Chanel Ombre D'eau: #757 Splash

I love a bit of Chanel.  Some of my more regular readers might have noticed.  I'm also a massive fan of their Ombre D'eau eyeshadows, finding the colours gorgeously complex (in the main), and also rather more long lasting than Chanel's powder shadows.

The latest release in this format is number 757,also called "Splash".  It's the second one I've purchased this year, the first was Torrent (a beautifully sludgy khaki shade with beautiful iridescence) from the Spring Kaska Beige collection, and that's been in heavy rotation ever since.  Splash is a bronze-y taupe, with a metallic sheen:

It's rather more dark-seeming in the bottle than on the skin, but it's a very wearable shade - if you like sludge colours!  On swatching, it seemed rather familar, so I swatched it next to my beloved Shu Uemura Brown 805:

As you can see, the Shu (on the left there) is rather lighter, and a little more shimmery.  Then I thought that it reminded me of Chanel's Taupe Grise, and so, I swatched that too:

In the bottle, Splash looks a lot more like Taupe Grise, but once on the skin, it definitely loses the greyish cast, and takes on more bronze.  As you can see, the Taupe Grise (far right) looks far more grey, and definitely has a touch of purple in the undertone.

Under slightly different lighting conditions, you can see the differences more clearly.

I like to wear the Ombre D'eaus sheered out on the eyelid, and this is how it looks after six or seven hours on the eyelids:

I'm wearing it here with Guerlain Oriental Metal on the waterline.  I didn't really have a burning desire to pick up any of the rest of the Chanel holiday collection - it was a bit too PINK for me - but will you b getting any?

An open letter to a hairdresser ...

When I made my first visit to a hairdresser for blogging purposes last year, I wrote this:

"I find the thought of trying out a new hair salon pretty terrifying, I've been known to hang around outside salons for ages trying to pluck up the courage to actually walk in and make an appointment!   As a result, it's entirely possible I don't visit the hairdresser as often as I might."

And, even this year, when I've been to many hair events, met many hairdressers, and even judged a national hairdressing competition, I stand by those words.  I've met, talked to, and had my hair done by many amazing hairdressers this year, and for every individual who has worked miracles with my insane thatch, sadly, I do still find the ones that reduce me to a quivering jelly of inadequacy and incoherence.  In fact, I do - still - find the thought of walking into a new salon absolutely terrifying, because, not only do I live in fear of the Bad Haircut, I also live in fear of the Bitchy Stylist.


In all honesty there is only one thing worse in a hair salon than the Bad Haircut/Style/Colour and that is the hairdresser who, if you draw their attention to the problem, makes it feel like it's entirely YOUR fault.


This, therefore, is an open letter to every hairstylist who has ever belittled a client in the name of protecting their own reputation:


Dear Hairdresser,


In today's recession-hit times, a new hairdo becomes an even bigger investment of both time and money for your clients. A new client walks over your threshold in a strange mixture  of anticipation of an hour or three of pampering, and utter terror that things will go wrong.  We save up our pennies, and hope that this time - oh, this time - will be the time we come out of the salon with the haircut of our dreams, that we will, in fact, come out looking like Nicole Kidman, Nigella Lawson or Kate Moss, and not like the frumpy knackered accountant who walked in.  Ironically, we all know it won't happen, but, under the circumstances, we'll generally settle for "looking better than we did when we walked in".  It's a compromise we'll usually all be happy with.


Occasionally, things do go wrong, and, when they happen, I'd like to suggest the following steps not to take when the disgruntled customer walks over the threshold:


1) Do not greet the customer with the words "What did you do?".  Nine times out of ten, the only thing the customer will have done is exactly what you told them to do.  The only thing this question will elicit is the feeling that you have assumed the customer is an incapable idiot.  It will also make them anxious, and, also, make them defensive.  Things will not go well during the conversation if you make the customer uncomfortable just for walking through the door.

2) Do not, whatever you do, sneer at whatever the customer says in response to the question posed in step one.  It's bad enough that you've already made the customer feel incapable of looking after their hair, do not then compound that feeling by making your dislike of the poor creature with the terrible hair you created plain to see, as well.

3) Do not then use any of the following phrases: "well, it's not ... horrendous/dreadful/terrible/disgusting/awful/as bad as you think".  What this phrase actually means is that whichever adjective you've chosen to describe your clients hair as "not" being, is the first word that sprang to your mind, and now you're denying it to yourself.  If your client has plucked up the courage to complain about what you've done to their hair, and the best thing you, the stylist who created the situation can think of to describe it is "not horrendous" then, well ... it suggest that actually, you've got a pretty dreadful hairdo, to be honest.

4) Please, please, please at this point, do not patronise the client.  If you've already committed the errors in points 1), 2) and 3) then patronising your client at this point will just put the tin lid on things.  Calling her love/darling/sweetheart or anything of that ilk is just going to make your client angry.  You know her name, please use it.  Also if you can possibly avoid it, try not to contradict your client at this point too.

Things you might want to do:

1) Apologise.  No one wants a disappointing haircut/style/colour.  But, if your client has taken time out of their day to come show you their disappointing hair, then the least you can do is apologise for them having to come back to see you.  Clients, particularly upset ones can indeed be a pain in the backside to deal with, but I guarantee that the majority of people who do complain are in genuine distress about their hair, and it would be nice to show you have some empathy with them.

