nursing home when I was ten (the other prizes were socks or bath salts). My prize lipstick  felt  fancy  then,  and  it  still  does  a  tiny bit  today.  All  Heart  is  a  slightly  plummy  pink warmed up with barely-there gold sparkle that makes it perfect for adding a bit of oomph to a  neutral  make-up  look.  I’m  wearing  it  with  Studio 10  in  the  picture,  but  it  applies  just  as well from the tube in a hurry, and indeed, on the Tube in a hurry. The texture feels creamy and nourishing, and it lasts through at least three cups of tea before lunch. HOUSE!   

Kate Moss for Rimmel 05, £5.49 at Superdrug

Anyone who refuses to shop for cosmetics and perfume on the high street out of misplaced snobbery is denying themselves a serious small pleasure. Cheap makeup is the business, and it's hard to beat the thrill of chucking a bright lipstick in the basket with your shampoo and hand cream. This is a girly (but not sugary) pink that I can imagine your Girl Next Door would wear  on  prom  night.  It  looks  great  with  flushed  cheeks  and  a  hint  of  mascara.  Also:  IT SMELLS OF CHERRIES. What could be more joyful?

  Tom Ford Incorrigible, £34 at Selfridges  Halfway  between  a  full  on  lipstick  and  a  gloss,  so somewhat  naughty  of  Tom  Ford  to demand the full whack of £34. On the other hand, this sheer fuchsia veil with just a dusting of warm golden  sparkle is perfect bridge between the "My Lips But Better" milkmaid  pinks and the full-on BRING IT bright end of the spectrum. Unlike a fuller-coverage bright lipstick, this is easy to apply without a lipliner and a brush, and as a result it’s barely left my handbag since I bought it.   

 NARS Schiap, £19.50 at Space NK  I had a consultation with Sali Hughes last month and she sold me on it as the perfect "fuck you" lipstick. "It suits no one," she assured me. The name of this full-coverage, satin finish lipstick references the legendary fashion designer Elsa Schiaparelli, who used shocking pink as one of her signature colours. It does not suit me. It will not suit you. But you should buy it (and a good lipbrush – colour like this demands precision application) anyway. I wore it last week  with  a  flowing  black  skirt  and  Jovoy’s Psychédélique,  a  fragrance  so  patchouli-heavy that  my  friend  Angelica  once  described  it  as  “like being  trapped  in  a  phonebox  with  a hippie.” None  of these things suit me, and I spent most of the day  feeling as though I was having an out-of-body experience. Unless you are one of those rare souls who knows exactly who  they  are,  I  believe  we  all  have  something  to  gain  by  trying  on  (as  it  were)  different identities, discarding the parts that don’t feel right and incorporating the ones that do into our  own  personal  patchwork.  I  will  never  feel  comfortable  with  wearing  neon  pink  lipstick every day, but on days when I have a bone to pick with the world, I will wear it with Bvlgari Black and sneer. I will take no prisoners.    The fine print: Purchases and PR samples.

  

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The Reluctant Lippie - Part One: Nudes

 By Laurin

Despite being born during the Carter Administration, I've never really considered myself a grown-up. Grown-ups don't buy their jewellery from H&M. They make well thought-out grocery lists on Saturday morning, and they have buildings insurance. They don't anguish over maudlin 90’s music about what they want to BE when they grow up, because that's what they already are.

I, on the other hand, have tried my hand at four different careers in the last ten years. Last week, I cried at work twice and played hopscotch on the carpet tiles too many times to count. I have no mortgage, no kids, no pets and no husband. And up until last year, I mostly made do with a slick of Benetint lip balm hastily applied as I rushed out of the house 15 minutes later than I'd planned. Did I mention that I'm 35?

