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Tuesday, 4 March 2014

Nasomatto Black Afgano: Chasing the Dragon

By Laurin



One of my favourite customers of recent weeks was a dapper young gentleman who had clearly just been bitten by the perfume bug. He was high on vetiver and giddy with tales from the Le Labo counter. I was immediately jealous of him in the same way that I'm jealous of people who have never watched Six Feet Under - that is, I wanted to throw my arms around him and shout, "WELCOME TO MY WORLD YOU HAVE SO MUCH TO LOOK FORWARD TO SORRY ABOUT YOUR WALLET!"

Now, I'm no psychologist, but I know a case of Acute Fragrance Psychosis when I see one. It's a condition that has afflicted many who have trod through the niche perfume path on the quest for fragrance Zen. Symptoms may include compulsive spending, an excessive proliferation of tiny glass vials about one's person, waxing lyrical about Portrait of a Lady, an overwhelming desire to loiter at the Guerlain counter, an obsession with pre-WWII leathers, vivid dreams in which Andy Tauer takes you to the cinema for a screening of Titanic (and in the dream he's like, your dad) and sudden, unexplained snobbery towards "department store brands".

Acute Fragrance Psychosis can end in one of two ways: you either keep chasing the dragon of that first extraordinary hit and end up committed (to the poorhouse) or you realise one day that you cannot possess all the things and you learn to be more judicious with your purchases, buying only what you truly love. Fortunately, I took the latter path, but my newfound enlightenment came with a price. Specifically, it came with the price of £108 for 30ml. Sit down, you guys. We need to talk. We need to talk about Buyer's Remorse.



Nasomatto's Black Afgano ticks all the boxes for a case of serious fragrant regret: it's over-hyped, overpriced and damn near impossible to find. I can think of at least five places in the UK where you can buy Nasomatto fragrances, but there's always a tell-tale gap on the shelf where Black Afgano should be. Once, I tried to smell it at Selfridges and was told they didn't even have the tester. It's basically the Keyser Soze of perfume.


What's so special about it? In a nutshell, it's supposed to smell of hashish. When it was created by Alessandro Gualtieri back in 2009, there were rumours that he’d had Afghani hashish smuggled to his Dutch laboratory in order to faithfully recreate its smell for his latest project. Some even say that the dark brown juice itself even contains a bit of the stuff. The Nasomatto website is quiet on the subject, revealing only that the fragrance “aims to evoke the best quality Hashish. It is the result of a quest to arouse the effects of temporary bliss.” Which is funny, because “bliss” is exactly how I would describe traipsing up and down Oxford Street on a Saturday in December, trying to get a whiff of the stuff as you slowly marinate in your own sweat under layers of wool and cashmere.
If you are lucky enough to get your sticky mitts on a bottle, what awaits you? Well, my main experience of cannabis is via an ex who liked to mix it into Cadbury’s chocolate mousse pots, so I spent my early 20’s convinced that it smelled and tasted exactly like Flake. Since then I’ve had the benefit of living in Brixton for over seven years, where a Local Businessman in a purple satin wolf jacket generously flogs his wares to the public from his office just outside the KFC. So I feel qualified to confirm that yes, for about 30 seconds, Black Afgano smells like sweet, syrupy Dairy Milk  cannabis intertwined with parched labdanum. After that initial high, it puts on its slippers and dressing gown and mellows out into a languid stretch of warm honey, incense, a touch of medicinal oud and sweet puffs of pipe tobacco. On my skin, this lasts for about 6 hours before the fragrance finally nods off for the evening into a happy, drooling slumber of sandalwood and nutty coffee. This is an extrait de parfum, so be prepared to spend the entire day with it. Overall, I get about sixteen hours of wear out of it.

Actually, I’m making it sound pretty good. And it is pretty good. So what is your damage, Heather?  Simply put, £108 for 30ml is stupid, stupid money for what is essentially a nice Oriental with a distressed wooden cap that looks like a parody of something you’d find on Etsy. I finally tracked down a bottle at a lovely branch of the Avery Fine Perfumery (http://averyfineperfumery.com/) while in New Orleans with my mother and sister. They had one left (of course). I hesitated for a moment, and then handed over my credit card. Later that week as I was packing my suitcase to return to London, I caught sight of the box and felt sick. There it was, a $200 statement of one-upmanship in a tasteful bottle that would have its fifteen seconds of fame on Instagram before being consigned to the top of my dresser and worn once a month. Maybe twice if I was feeling guilty. I wedged it in my bag next to the Reese’s Peanut Butter Cups an eight-pack of socks from Target and thought, “I am powerless over perfume, and my obsession has become unmanageable.” Acceptance, after all, is the first step towards enlightenment.
Black Afgano is available at Space NK (http://uk.spacenk.com/black-afgano/MUK200005701.html), Roullier White (http://www.roullierwhite.com/nasomatto---black-afgano---extrait-de-parfum-30ml-3742-p.asp) and Bloom (https://bloomperfume.co.uk/products/perfumes/27). Or not.