2) Listen to the client.  Why are they unhappy?  Is it something that can be fixed quickly, there and then?  If it is, offer to do it.  Are they unhappy because it genuinely is something that went wrong, or is it something very simple that won't take much to sort out.  If you do not listen to what your client is telling you, and assume that everyone who comes back into your salon is purely after something for nothing, then you are just going to make the clients with genuine problems very, very unhappy.  Remember that no one knows their hair like the person attached to it, and if they say there is a problem with the condition, then it's likely that they are right.

(We all know the statistic that a happy client tells one person about a good experience, but an unhappy client will tell seven people, right?)

3) Be prepared to offer the client a second opinion.  And if you do, be prepared for that client to want the person who offers a second opinion to fix the situation - particularly if you went through the stages 1-4 above.


4) Be gracious.  Please don't treat a complaining customer like a criminal. 

5) fix the problem.  I think this one is fairly self explanatory.

Love and kisses,
Lippie xx

An open PS to clients: Don't be a pain in the bum when complaining, stylists are only doing their job, remember?

So there you have it.  Does anyone else have anything they'd like to add?

Shu Uemura - Pleasure of Japanese Bath

Shu are (in)famous for their cleansing oils, but did you know they also have a range of bathing oils?  I didn't until recently, and I spotted these little bottles hiding out in a corner of the Shu store in Covent Garden a few weeks back, and had to try one.  First released 10 years ago, the oils are back, and they're a little different to a lot of other bath oils I've been trying recently.

First of all, the scents veer away a little bit from the traditional "aromatherapy" scents, which is nice.  There are four varieties: Hinoki, which is cypress-scented, Sakura which is cherry blossom, Shobu is iris, and Yuzu is a kind of Japanese citrus.  They're not overly scented, but they disperse beautifully in the water, creating a milky opalescent bathing experience.  My bath has LEDs in the bottom, and when they're combined with the milky water, it really makes for an unusual light show!

They disperse completely, so there's no oil-scum left and it doesn't leave for a slippery bath.  My oil is the Hinoki, which is vaguely herbal-smelling, and with a hint of pine, I find it relaxing to bathe in, and the oils leave my skin soft and moisturised without feeling at all greasy.

The bath oils cost £22 and are available direct from Shu Uemura shops and concessions, sadly, I can't find anywhere that stocks this stuff online in the UK, if you find somewhere, will you let me know?

The Fine Print: PR sample.  Kinda.  I offered to pay!

Purple FotD

Just a random FotD that I haven't posted earlier, I love this purple shadow from Daniel Sandler,  I've posted about it before, I think it really makes the colour of my eyes stand out:

When I'm not wearing my beloved taupes and neutrals, purple is my default "go-to" shade (my favourite smokey eye is a purple one), it's a great shade, and this is a great shadow, this lasted all day - no primer - and, iirc, also lasted through a little bout of crying without running all over my face.

Foundation is Guerlain Lingerie de Peau, blush is Daniel Sandlers Mineral blush in Natural Beauty, and I'm just wearing a touch of balm on my lips.

What's your "go-to" shade?

WE ARE AN WINNERZ!

Sorry, got all lolcats for a minute there, but I just wanted to announce the winner of my L'Occitane giveaway!

The winner is ....




KITTY!!!

Please drop me an email with your full name and address, lovely, and I'll ensure that the powers-that-be get the parcel out to you this week.

Lots of lovely entries this time around, thank you everyone for taking the time and trouble to enter!

Nail of the Day: Andrea Fulerton Foxy Lady

I've been waiting for Andrea to get this range into the shops since last March!  I was lucky enough to get my nails done by this lovely lady at an event and we had a really good natter, so when I found out the range was finally available at Superdrug, I leapt to collect some bits and pieces.  I love that alongside some great polish shades, Andrea has really thought the nail painting process though, and brought out some great tools for both creating nail art, and making your application neater and easier!

The first thing I've really taken a good look at is the Colour Layering System in Foxy Lady. Essentially a double ended nail polish, featuring (in this case) one opaque metallic copper, and a shimmering sheer purple shot through with beautiful turquoise shimmer at the other end.  The idea is that you can either wear the shades alone, or layer them one over the other to create different effects, for example:

L-R Copper alone, Shimmer alone, Shimmer over Copper, Copper over shimmer. All show two coats.

Application was fine and smooth, and the polishes are very quick-drying.  I liked playing with them a lot, trying to figure out which combinations I liked best.  The brush is a standard round brush (no pro-wide brushes here, which is a shame, as I'm increasingly finding I like a flat brush for varnish application).  I think you can see from the picture above that the polishes work best when you layer the shimmer over the metallic polish, and you do get a very lovely "twinkly" effect on the nails under different lighting effects.

In fact, I liked the effect so much that I immediately applied a full manicure of the turquoise over the copper - a combination that I chose because I couldn't see, at all, how that could possibly work together - and my nails are a kind of turquoise-y-purple-y-gold-ish shade that is very hard to describe - Sometimes it's bronze, sometimes pink, sometimes lilac, sometimes purple, it depends on the light!  Lots of depth, lots of twinkles, lots of interest, and yet, not too in your face you could wear it to the office.  Which I am, in fact, planning to do.

What I also like about these polishes is that they're not really mini-sized bottles.  A full-size bottle of Andrea Fulerton polish will cost you £4.99, and contains 5.5mls.  Each of the bottles of polish in the Colour Layering System contains 4.4mls, and they cost £7.99.  Ml for ml, that is exactly the same price.  Ordinarily when bottling polish in smaller containers companies take the opportunity to double - or even triple - the ml for ml price!  Bravo Andrea for not doing that, and making sure that the bottles are a decent size in the first place.