One of my colleagues is a proper grown-up. She wears well-chosen pieces from Cos and Whistles and she compliments them with chunky, interesting accessories that she's often made herself. She wears lipstick. Real lipstick. I watch her reapply it before meetings and after lunch with the help of a MAC compact. I began to be taken with this small, public-yet-private ritual and the idea of a tangible and instant confidence boost. So I made a resolution that despite my serious lack of credentials in the Adult department, lipstick is something I can manage.

This series is my attempt to find my place in the world of lipstick that seems to come so easily to some of you, but has baffled me for the better part of 20 years. Please note that although the events that take place here are absolutely true, I have altered the order somewhat so that they follow some kind of logical progression. Just because I live my life on a wing and a prayer doesn’t mean you have to as well.

L-R: Laura Mercier Baby Lips, Revlon Just Bitten in Honey, Rimmel Apocalips in Celestial, Tom Ford Lip Colour in Pink Dusk

 Chapter 1: Nudes
 

L-R: Laura Mercier Baby Lips, Revlon Just Bitten in Honey, Rimmel Apocalips in Celestial, Tom Ford Lip Colour in Pink Dusk

The Lipsticks

Baby Lips

Laura Mercier Baby Lips Sheer Lip Colour, £17.50 at John Lewis

After making the decision to pull my socks up, I solicited the advice of my own hive-mind in the form of the Sali Hughes Beauty forum. Several of the women there recommended Laura Mercier’s Baby Lips and I dutifully purchased it during a lunch break. This turns out to be what is essentially a very grown-up lip gloss, albeit with more pigment and less gloopy shine. But it’s an excellent first foray into the world of real lip colour: the texture is soft, glossy and easy to apply without a lip brush, and the packaging dutifully obliges you in pretending that it’s a proper lipstick. It’s just a shade darker than my actual lips, so it’s great for giving my make-up a polished finished if I’m wearing heavy eye make-up. You’ll have to reapply it every couple of hours, but that’s a doddle.

Honey

 Revlon Just Bitten Kissable in Honey, £7.99 at Boots

 

The Boots website describes this Clinique Chubby Stick dupe as “a pampering balm fused with a lightweight lipstain”. Honestly, the word “pampering” is one of my least favourite in the English language (on the Galdis-Taylor Sick In My Mouth scale I just made up, it sits somewhere between “making love” and “gourmet” as a word I’d like to ban from use forever more) and I briefly consider stabbing myself in the eye with it instead of putting it on my mouth. The packaging also makes me a little sad. What’s the point of deciding to be a grown-up then raiding a toddler’s art supply box? On the other hand, if you can’t see the point of spending £20 on a level-up lipgloss, it’s a decent alternative to Baby Lips. It’s a touch sheerer and starts to fade the minute you even think about having a cup of tea, but so it goes. The pointy crayon tip makes it a cinch to apply, even without a mirror. As a bonus, Revlon have also infused the formula with a touch of mint flavour, so it quite literally feels like a breath of fresh air, especially if you’ve been snacking on chorizo at 2pm. Still, my feelings for this product have never risen above lukewarm, and it’s mostly been relegated to my over-the-door organiser with the rest of my rarely used cosmetics.

Celestial

 Rimmel Apocalips Lip Lacquer in Celestial, £6.49 at Superdrug

To infinity and beyond, this time with a quick stop at Superdrug to stock up on intergalactic cosmetic essentials. Apocalips is the halfway house between the easy application of gloss and the heavily pigmented coverage of real lipstick. Everyone I know went mad for these when they launched last year, and why not? They’re cheap and cheerful and a perfect treat to cheer you up on a drab Wednesday afternoon. I’m not in love, though. Although the coverage is great and the wand makes precision application pretty easy, the fluidity of the formula means it strays more than I’d like. And I cannot deny that when I see my ultra-shiny nude lips in the mirror, I immediately think of Katie Price and feel an urge to drape myself over the nearest Ferrari. Blotting solves the glamour model issue somewhat. The nicest thing about this is that it fades quite evenly, so avoiding the mid-morning “ring around the mouth” look. I think that this formula might be better suited to bolder colours, and my tube of Celestial mostly sits with my Just Bitten in the “Eh” pile.