Not buying it? Here are three perfumes you could try instead, for a lot less money:

Maison Francis Kurkdjian Absolue Pour Le Soir (http://shop.lessenteurs.com/p/4926/Absolue-Pour-le-Soir-EDP-70ml), £115. Okay, I lied about the “a lot less money” thing. But you get 70ml for your money, and smells like baklava being smuggled in a dirty thong. Guaranteed to make you blush.

Serge Luten Chergui (http://www.escentual.com/sergelutens17/), £69. The master of Orientals brings us his take on honey and tobacco, with a refreshingly spearminty top note of hay. I want to cheer when I put it on: “Cher-GUI! Cher-GUI!”

Yves Saint Laurent Opium (http://www.debenhams.com/webapp/wcs/stores/servlet/prod_10701_10001_123064930499_-1), £69. The original narcotic perfume. Let’s get hiii-iiiigh, retro-style!

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Friday, 28 February 2014

Illamasqua Glamore Collection - Lips and Tips

By Laurin

I don't remember it myself, but my birth certificate tells me I entered this world in 1978. That makes me, Laurin Emily Taylor, 35 ½.  My mental age on the other hand clocks in somewhere around 80. I like early nights and stern disapproval and I'm counting the days until my physical age (and bank balance) allows me to genuinely rock a Chanel suit. I plan to wear it on hot summer days with red lips and a sneer as I sit on my front porch shaking my well-manicured fist at the neighbourhood urchins and screaming, "GET OFF MY LAWN!" until my manservant Raoul rushes out of the house to place a cool cloth on my fevered brow and lead me gently indoors for my afternoon repose (I've thought this through - it's essential to have a retirement plan, ladies).

Back here on planet Earth in the year 2014, my 9-5 often demands my presence in a kitchen, where the rigours of the job take mercy on no woman's nails. I love the polished look of nail varnish and lipstick, but it all seems like such a faff when you know your manicure will only look great for 24 hours, tops. My one attempt at gel ended with most of my nail bed sitting in a pile on my carpet after I gave in to the urge to pick at a chip. What I long for is a forgiving nail varnish that goes on easily, dries quickly and doesn't take require a professional to remove.



Enter the Illamasqua Glamore Collection, three brand new shades of ultra-dense, highly textured glitter nail varnishes and complimentary shades of satin-finish lipstick. I spent the week road testing two of the varnish shades: Fire Rose, a disco-flamingo shade of pink, and Trilliant, a champagne gold with the slightest tint of rose. There is also a juicy tangerine, Marquise, which I suspect would be brilliant for poolside lounging this summer.



If you're a bit cack-handed AND impatient, these are brilliant. The glitter particles are rough and chunky enough that they easily disguise a less-than-perfect application technique, and they are so dense that one coat does the trick. Even better, they are completely dry after 15 minutes, so you can get on with zesting lemons for your martini or sticking pins into voodoo dolls or whatever it is you like to do on Tuesday nights (don’t try picking a piece of Parma ham out of your back tooth with your index finger, though - this is may cause damage to your new manicure. Or so I hear).

Last week was a bit hectic, so I ended up putting my Fire Rose manicure through the paces at work: dish washing, gaffer tape picking, typing, parcel wrestling, vegetable chopping and every other not-so-glamorous job that gets thrown my way in the office. There are no miracles to report, I'm afraid. By the end of day three, the tips of my nails were starting to show some wear and tear, though there was no serious chipping. Time to start again: unlike other glitter polishes I've tried, Glamore comes off relatively easily. I was advised to wrap my nails in acetone soaked cotton wool and a layer of tin foil for 15 minutes before removing, but I found it wasn't necessary. It came off with Cutex and a bit of elbow grease, leaving my nails ready for Trilliant:



Of course my future self would never leave the house without a slick of bold lipstick, and the Glamore collection has that covered as well. The three shades of satin finish lipstick are designed to complement (but not match exactly) the nail varnishes. Satin finish is new territory for Illamasqua, who are known for their dramatic matte lipsticks. I've spent the week trialling Soaked, a bold orange and Luster, a shocking candy pink (there is also Glissade, a deep fuchsia). As you would expect, these are high-pigment, statement making colours, but they both feel soft and moisturising on my lips. My only quibble is with the packaging. It's perfectly serviceable, but for £16.50 a pop, I'd like something a bit more weighty and less plastic.