I'll bring you some reviews of the rest of the bits I have soon, I especially love the pop up nail varnish remover bottle!  Andrea Fulerton products are available from Superdrug

The Fine Print: Products came to me via an arcane and mystical process I could not possibly describe publicly.  Links are not affliliates, what kind of girl do you take me for?  [rhetorical]

Review - Tom Ford Tuscan Leather

Alongside minty fragrances, I'm a sucker for something with a hint of leather.  Tom Ford Tuscan Leather, however, doesn't contain a hint of leather, it's a full-on smack in the face with a driving glove.

My first introduction to leather scents was with Serge Lutens (or, dear old Uncle Serge as I refer to him for some reason) Daim Blond, to me, everytime I sniff it - I don't own a bottle - I think it's the very essence of how a suede rose would smell, if such a thing existed.

Tuscan Leather isn't as lady-like - or as genteel - when first sprayed it is the very essence of a leather armchair that's spent many years in the corner of a gentlemens' drinking den, absorbing the aromas of brandy and cigars.  And, of course, with a hint of the leather itself underneath.  This isn't for everyone, but for me, I adore it.  It's another "dry" scent, without much in the way of sweetness on my skin (although one of the notes a lot of people talk about is raspberry), and I like it all the more for that.  It's masculine-seeming on first spray, but the dry down turns it more into a skin-scent, meaning you have to get close to smell the notes, and you will occasionally be able to smell yourself.  I have a scarf that's been impregnated with the smell of this now, and it's something I occasionally wrap around myself and sniff just for the pure pleasure of it.

Ironically, on MrLippie, it smells a little sweeter, and a little less "gentlemanly" as a result.  I didn't tell him what it was when I first sprayed him with it and he thought it was interesting and familiar, then muttered something about new cars ...

Tom Ford Private Collection Tuscan Leather retails for £115, and is available from Selfridges.

The Fine Print: Revoo written from samples.

Guerlain Rouge G - B62 Betsy

I love my Rouge G's, I already own a red, and a pink and I wanted something a little more neutral this time around. 

Enter Betsy.  In the bullet, a rather intense mauve shade, it's actually rather more sheer than it might appear on first look:

This is one of the B range of Rouge G's, which have a lighter, more sheer texture, and feel rather more like a tinted lip balm than a lipstick.  I find them highly emollient, and, even though I have to apply slightly more often than I do than I do with a regular Rouge G, I think it's worth it when you get the right shade. On me, this is a "my lips but better" shade which I find works better for a smoky eye than a traditional "nude" shade, as it still adds a little definition, and doesn't make me look anemic.

Rouge G's are expensive, there is no denying it, but for me, they're worth every penny, as an investment piece there are very few lipsticks that look as expensive as this.  I adore the packaging - and, whilst I might have had my head turned slightly by Tom Ford and his crack habit lately, Rouge G will always come top of the expensive lipstick league tables for me.

The Fine Print: Debenhams Oxford St provided me with this fine example of a lipstick for only TWENTY FIVE of your earth pounds.

John Frieda Precision Foam Colour

I'm a little paranoid about home hair colour.  One too many colouring disasters has left me totally unable, these days, to even think about using a box dye myself.

I've lost count of the towels I've ruined, the ears I've dyed to match my hair (and scalp), the grouting I've spattered with various shades of black, red and blue - long story, don't ask - and, the patchy results always but always drive me nuts.  When you have long, dark hair that has been greying since your 18th birthday (as mine has) it can be difficult to use, particularly on the roots around the back of the head, as I'm not a contortionist!

So, when I was invited to preview a range of home hair dyes from John Frieda I was somewhat sceptical, particularly when we were told that this was something "entirely new" in the field, then found out it was a foam.  I remember foam dyes when they were first introduced in the 80's.  Invariably a shade of red, the only thing they coloured in any way was your skin.  Certainly, they never made any difference whatsoever to my hair!

However, having watched a model use the product live in front of my eyes, I have to say I was impressed with the results I saw recently, so much so that I inveigled a member of my own family to try my sample box.  Essentially, the colourant is a mousse, you mix a dye and accelerant together in a bottle, then add a nozzle applicator and squeeze it to release the contents. 

The bottle:

This is actually after it had been in use - these were the dregs!

Here's the hair we started off with:

Some serious rootage there.  I know that feeling well ...

In progress:

And after:

I have to say, I'm very impressed.  Major points in the colour's favour:

Low smell - it barely smells of anything at all.
Ease of use - my model was packed off to the bathroom with just the box and a 7-yr old "helper" and left to fend for herself, she soon figured it out!
Non-drip - once this stuff is on your hair, it doesn't budge.  Maison Lippie is a palace of white, floors, walls, seats and surfaces (it's beautiful, but not the most practical place to dye your hair, really) and there wasn't a single drip anywhere at the end of the process.  No marks in the bathroom, and no trace of her progress anywhere else in the place, either.
Non-staining - any dye that got on skin (my model was determined to dye her ears black for some reason) was very easily removed with just a baby-wipe.  There were no stains left on skin anywhere.
Short developing time - the entire process was done and dusted in less than an hour.  45 minutes if you don't include drying time.
Good results - Now, whilst the results weren't perfect (we didn't leave the dye on the roots alone for quite long enough, so even though the grey was entirely covered, it was a tiny bit lighter than the ends - this was pure operator error), they were much better than expected.