Pink Dusk

Tom Ford Lip Colour in Pink Dusk, £36 at Selfridges

Oh, Tom Ford. We don’t always get along. I like your fragrances, but I think they’re derivative and over-priced. Your habit of appearing in your own marketing looking stern and disapproving has more than once made me back away from your counter, lest you spit on my mid-priced shoes. And I’m pretty sure Thom Yorke was referring to your army of swooning superfans when he sang, “When I am king, you will be first against the wall.” Or if he wasn’t, he should have been. But I’ll hold up my hands and say that you do make a bloody good lipstick.  But, at last, a proper lipstick. Aside from the eye-watering price tag, I love this. It’s non-drying, goes on like a dream, gives great coverage and smells like the inside of your grandmother’s handbag. It’s satisfyingly grown-up and I’d be pleased to apply this at my desk between meetings.

The Verdict:

 Laura Mercier Baby Lips wins by a hair. It’s a brilliant product to bridge the gap between gloss and a full-coverage lipstick, and it won’t break the bank.

The Fine Print: I bought these products with my own money, aside from the Tom Ford, which was nicked from Lippie Mansions.

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Tom Ford Aftelier d'Orient - Plum Japonais and Rive d'Ambre

The Aftelier d'Orient collection from Tom Ford has been on counters for a little while now.  Based on both oriental fragrance types and utilising ingredients from the east, it's an interesting collection, which I personally prefer over last year's "Dark Daffodils" or whatever it was called.  After sniffing all four fragrances, I was most interested in Plum Japonais and Rive d'Ambre.  Whilst I liked Fleur de Chine, it was a little too flowery for me, and Shanghai Lily couldn't - in my opinion at least - hold a candle to the divine Lily & Spice by Penhaligons, so I passed it by.

Plum Japonais is based around an accord of Japanese Ume plum.  I was expecting it to be tart, sharp, and fruity, but what you get is actually a surprisingly smoky scent, redolent with a tiny hit of stewed fruit behind it.  It is similar in feel to Serge Lutens Feminite du Bois, but it lacks a little of the spice that the Lutens contains in spades (and that always reminds me a little of Christmas), making it a little softer and rounder than its Lutens counterpart.  It lasts gloriously well, and this might well be my least sarcastic Tom Ford fragrance review as a result.  It's nice, and I like it a great deal, however, I'm not sure it's original enough for the price tag. It's sophisticated, and gently wearable, whilst being different enough from most things on the high street, but ... you could wear Feminite du Bois for £80 less a bottle ...

Rive d'Ambre I simply fell in love with, in spite of (or perhaps because of) its lack of originality.  It's a cologne, essentially, albeit one that opens with fruity, juicy almost photo-realistic orange juice.  It's bright, fresh and (oddly) adorable.  It's almost the scent of those orange juice ice-lollies you remember from being a little kid.  It's not quite as fresh or green or as bitter as a traditional cologne, remaining fresh, bright and cheerful more or less to the end.  When you do get to the end, there's a cuddlesome amber at the bottom, which is as friendly and lovely as the top notes.  Again, I'm not entirely convinced it's £140's worth of bright friendliness, but it is lovely, and it makes me smile whenever I wear it.

My favourite way to wear these fragrances is layered.  I spritz with Plum Japonais first, then a slight spray of Rive d'Ambre over the top.  Rive just seems to add a little brightness to the rather smoky plum fragrance, and layering extends the wear of both.

Still, at least none of them are called "Daffodil of the Night", I guess ....


The Fine Print: PR Samples
 
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Comparison: Black Sugar by Tom Ford, Sulfurous by Guerlain and Facet by Illamasqua

I was picking out my favourite polishes for autumn, and when I had  made my list, I realised that Black Sugar by Tom Ford, Sulfurous by Guerlain, and Illamasqua's Facet are quite similar, so I thought a comparison might be in order. 