If you're already an Illamasqua fan, the Glamore collection will no doubt be right up your street. But if like me, you've always hung back around the Bobbi Brown counter with all the flattering neutrals, the nail varnishes are a great way to join the brights party without frightening the horses, and the finish of the glitter is rough and edgy enough that you needn't worry you'll look like a five year old who's just been let loose in Claire's Accessories. As for the lipsticks, the shock of bold colour in the middle of my face is going to take some getting used to. But I think I'm well on my way to being a lipstick lover. I have to be. My future self will accept no less.



The Illamasqua Glamore Collection launches in store on February 27th. Nail varnishes Fire Rose, Trilliant and Marquise are £15 each. Lipsticks Soaked, Luster and Glissade are £16.50 each.

The fine print: PR samples.

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Thursday, 27 February 2014

Benefit Brow Arch March



By Luke

I am very lucky indeed to be a volunteer for the amazing beauty industry charity, Look Good Feel Better.



If you are not familiar with the charity, you can read all about them here http://www.lookgoodfeelbetter.co.uk/, but in a nutshell, women undergoing cancer treatment are able to spend a bit of time in a room full of other women in a similar situation, compare notes, chat, network, and at the same time are able to have some expert advice about their beauty routine from rather amazing volunteers.

There is a goody bag provided by various brands who have kindly donated products which consist of everything any woman would need to look and feel beautiful, let alone when you’re losing your hair, eyebrow, lashes, and having to live with the effects of cancer treatment.

The workshops are rather incredible, and one thing that has been brought home to me from doing these workshops is that there is nothing stronger (or louder or more fun) than a group of women talking about makeup and skincare. At a time in their lives where they are at their most vulnerable, both physically and emotionally, bonds are formed that serve only to make the whole process of survival a lot more bearable, and it truly is a privilege to witness and be a part of.



One of the biggest and boldest of beauty brands, Benefit alongside Debenhams, are teaming up to support LGFB.  Every year in March, when you visit a Brow Bar at any Debenhams Benefit counter, you will receive a complimentary brow shape (normally £11.50), for a charitable donation of at least £5 which will go to the Look Good Feel Better charity.

In addition to this, Benefit are planning to hold a fundraising March through the streets of London passing all major landmark Arches (see what they’ve done there?) on Sunday March 9th. 

The participating ‘Arch Angels’ will be asked to start with minimal makeup, and join the pit stops en route to have little beauty treatments along the way , not dissimilar to those undertaken at a Look Good Feel Better workshop. By the end of the march you will look AMAZING!

A worthy cause indeed!

For more information, visit www.browarchmarch.com, and if you get involved, you can tweet @BrowArchMarch and hashtag the same.


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Friday, 21 February 2014

Footnotes - A Margaret Dabbs Pedicure.

By Tindara

Like a lot of people I have become addicted to the delights of the nail shop. Ubiquitous and reasonably priced, it has become the norm for me, in spring and summer months at least, to succumb to the regular pedicure. It seems we’re not squeamish about someone coming at our feet with a scalpel these days. But I hear there are pedicures and PEDICURES.



At Christmas, my very generous sister presented me with a voucher for a medical pedicure and polish at Margaret Dabbs Foot Clinic & Nail Spa where you can routinely see a podiatrist for a medical pedicure as well as a nail technician for nail polish. My sister was waxing lyrical about how amazing the experience was and I had read that it really was the best pedicure you could get in London. I saved up my voucher till the depths of a miserable cold, wet winter for when I needed cheering up, so obviously, I took myself off there this week.

When I got there, I was welcomed in by the receptionist who put me at my ease straight away, and pretty quickly my podiatrist Chloe called me into one of the treatment rooms with the whizzy chairs to start on my feet. It was super comfortable and I was asked if I wanted a drink or anything and she set to work. I was really impressed, not only did she talk to me a lot about any health issues associated with my feet - I’m a type 2 diabetic - she really did have an attention to detail that you don’t get with a regular pedicure. It was scrupulously clean too - she ripped open packets of newly sterilized instruments while working away. Once my feet were moisturized to within an inch of their lives I was given a couple of those foamy spa flip-flops and taken back to the main lobby manicure area for the next bit.

With a pot of tea at my side I relaxed while nail technician Kaiah expertly painted my nails a lovely bright red. I’m pretty unimaginative when it comes to nails colours for my toes. I always come back to reds. I also managed to smoosh up one of my big toes on the dryer but Kaiah just wiped it and did over without missing a beat. She even managed to do my tiny toenails precisely. Anyone who has painted my toenails remarks on how difficult this is, those toes are small, I can’t help it, my husband says I should live in a town called Smallfoot Tennesee, mucho apologies to nail technicians everywhere. Mea maxima culpa.