So, even though the John Frieda Precision Foam Colour is a tiny bit more expensive than most box dyes - it retails at £9.99 from the likes of Boots and Superdrug - my model was impressed enough to change her regular box dye for it.  My mum has one of the blonde ones, I can't tell you how much I'm looking forward to seeing how she gets along with with it!  I've dyed her hair for years, and find it such a boring chore, this foam may be the one to change all that!



The Fine Print: PR Sample - but a very welcome one.

Review - L'Occitane Fleur Cherie Make Up

On Friday, I said I was giving away a set of L'Occitane goodies, so now is the time for me to tell you a little more about them.

I'm actually giving you this set:

Which contains a lipgloss locket, full size eau de toilette and soap, plus brightening face-powder pearls.  It's a cute little set, which I've enjoyed using a great deal recently - I adore the smell of neroli (Fleur Cherie is scented with orange blossom), and the scent of the products (except the lipgloss, which is unscented) is light, refreshing and just lovely.

The powder pearls are very pretty:

Lightly scented with orange blossom, the peach and apricot pearls give a light glow to the skin - they're not dark enough to be a fake-tan product, although they will give a lovely golden-sheen on darker skin.  I use these in place of blusher.

The lipglosses that you get in the fob, are essentially clear, with a hint of sparkle, as you'll see in the FOTD later.

But this is not the whole of the range, like the peony range of cosmetics L'Occitane brought out last year, there's a few more colour cosmetics available, and I've been trying those too.  I was sent an eyeshadow duo, an eyeliner and a lipstick to try, and here they are:

This is lipstick in Rose Sequin, eyeshadow in Bleu Damasse, and eyeliner in Noir Velours.  I've actually found myself impressed with them (with some caveats, as you'll discover), the shadow is smooth and velvety, with excellent pigmentation, and very good lasting power, I found that without a primer, the shadow stayed in place for around 10-12 hours, needing only a light smush with my fingers to get rid of the (minimal) creasing. The liner is very black, and very smudgy, however, it's lasting power isn't quite as good as the shadows, and I found it had run a bit after about six hours. The lipstick is a lovely, lovely shade, but it's very sheer, so won't be for everyone, also, I've found that the cardboard packaging, whilst adorable, isn't the most robust packaging in the world.  It's nice and moisturising on though, so while it doesn't last, it's actually nice to reapply quite regularly.

Here's the face of the day I created with the shadows, liner, face powder and the lipglosses from the fob:

Foundation is Estee Lauder Double Wear Light in shade 2.

The Fine Print: samples were provided for review.  You didn't think I'd do a giveaway of untried products, did you?

Giveaway Time!

Oh, this latest Fleur Cherie collection from L'Occitane is so pretty! The full range is released on Monday, but I have a gift set to give away to one of my lucky readers. Containing a full size Fleur Cherie eau de toilette, a bath soap, a set of brightening face powder pearls and the almost too pretty to use lipgloss you can see above.

The Fleur Cherie range is based around orange blossom and all the items in the gift set are beautifully packaged and scented. This is a lovely present either for yourself or for hoarding for a Christmas gift for someone else. There's a whole range of makeup too, which I'll show you more of next week, I think you'll like it, I certainly do!

The rules:

1) be a follower of this blog via google friends connect (on the right there)
2) leave a comment on this blog post telling me your favourite scent, and why
3) be UK resident, and please leave an email address I can contact you on in your comment
4) that's it!

The prize will be despatched direct from L'Occitane's representatives upon receipt of a valid postal address.

Prize will be drawn on Friday 5th November - invalid entries will be disqualified. Good luck!

NOTD: NARS Mash

I was obsessed with this shade from the first moment I saw it, a glorious golden-khaki, it's slightly different (metallic greens are my current nail varnish obsession) and I had to have it:





I love it. The above pic shows two coats over a sticky basecoat and topped with Seche Vite. First coat goes on quite sheer, but the second finishes it off nicely.

It's oddly work-appropriate, and very pretty, it flashes bronze and copper sparkle when you move your fingers around.

However this is a *chiptacular* polish! I've worn it several times now, and each time I've had to remove it within 48 hours (once within 12!) thanks to chipping. Still wear it though because I love the colour so much, but I'm not entirely sure I'll be buying any more polishes from NARS in the future, to be honest.

MASH is part of the NARS vintage collection which is available from Selfridges and SpaceNK, cost £13.50.

A question

If you went for a keratin treament and got these results, what would you think?

After blowdry (1st wash, 3 days after treatment):

Close up:

And, after airdrying (2nd wash, four days after treatment):

Close up:

Excuse the dodgy lighting - and my best "Prisoner Cell Block H" expression, but I wondered what you guys thought of my hair (not my face, please)?  More details about the process in a later post.

I've had a similar treatment before, see those results here.

Tom Ford Lipstick - Pure Pink

£35. For a lipstick. Even I, who will quite happily shell out a whopping £25 a throw for a new Guerlain Rouge G (review of a new one of those coming up soon, btw) every now and again, am thinking that £35 is just a little OTT. For a lipstick.

But, this isn't just any lipstick. This is a Tom Ford lipstick, and for all I know is made from precious dyes hand-extracted by virgins at the fullest of full moons, rare waxes to be found only in the magical village of Brigadoon, and then pressed into the moulds by the great man himself. They're not of course (they're made by Lauder Group), but they are pretty damn fine all the same. Soft to apply, richly pigmented and moisturising on the lips, they are a treat.






An expensive treat, admittedly. I'm amusing myself by figuring out, every time I wear it, the cost per wear, which is currently £2.92 at the time of writing (or £2.916 recurring if you want to be precise). Look, we accountants have to amuse ourselves somehow!