When I got the bottles together, I realised that they were quite different, but possibly not *that* different.  

First up, Bottle impressions:

Tom Ford Black Sugar.  This is a browned-taupe, with a quite beautiful red shimmer visible in the bottle which is almost impossible to photograph, in my experience.  Not the end of the world though, as it's impossible to see on the nail too, as it turns out.
Guerlain's Sulfurous is more of a shimmering charcoal in comparison to the other two, and is much, much darker than either. 
Illamasqua's Facet is a softened medium dove-grey, enlivened with lots and lots of bronze shimmer.

On the nails:

Black Sugar has the thinnest formula and is a little prone to dragging.  This isn't helped by the super-long brush handle, which is required because of the super-tall bottle.  If you're a cack-handed muppet like myself, it's the least easy polish to apply in the bunch.  That said though, the Tom Ford nail polish formula is a good one, and the shades tend to wear very well indeed.  It's a nice, slightly flat, browned taupe on the nails, a cooler version of Chanel's Particuliere, in fact, and none the worse for that. It dries a little darker than it appears in the bottle.

I've reviewed Guerlain Sulfurous before, and it's clear I really like the deeply complex shimmering charcoal of it.  I notice in macro-mode, however, that it's a little brush-strokey, but this isn't visible in real life.  It has a wide brush which makes application easier. 

Facet by Illamasqua is an unusual colour on the nail, being not quite grey, and not quite bronze, whilst appearing also not quite khaki too. Whilst it lacks some of the complexity, and (in my eyes) beauty of Sulfurous, it has its own unique loveliness, which I really like.  The brush is a standard round brush, and the formulation is a little thinner than the Guerlain, but spreads really nicely over the nail.  Illamasqua polishes also tend to be extremely hard wearing.

So, all very similar, and all rather different too.  Personally, if I could only have one, it'd be Sulfurous by Guerlain, but the other two are very beautiful too.  Which would be your choice? 

The Fine Print: PR Samples.

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Tom Ford Illuminating Cheek Color - Bronzed Amber and Blush Guilt

Carrying on with my look at the Tom Ford Summer Collection releases, here are the two Illuminating Cheek Colours that have been released.  A brand new product, they're rather lovely in appearance, resembling the NARS multiple in weight and heft, but do they measure up on the skin?  Let's take a look:

Top: Natural daylight, bottom with flash

 Two shades have been released, Bronzed Amber (on the left) and Blush Guilt.  Bronzed Amber is a coppery-tan, and Blush Guilt is a slightly silvered baby-pink.  They're both very pretty in the tube:

I used the phrase "sheer gorgeousness" when I first introduced the collection, and I've used the phrase advisedly, because the collection is all very sheer, and these cheek colors are no different.  On skin, they have a translucent quality, and are, it must be said, rather less pigmented than they appear in the tubes.  This is, I think, both a qood and bad thing.  

I'll show you the blended swatches, and you'll see what I mean:

Blush Guilt largely disappears into my skintone (but is a nice highlighter, admittedly), and the  Bronzed Amber also disappears, leaving just a whisper of colour on the skin.  It would make a good, albeit rather sheeny contour shade, possibly.  For the price - a not inconsiderable £48 apiece - I'd expect a little more, well, oomph, frankly.

That said, if sheer summer colours are what you want, these are rather lovely ones, if you're pale.
 
The Fine Print: PR Samples.
 
This post: Tom Ford Illuminating Cheek Color - Bronzed Amber and Blush Guilt originated at: Get Lippie All rights reserved. If you are not reading this post at Get Lippie, then this content has been stolen by a scraper

Tom Ford Pink Haze Cream Color for Eyes

Last summer, Tom Ford introduced Cream Color for eyes in Platinum and Spice, and Platinum very, very quickly became a staple in the Lippie household, it gets used once a week without fail, as it's simple to use and a very useful staple neutral.