The only niggle for me was that I would’ve liked to stay in the treatment room for the nail polish part - I feel self-conscious being in a wider room visible to those popping their head in to enquire about appointments, though I know it’s perfectly common scenario in nail shops and some spas. I thought, perhaps the polish would be more part of the whole rather than an add-on to the medical pedicure here in a more luxe environment. Having said all that though, it really is a fantastic pedicure, the best I’ve ever had, and well worth the price tag for an occasional treat. Go go go.

Margaret Dabbs treatments are available at Margaret Dabbs Foot Clinic & Nail Spa, Margaret Dabbs Sole Spa at Liberty.

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Thursday, 20 February 2014

Parfumerie Générale Tubéreuse Couture 17

By Laurin

Pierre Guillaume is a busy boy. Since the launch of his first perfume brand Parfumerie GĂ©nĂ©rale in 2002, he has produced more than 73 different perfumes under three different brands. By my count, that's an average of six per year, or one every two months. I once forgot to change my bed sheets for two months, so to say I’m impressed with this man’s dedication to his vision is something of an understatement.

And yet, with such a prolific body of work, you've probably never heard of Parfumerie GĂ©nĂ©rale. The brand seems to fly under the radar of all but the most dedicated fragrance obsessives, playing the quietly confident middle sister to the good-at-everything-she tries older sister of Frederic Malle's Editions de Parfums, and the brassy, blinged-up younger sister, By Kilian. The simple black and cream bottles sit studiously on their shelves, concentrating on the job at hand which is simply to make you smell fabulous. There isn’t a futuristic room diffuser or a snake-embellished clutch to be seen between them. When curious customers ask me to sum up the brand for them, I used to tell them that its real strength is gourmands and hyper-real foodie fragrances, excitedly pulling out Musc Maori’s technicolor chocolate and instant toothache Praline de Santal. Rookie mistake. The brand actually houses something for all tastes, from pretty fresh florals to evocative orientals to spicy chypres and even a rump-grinding dirty musk thrown in for good measure. Each creation plays its own tune, the music swelling up together like a grand symphony.

 If the brand itself is an orchestra, then TubĂ©reuse Couture is undoubtedly the cymbals. Tuberoses and I had a difficult beginning during my first forays into perfumery. For no reason I can think of, I loudly professed to anyone who would listen (which was precisely nobody) that I despised tuberose, hated it, that tuberose was RUINING MY LIFE. It was far too cloying, too sickly sweet and definitely had WAY too much wobbly cleavage on show. Shut up, I’d never even smelled a tuberose. Now, guess what? I love tuberose, I can’t get enough tuberose, tuberose is the BEST THING THAT EVER HAPPENED TO ME. Tuberose can be cloying and sickly sweet, but in the right hands it can also be sophisticated, erotic, narcotic or just a screaming good time.

A screaming good time is what you’re signing up for when you take your first spray of TubĂ©reuse Couture. A bubblegum-snapping camphorous tuberose rockets up your nose, followed closely by the raspy hiss of spun sugar and overripe banana. Having worn itself out on a manic sugar-high by lunch, the fragrance then went for a siesta, exhaling sighs of tuberose softened by the wet heat of jasmine, woody papyrus and a touch of creamy ylang. But by the time I was ready to leave work, the fragrance was wide awake and ready to party again. I could almost feel it grabbing me by the coat sleeve and pulling me towards a taxi bellowing, “LET’S GO DANCING! COME ON!”
But I am marching determinedly towards the comforts of middle age, and I like my bed. So TubĂ©reuse Couture went to the party without me, dressed to the nines and ready to shake it. Does she still have too much wobbly cleavage on show? Without a doubt. But I’ve learned to love her for it.
TubĂ©reuse Couture is £81.50 for 50ml. Samples and full bottles are available to purchase at Les Senteurs


This post: Parfumerie GĂ©nĂ©rale TubĂ©reuse Couture 17 originated at: Get Lippie All rights reserved. If you are not reading this post at Get Lippie, then this content has been stolen by a scraper
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Wednesday, 19 February 2014

Smashbox Full Exposure Palette

By Luke

There are a lot of palettes out there at the minute with all of those easy to use, neutral browny grey shades that no one can really live without.

By far the best I have seen is this one, with no less than 14 colours in it, in two finishes, WITH two brushes AND a guide for different shaped eyes on how to get the most out of all the colours without those all too common left in the palette coz I’m not sure how to use it colours.