The main draw for me is the colour of this one, a cool, BRIGHT pink, this is a happy shade. A confident shade, and one I love wearing.






It's not glossy, but lips are saturated with colour that lasts (and lasts), but it will coat cups glasses and pens in pigment too, every time you eat or drink.

Overall: Do I think these are overpriced? Hell yes. Am I thinking of buying another? Dammit, I am. More than one, in fact, despite having been underwhelmed when I saw the line initially. I think the secret ingredient in these is crack.

Tom Ford: evil genius. Pass it on.

Bogies!

Yes, I am a child, but I can't deny that a large part of the charm of this shade (for me) is it's name. Which is actually Bogie, not bogies, but I never let truth get in in the way of a stupid joke. Did I tell you that I once bought a blusher purely because the shade was called "Wind"? Anyway, I digress ...

Hailing from the recent China Glaze Vintage Vixens collection (and actually named after Humphrey Bogart) Bogie is a glorious metallic aubergine, with a hint of silver in the mix. It's garnered a lot of compliments this week, and I love it.



Application was fabulous, this applied perfectly in two coats, and, even now, four days after it was first applied, is still going strong, with no chips and only minor tipwear.




I just wish China Glaze were easier to pick up in this country, I got my bottle (alongside most of the rest of the utterly beautiful Vintage Vixens collection) at the Professional Beauty Show at Olympia recently.

Candle Wall ...

I love candles, now I've moved to Maison Lippie, I have an entire display unit devoted to my favourites, they make the room smell wonderful, even when they're not burning:

Top Row: (L-R) Orla Kiely White Tea (£12.50 from Heals) - this one doesn't really smell of anything when it's burning, which is a shame, as it smells wonderful in the holder. Jonathan Ward Lost in El Salvador -  (£20 from Wholefoods) this is one of my very favourites - you might be able to tell it had just finished burning in the pic - gloriously scented, once burning, this will scent the whole flat very quickly, I'll be heartbroken once it's finished! Malin & Goetz Vetivert (£34 from Liberty) - love the straw and hay scents to this one, I'm hoarding it a little for deeper into winter when I want to be reminded of summer days!

Middle Row: Kenneth Turner Blue Tangerine (£22 from KennethTurner.com) this is a scent I have in almost every format it exists in, shower gel, hand cream, body lotion, candle, room spray, everything.  About the only format I don't own this in is a reed diffuser, but I'm hoping to remedy that soon, I think it's one of the sexiest scents on the planet, and I love this candle a great deal, it's about the third one of this scent I've owned, and I have a couple of back ups.  I just wish it was a perfume.  Orangey and minty, it's delicious. This doesn't smell as strong when it's burning, but I love it anyway. Man's Candle Lemongrass and Thyme (£12 from Wholefoods) smells wonderful in the box, smells of literally nothing whilst burning, and the scent has disappeared since I opened it too.  Definitely one I wish I hadn't wasted my money on.  The White Company Cassis - (£18 - The White Company) smells gloriously green and leafy, love it in the jar, but again, one that doesn't smell so much when it's burning.  A shame, blackcurrant leaves are a great scent! Jonathan Ward Lulu in Provence - (£30 from Wholefoods) Summer in a jar, sweet fruits with a hint of almond and some gorgeous sandalwood, again, it scents the room wonderfully whether lit or not.

Bottom Row: Jonathan Ward Nightingales Jasmine (£30 - Wholefoods) - wonderfully sexy scent for the bedroom, a spicy jasmine.  It's the first JW candle I got my hands on, and it's a glorious introduction to the range.  Neom Complete Bliss (£35 from neomorganics.com) - roses, roses, roses.  I love to burn this one alongside a bath with my beloved Ren Rose Otto bath oil.  It's sweet, and as the name suggests, rather blissful.  If you like roses, you'll love this one.  Kenneth Turner Citrus Bergamia - (£22 - Kennethturner.com) A nice candle this one, but rather forgettable next to some of the others. Harrods Pink Pepper & Passionflower (£20 - Harrods) lovely, gentle, slightly spicy flowery scent.  It's really nice and relaxing to have burning when I'm blogging.

Now, you might be thinking that I have more than enough candles, but I have one space left that I'm saving for Idina's Locket (again from the genius that is Jonathan Ward), I was lucky enough to have sniffed Jonathan's latest range back when it was still in the planning stages, and I can't wait to see how they've turned out in candle form!

But, if anyone is reading, and wants to buy me another, this one has my name ALL over it ... Luce's Candle.

Estee Lauder Signature Services

After my little rant yesterday, on to a brand that's at least trying to get their counter service right.  I mentioned the other week that the worst makeover I ever had was at an Estee Lauder counter, and as a result I was invited along to try out an Estee Lauder Signature Service for myself to see how things had changed in the meantime.

There are several Signature Services, including Skincare Check Ups, Foundation Matching, Fragrance Finding, Colour advice, "Two Minute Touch Ups" (snigger) and Time Reversing Tips and Tricks.  I popped along to the Selfridges counter (ironically, one of the nearest proper Lauder counters to where I live), and spent some time with Kaman to get some skincare hints, and find my perfect foundation.

I'm a lapsed Lauder customer. I used to use their Double Wear foundation back in the day, I always found it slightly the wrong shade, but it was about the only foundation at that time that would cover up my dreadful reddened, angry and pustular skin.  Likewise, aside from Idealist, I'd always steered clear of their skincare, finding it dreadfully over-perfumed and found the names way too long and confusing (still do, as a matter of fact).