I was excited to see that there were two more cream colors released this summer too, the slightly peach-gold of Escapade, and pinked-bronze (above) of Pink Haze. Pink though?  For eyes?  In a cream?  Madness. Surely the conjunctivitis look isn't in this year?

Luckily, there's enough golden-bronze shimmer in the pink for it to not look like you've been rubbing your eyes for a month.  It's a highly metallic finish though, so you might want to apply with care to avoid it looking like you've got greasy eyelids.

It looks slightly different depending on the angle you see it from, it can look coppery, or more pink, depending, but it's not got enough red in the base to look like you have an infection, don't worry!   I find the wear isn't quite as good this year as it was in last year's formulae, as it does tend to crease more easily - after about six or seven hours or so, you might want to smudge the shadow back into place, but the creasing is on the minimal side, if you're less of a shadow perfectionist than I am, you might not be so bothered.

I wore this in a recent eye of the day post, with a lick of plum liner from Clinique, and here's how it looked:

Subtle but brightening, and (I thought) rather pretty.  Think it'll look good with a tan too - roll on November!

The Cream Color for eyes are a limited edition product, available from Selfridges now for £28.

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Tom Ford Skin Illuminator - Fire Lust

Tom Ford's summer offering this year is pale, pretty and rather on the sheer side.  I've a selection of the products to show you, and I'm starting with the Fire Lust Illuminator, which is a lovely golden apricot shade, which you can use either as a highlighter or mix with your foundations for a sheer-er dewy finish.

A little of this goes quite a long way, it has good slip, and is a beautiful shade.

It's full of micronised pearl pigments, and is rather pale when blended

As you can probably tell here.  I blended half of the swatch out, and you can see the effect on the skin is rather ... subtle.  As a highlighter, on my skintone, it's not all that effective, but I think on either a much paler, or even much darker skin, the effect would be more pronounced.

That said, this does mix beautifully with foundation.  I've mixed this with Estee Lauder Double Wear, and Double Wear light, and the mix gives it a gorgeous dewy finish, but still with a nice amount of coverage, I really like it.

Tom Ford Skin Illuminator in Fire Lust is a limited edition product, and is on sale at Selfridges now for £46.

More from this collection coming up later this week.

The Fine Print: PR Sample

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Tom Ford Lip Colour Shine - Quiver

Oh, be still my beating heart, a new collection of glossy lipsticks from Tom Ford?  Oh, I am IN!

There are ten shades in the new range of Lip Colour Shines from Tom Ford, ranging from bright scarlet, all the way through to nudes (Tom does like his nude shades, eh?), in a brand new, soft and glossy formula. I was lucky enough to get hold of a sample of Quiver, which is a pretty pink, and is the shade on the far left in the picture above.  Let's get on with the review, shall we?

Packaging is in the now signature laquered brown, with gold accents, but the casing is somewhat thinner and elongated in comparion to the original lipsticks:

Indian Rose, on the right there, is probably my most-used Tom Ford Lipstick, as you can probably tell from the slight wear and tear on the gold edging there.  A couple of years in my makeup bag will do that to you.

Anyhoo, the softer, glossier texture means that you miss out on the embossed Tom Ford logo (shown here on my least-used Tom Ford lipstick, Wild Coral, a shade I adore, but that has a tendency to wear me), but I'm assured that the formula contains many of the same ingredients as the main line.  Personally, I find it a little more scented than the lipsticks proper (it's very definitely more vanilla-based, if you ask me), but it feels soft and quite balm-y in wear.

Quiver is actually a soft, baby pink.  It's quite neutral, meaning it can look either blue-based or orange-based depending on the lighting conditions.  I like it a lot.