The top layer has the nicest shades of bone, to taupe, brown and black in a lighter wash of shimmer, and the bottom has almost exactly the same colours, ALMOST but not quite for variety, in a fabulous shades of matte. Perfect.

This went straight into the kit, and if I can’t do a natural eye right through to a smoky eye with this baby, I need to hang up my brush belt.

Available from Samshbox.co.uk, and Boots stores, now and costs a measly £36.

Own it.

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Wednesday, 12 February 2014

Gateway Drug: Dior Oud Ispahan

By Laurin

I meant to write something completely different for my introductory "Get Lippie" post. But as I was writing last week during quiet moments in the shop, I began to feel like I was sitting down to watch a play halfway through the first act. I need to tell you how I got here, because I can hardly believe it myself.

I know the exact time it happened: July 14th, 2012. About 12:40pm. Early for lunch with a friend in Marylebone, I took a detour through the fragrance hall at Selfridges, and that decision changed my life.

I think it was the softly glowing pink liquid that caught my eye. It certainly wasn’t the rather stark, sturdy bottle. Dior had just launched Oud Ispahan earlier that year as part of their more exclusive "La Collection PrivĂ©e" and a jewel-like displayof bottles sat enticingly near the entrance to the Dior Fragrance Lounge.

The official notes are rose, oud, patchouli, sandalwood and labdanum, but I could have told you precisely none of that 18 months ago. All I knew was that when I sprayed it on my wrist, that I was instantly transformed into a languid, heavy-lidded seductress with the power to ensnare helpless suitors with one bat of my fluttering eyelashes (well - IN MY MIND). Make no mistake - I am about as far from the Thousand and One Nights as you can possibly get. I am a blonde-haired, green-eyed girl from coastal Alabama who could potentially be mistaken for a transvestite in heels. I'm more likely to swear at you than I am to whisper sweet nothings your ear. But this, I discovered that day, is the transformative power of fragrance, to make you into the person you never imagined you could be, if only until the clock strikes midnight and your rainbow whirl of silk scarves turns back into a Gap jumper.

Oud Ispahan is not original. The combination of rose and oud is a classic one in Eastern perfumery, and it has been done to death in recent years, from the inarguably beautiful but eye-wateringly expensive Kilian Rose Oud, to the slightlyless grand but more accessible Body Shop Rose Oud (creativity, it seems, is not a priority when naming your oud perfume).

But sometimes ignorance is bliss when it comes to fragrance (who really wants to hear that Caron's Tabac Blond is but a shadow of its former glory when time machines are still in dreadfully short supply?) and to my fresh nose, Oud Ispahan smelled like the most haunting evocation of hazy desert sands and gold-leaved minarets this side of the Persian Gulf. A transparent, shimmering rose coupled with the raw, inner-thigh heat of oud, the nose-tingling prickle of patchouli and the richness of sandalwood smelled to me then like nothing ever had before.  I felt like I'd been punched in the stomach. Later that afternoon, I lay in bed sniffing my wrist three hours and listening to a low buzz in my head that I later came to realise foretold  that I was about to spend an ill-advised amount of money in a completely frivolous manner. Less than 24 hours later I found myself back in the Dior Lounge armed with a MasterCard and a wilful disregard for my bank balance.

Words like "cheap" and "value for money" take on new meaning in niche perfumery. If you love it and you can afford it (even as a treat), it's good value for money. So I'm going to stick my neck out and declare that at £125 for 125ml, Oud Ispahan is excellent value for money. A couple of sprays carry on all day, and into the next. The sillage is epic - it's about as close as you can get to a fanfare of trumpets announcing your arrival. And it makes people SWOON. You know the scene in the English Patient where Juliette Binoche tells charred Ralph Fiennes that she would summon her husband by playing the piano? I'm pretty sure I will summon my husband by wearing Oud Ispahan. Well, my next husband,that is.

After making such an unexpectedly extravagant purchase, I should have gone home and enjoyed my newfound love for the next year. But that's not what happened. Instead, I picked up a book that had lain untouched on my bookcase for the last two years entitled Perfumes: The Guide by Luca Turin and Tania Sanchez, fell down the rabbit hole of niche fragrance, and a year, thirty bottles and a dozen new friends later, landed in a Saturday job in a perfumery in Marble Arch to support my financially ruinous hobby. Frankly, a drug habit would have been cheaper. But whatever, I can quit at any time. Honest.

Oud Ispahan and the rest of Dior’s La Collection PrivĂ©e are available at Selfridges, Harrods and Dior Boutiques.

Laurin

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