However, with the recent addition of Tom Pecheaux to their creative team, Lauder powder products have impressed me hugely, so I was happy to have my prejudices challenged.  Kaman, is a lovely girl, and when she told me that she's going to be spearheading Lauder's campaign to get all counter-staff trained in making the customer feel comfortable, I wasn't surprised that she had been chosen for the job.  Calm, chatty, and willing to listen to my specific concerns about my skin, and my less specific whinges about customer service in the beauty industry in general she's a great person to spend 20 minutes or so in the company of.

She really knows her stuff too.  The Lauder system is based on you answering a few specific questions, and then a range of products are suggested to you.  My skin is going through an oily patch at the moment, so I wanted to look at products that were good for combination skin showing the first signs of ageing, no mean feat, really.  I was "prescribed" products from the Perfectly Clean range (Sparkling Clean is for oily skin, Soft Clean is for dry skin, and Perfectly Clean is for normal/combination skin), alongside Revelation Moisturiser and Idealist serum.  Oddly, I've always thought of Idealist as a primer rather than a serum, so we'll see how it goes.

As for foundation, I was matched to Double Wear Light (bad beauty blogger alert) which I wasn't aware actually existed!  It's a lot easier to wear than regular Double Wear, that's for sure!  I was surprised that I was matched to a cool tone - I actually think my skin tone is pretty neutral these days, I'm pale, but I tan, and the veins on my inner arms appear green rather than blue, but I do prefer cooler tones for clothing, and silver jewellery for some reason - but it was interesting to see that Lauder are making an effort to match cool, warm and neutral skin tones.  I was also really pleased to see that even though this is a free service, I was actually given a ten-day sample of the foundation of my choice to take away with me, which I thought was brilliant.  Much better than a sachet that may, or may not give you a full application.

All in all, I was very impressed with my time at the Estee Lauder counter, and once I've finished trialling a few things, I'll be back to tell you more ...

Samples

I buy a lot of cosmetics.  I buy a lot of cosmetics.  But a lot of things about buying cosmetics drive me crazy. Over-attentive shop assistants who hover over you, demanding to "help" whenever your eye wanders onto anything.  Under-attentive shop assistants who ignore anything resembling a buying signal, up to and including you saying "excuse me, can I get one of these please?"

But one thing that really, really, really drives me nuts at cosmetic counters is the refusal to give samples. I have pretty sensitive skin, and, it means that I can't really buy skincare without having tried a sample of it for a few days first, particularly with eye creams, so many of them sting me after a day or two. Likewise, there are certain ingredients in some perfumes that literally make me vomit, so I have to be careful - you will never find me agreeing to be sprayed with an unknown perfume in a department store, ever.  They tend to get upset after the first time you throw up on a shop floor, I find. 

Now, none of this would bother me that much if we had a decent returns policy in this country for unsuitable products.  But, if you've ever tried returning something you were allergic to, or made ill by (or even one that's damaged when you get through the packaging), then, on a cosmetic counter, you're made to feel like a scammer, or a criminal if you try to return it to the brand.

Far too often these days, I find that brands are very, very reluctant to hand out samples, even when I've notice that they often have drawers full of tiny tubes and sachets just ready, willing and aching to be handed to people.  In fact, especially when the brand has drawers of product ready willing and aching to be handed out to people, this appears to be the time that the dragon sales assistant has decided that no one - but mainly you - simply cannot have a sample of anything.

In fact, even when you've spent lots of money on products already, increasingly brands (and expensive brands are the worst, at times) some companies won't give you any samples, even when you ask. "it's not policy" you're told, or "we don't have any", both of which are doubly galling when it's a brand you've had samples of before.  I know, if I had a chance to try before I bought - and I'd even be happy to pay a token amount for certain samples - I'd BUY MORE COSMETICS.

So, what drives you mad about buying cosmetics?  And, whilst I'm about it, what's your biggest gripe about cosmetic sales assistants?

Review - No74 Hair and Beauty

There are some salons that you visit and you just know they've been designed straight from a catalogue of hairdresser cliches.  And then there are those that when you first wander through the doors, you know that they've been a labour of love from start to finish.

No74 Hair and Beauty is one of the latter.  Situated in Clerkenwell, yet feeling like you've wandered into a luxurious country house hotel, No74 is a tiny oasis of peace and beauty in the heart of the City.  Opened a year ago, Michael Reichelt has poured his heart and soul into creating what has to be one of the most gorgeous and calming salons it's ever been my pleasure to walk into.  Michael was recently voted "Entrepreneur of the Year" in the recent Creative Head It List awards, and it's not hard to see why!

Last week, I popped along to try out their Grand Classique facial, which features Yon-Ka products. Yon-Ka are rapidly garnering themselves a cult reputation, created in 1957, the products are largely botanical, and very therapeutic, and are, of course, allegedly used by lots of Hollywood celebrities!

The Grand Classique facial lasts 75 minutes and costs £70 (which, if you ask me, is a bit of a bargain bearing in mind the location), and consists of several cleansings, a mild peel,  steaming, extractions if required/requested, sprays with botanical oils, a mask and lots and lots of wonderfully soothing massage.  I enjoyed my facial very much, it's a very "tingle"-making facial, leading me to worry about blotchiness and redness, but my fears were unfounded, and I left the salon with a glowing complexion - even though my skin is going through one of its periodic greasier than a greasy thing phases), and singing spirits.  My skin has been very soft and smooth ever since too, no irritating breakouts!