These have a sheer, but not unpigmented formulation, and the colour can be built up on the lips by applying extra layers.  They're very glossy, and feel extremely cushioning and nourishing on the lips.  There's a good bit of slip, but they don't sit on the lips, or feel at all greasy, in the same way, say, a YSL Rouge Volupte does, they feel like they meld well with your lips, and they're very comfortable in wear.

Here I've swatched it next to TF Pure Pink so you can see both the difference in shade, and texture.  This is about three passes of Quiver, and one pass of Pure Pink, you can see how different they are!

 
On my lips, it's a very pale shade, but not one I'd classify as a nude.  There's just enough pigmentation to even out my natural lip colour (something I have problems with in sheer shades, as my lips are extra-pigmented around the edges, leading to a "lip-liner" effect in some lipsticks), wear time is about average for a glossy, balm-type lipstick, a couple of hours or so, and it won't last too well if you eat or drink, but it's a nice lipstick to reapply.

There are a few ranges which have released a sheer and glossy diffusion line over the last couple of years, Dior, Chanel, and now Tom Ford, I like all of them, but frankly, my heart belongs to  Chantecaille Lip Chics.  The Tom Ford Lip Colour Shines are lovely (and I have no doubt I'll be picking up a couple of the brighter shades once my wedding-spending ban is over), but only time will tell if they'll beat the Lip Chics for the battle of my heart ...

Tom Ford Lip Colour Shines will be on counter from this week.  I'll update this post with the price when I have it.
 
The Fine Print: PR Sample.

This post: Tom Ford Lip Colour Shine - Quiver originated at: Get Lippie  on 04 February 2013 at 6am GMT. All rights reserved. If you are not reading this post at Get Lippie, then this content has been stolen by a scraper

Tom Ford Tainted Love Lip and Cheek Stain

...Sometimes I feel I've got to run away
I've got to get away
From the pain you drive into the heart of me.
The love we share seems to go nowhere ...

Ahem ... anyway, I doubt very much this product was inspired by Soft Cell, but one never knows.  The latest collection from Tom Ford is a seasonal one, and, for me, this is the most interesting product.  

 

 

Packaged identically to the iconic Tom Ford Private Blend lipsticks (which is both a blessing and a curse, to be honest), this is Tom's first lip and cheek stain.

 

It has a rounded top, unlike the lipstick's slanted edge, which makes it easier for application on the cheeks rather the the lips, and it has a sheerer formulation than the traditional lipsticks:

Oops!  Used before photographing, sorry!

My bullet feels a little loose in the housing, as you can probably tell from the markings towards the middle of the stain - which I find infuriating in such a high-end product, tbh - but this is essentially a sheer berry shade, which should be flattering on most paler skins.  I'm not sure it would show up too much on the cheeks of darker skins, but it would still work as a lip stain.  It's a lovely colour, not too blue, and not too pink, which is a very fine line.

Strangely, I find myself  preferring this as a cheek colour to a lip stain, it's got a fair amount of slip, blends easily, and gives just a tiny kiss of flushed colour to your skin, it's deeply pretty, and looks very natural. 

 

On my lips, the colour just doesn't quite work, as my lips are quite pigmented naturally, and it doesn't quite do enough to even out any patchy shading.  But if your lips are more evenly pigmented, or are paler, than mine then it will work better, it's just a little too close to my natural shade to be useable, really.

 

It doesn't, really, have any staining properties that I'm aware of having tested it a few times, now.  It's far more Lipstick Queen Medieval than Benetint, if that makes any sense.  It's basically a sheer lip colour, which is fairly emollient, than a stain of any description whatsoever, really.

 

Tainted Love Lip & Cheek "stain" is a limited edition product, and is on counters now at £36.

 The Fine Print: PR sample.

This post: http://getlippie.blogspot.com/2012/10/tom-ford-tainted-love-lip-and-cheek.html originated at:  Get Lippie on 19th October 2012. All rights reserved. If you are not reading this post at Get Lippie, then this content has been stolen by a scraper