It's very refreshing to go to a truly independent salon, who carry out a full range of hair and beauty services, and I've been privileged to be able to visit a few this year, I doubt I'll ever be able to go back to a chair hairdresser again!  No74 is a wonderful location, full of people who love their jobs, and  I hear on the grapevine that one of their latest additions to the team is a former stylist on X Factor, so you need to pop along and get your own celebrity-style makeover! 

The Fine Print: Get Lippie was a guest of No74 Hair and Beauty, and would like to thank Brett and Renata for an amazing experience, you guys rock.

Le Metier de Beaute - Le Cirq Kaleidoscope

This is the latest limited edition kaleidoscope palette from Le Metier de Beaute and it's currently available from Selfridges.  I finally saw it in the flesh last week and simply couldn't resist snapping it up.  Costing £65, it consists of (from top to bottom) a glorious almost duo-chrome grey/stone (Flamboyantes), a mauvish-taupe (Spectacle), burgundy (Enrichissant) , and a great matte purple/navy (Dynamique) at the bottom.

The top three shades are gloriously soft and blendable, and the matte blurple is very soft too, the shadows apply with no dragging or pulling, and even without a base are surprisingly long-wearing. Using the Le Metier "couches de couleurs" layering technique, you get a surprisingly wearable and unique shade, quite unlike any other effect.  I adore this palette.

I also had a look at the Le Metier/Marchesa collection, and there's a lipduo I think I have to have in La Figue/La Raisin but at £25 for two - tiny! - lipglosses, I'm afraid I couldn't make the leap into paying for it.  The Marchesa compacts are deeply pretty, but I avoid mixed (powder and cream) palettes like the plague, finding them too prone to giving you sticky powders and powdery creams after a while in usage, not pretty, and not nice.

I adore the Le Cirque palette, however, if you decide to splurge make sure you check your palette carefully.  When I unwrapped mine, I noticed there was a ding in the burgundy:

I wasn't happy.  Then when I went to use the shade properly, I saw that the shadow was damaged even more badly than I fiirst thought:

 (Click to enlarge)

I'd have been miffed - yes, miffed! - enough if this had happened with something costing a tenner, but in a palette costing £65?  Not cool.  Not cool at all...

Winter Skin Preparation

I had a request from a reader to write about how to prepare skin for the coming winter months.

I'll be honest, I don't change my skincare routine much unless the condition of my skin changes drastically, with that in mind, I'll tell you what my current routine is, and what I'm planning to change when the weather gets colder.

I have combination skin, which - depending on the weather - can be more oily or more dry in patches, so I adjust my routine accordingly.

Turns out, I have around eight cleansers on the go at the moment, but the two I alternate between most at the moment are Alpha H Balancing Cleanser, and Nude Cleansing Oil - I may toy with with others, but these are the two I keep coming back to.  The Alpha H is a cream cleanser, which I enjoy using to "melt" off my makeup at the end of the day, and I like using a cleansing oil in the mornings.  I'm playing with a couple of other cleansers too these days, and I'll talk to you more about those soon.

The cold weather can make even the best looked-after skin a bit drier and a little flaky looking, so you may find you need to exfoliate a little more often. For exfoliation, I'm still in love with my Clarisonic (I cannot tell a lie) but I found in the past that the hot-cloth cleansing method with a muslin cloth used daily was more than adequate for my exfoliation needs.  Occasionally (once a week or so) I'd use a little Origins Modern Friction, which I enjoy using for the warming sensation, and removing the gluey mass at the end is very satisfying, but then, I am a little odd.

You may want to switch to a (slightly) heavier moisturiser at this time of year,  I'm currently trialling a few moisturisers at the moment - amongst them ROC, Estee Lauder and a couple of others - but, I admit I'm still waiting to find "the one" that's going to suit me all winter long.

Whilst I'm waiting for the magic moisturiser to make itself known to me, I'll be upping my hydration levels via the use of a few judiciously chosen emollient masks.  Sisley Flower Mask is one I adore, though it's expensive, and I'm also planning to make use of Liz Earle's Intensive Nourishing Treatment Mask over the coming months too.

But, the one thing I absolutely, positively can't live without at this time is - of course - lipbalm.  For an overnight treatment, I simply adore Sisley's lipbalm (no, Sisley haven't sponsored this post, I just love them!) I just slip a little over my lips at night, and generally all is free of chapping the following day.  For during the day though, I love my little tins of Badger Balm, they're organic, not full of mineral oils, and taste divine, even if they have discontinued my beloved Chai Rose flavour!

What are your winter skincare tips?

Dear Mac...

Formidable nail polish is beautiful, but I'd like more than 36 hours wear, please:

Tresemme Naturals

I tell you, it's very annoying when - before you've even tried a product - you've already written half of the review in your head, then when you do go on to try it, you realise that you're going to have to eat half  the words you haven't yet actually written.

<sigh>

So ... I was introduced to Tresemme Naturals recently, the latest offering from the Tresemme range of shampoos, conditioners and styling products.  Now, I've always been a bit sniffy when it comes to high street shampoo, I can't deny it. Ever since I started colouring my hair (a very, very long time ago) I've always  used salon brands, and paid the most I can afford for my haircare because, after all, your hair is the accessory you wear every day, so - to me, at least - it's worth investing in. However, this range from Tresemme, promises no parabens, is silicone-free, is a third lower in sulfates than it's original range and contains organic extracts of orange, aloe vera and avocado.

Now, I do find the name "Naturals" a little misleading (which is where my "original review" started, to be honest), as the only natural things in the shampoo are the organic extracts - and they're there in very small amounts - and basically, all they've done to the formula is tweaked it slightly to make it sound trendy, and "natural", plus they can put organic on the label too.  Nothing makes me madder than this kind of green-washing, particularly when it's a cover for putting out a less effective product, as I've seen happen in some companies.

However...

(and this is where I hang my head in shame and admit to having been a bit closed-minded),

The shampoo and conditioner in question are actually a bit marvellous.  They smell good, a little citrussy, the shampoo lathers well, and you can barely tell the conditioner is silicone-free at all, as there's a good amount of slip.  I found that both used together leave my hair clean, soft and super-shiny.  Colour me very impressed, and less prepared to sneer next time.  Price is quite reasonable too, you get nearly a litre of each for less than five pounds.

If the ingredients actually were natural, and they were SLS-free (instead of "lower sulfate" than the original version) then I'd be happier, but at this price point, they're actually pretty difficult to beat.

The Worst Makeover I Ever Had

Was at the Estee Lauder counter in the Liverpool branch of Boots a few years ago.

I only really have myself to blame, I'd ignored a few of my own hard and fast rules about makeovers (namely the ones about ignoring advice from someone who has deliberately turned themselves tangerine, and - my bad - the one about women who willingly wear black lipliner in the middle of the day having no business with their hands near my face), and gone for it in spite of myself.

I have to say, the girl was a dab hand with the highlighter, I had it everywhere.  Cheekbones, upper lip, and on my brow bones.  The stuff on my brow-bones was, I kid you not, an inch thick!  Worse though, she'd used so many products on my face that the whole thing started slipping even as she was applying it, meaning she had to cake more and more and more powder over the top to keep the "look" in place.  It looked, and I kid you not, like crazy paving by the end of it. And she was so proud!  I went back to the office afterwards, and after listening to the insane giggling and dodging a volley of remarks referencing Danny La Rue (imagine the above picture with dark hair, that was me, that was), I vowed, there and then to never go to an Estee Lauder counter for a makeover again.

Well, today I'm eating my words, as I've been invited to a makeup lesson at one of Estee's flagship stores, and I'm actually really looking forward to it.  I think the Estee Lauder brand has really pulled itself out of the "old lady" rut with the advent of Tom Pecheaux this year, I adored his Blue Dahlia collection a few months ago, and his Christmas collection (which I'll be showing you soon) is beautiful too!  Plus, they've promised not to make me look like an elderly drag queen today, which is nice.   I'll be showing you the results in the morning, so they can't say they haven't been warned!

So, what was your worst makeover like?

Face of the Day - Berry Lips

Dark, gothic lipstick colours are very much the flavour of the day this season, so here's my take on the look:






I'm wearing Chanel tinted moisturiser, Edward Bess eyeshadow in Intimate, Dior purple eyeliner, and the lips are Daniel Sandler lipstick in Micro Berry. This shade, I've discovered, makes a really pretty stain too.

Will you be wearing dark lips this autumn?

Pride and Joy!

Get Lippie moved house over the weekend, and I thought you'd like to see the reason I chose my new abode:




In case you can't tell (and I won't be surprised if you can't) that's my new bath. It's also a jacuzzi, power shower, steam room, and ... er ... something else. Doubles as a disco too, as you can see! I still need to read the instructions, as me and MrLippie took twenty minutes just to figure out how to fill it with water yesterday, which was ... amusing. It also has a remote control for the built-in telly, natch!

Blog posts are going to be a bit sporadic for the next week or so until I get my broadband sorted, but I'll be posting from my iPhone in the meantime, which - you lucky things! - will probably mean shorter posts for a while!

Right, off to unpack my Ren, Shu Uemura, Aromatherapy Associates, Elemis Super Soak and various other bath oils, any recommendations?

So Annoying

I hate dodgy packaging:




Just went to apply my (lovely) Alpha H Age Delay treatment eye cream, and the nozzle has decided to stay in the lid!

Bye bye, eye cream, bye bye.

YSL Belle D'Opium

Launched in what must be one of the prettiest bottles I've seen all year, Belle D'Opium is the latest fragrance from Yves St Laurent.

A "sister" scent to the original Opium, this is lighter, and designed - I guess - to be more of a complement to the current trend for the fruity-musky-woody stews that are all you can smell in modern fragrance these days.

Which is a shame.  I loved the original Opium, my father used to buy it for my mum by the bucket load (in massive duty-free flacons), and the heavy, heady, spicy oriental scent of carnations and smoke perfumes many of my memories.  Belle D'Opium has, sadly, about as much in common with the original Opium as I do with Cindy Crawford.

It starts off well, not too sweet, slightly dry and a bit flowery, but not overly so, and for the first 15 minutes or so it's perfectly  ... pleasant.  Inoffensive. No spices, no headiness, no intense desire to keep sniffing, and work out what the notes are, as you get with some perfumes, just ... niceness. A little warmth, maybe, but it's hard to tell how this is supposed to remind you of Opium at all, outside of the name.

Then, on my skin, it simply  ... disappears.  Completely.  Totally.  Utterly. It disappears with such a total and abrupt thoroughness that upon occasion I've completely forgotten that I'd applied it in the first place and then an hour later I've applied something completely different. And, get this, when I have, the scents have never clashed, that's how thorough a nothingness is left behind once the top notes wear off.

It's a shame that such a beautiful bottle with such a historic name behind it smells so  ... gone.

The Fine Print: This was a PR sample I wanted to love.  Sorry peeps!