Guerlain Parure Gold Radiance Foundation - Rose Clair

  
There's no getting around it, £55 is very, very expensive for a foundation.  There's such a wealth of wonderful foundations around the £20-30 range these days (and even less, truth be told), that why would you even think about splashing out on something costing double the average?  That was my thinking before I bought a bottle of Guerlain Parure Gold Radiance Foundation, anyway.

However, and quite surprisingly, I haven't regretted a penny of this purchase, and it's unlikely that I'm going to, because this sky-rocketed to the top of the list my favourite foundations right after the first wear, and I've been kind of limiting my use of it since so I don't run out.  Crazy, huh?  Yeah, I know.

Housed in a handsome black glass bottle, Parure Gold has a pump mechanism, and promises full, but glowing, coverage and boy, does it deliver!  A silky-textured liquid, it smoothes easily over skin, and blends beautifully, covering even the reddest of red skins.  I am prone to extremely high-colouring, which is one of the banes of my existence, but Parure Gold copes with it very well, even when I'm in full flush, and keeps it at bay (or at least well-hidden) throughout the day too.

Unblended - (my hands are much paler than my face, bear in mind)

Blended.

Whilst the coverage is full, it's not mask-like, and still leaves your skin looking like skin.  It's layerable without caking, and your skin glows beautifully without looking shiny, glittery or greasy.  It's exceptionally forgiving of lines and wrinkles and seems to skip over pores without gathering in them. It lasts very well, and I've not found that it needs any real touching up over the course of a day, either.  I'm seriously in love with this stuff.  When your foundation needs to deliver, this delivers in spades.

In full, natural daylight (no professional lights/filters here!) and unedited (SOOC).

I did several days filming with BBC2 last year for a documentary (more about that soon), and this is the foundation I'm wearing for all of them.  I'm mostly saving it for high-days and holidays at the moment, but I'm wondering if this is a false economy?   So yes, expensive for sure, but what price confidence?

The Fine Print: Purchases



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Urban Decay Full Spectrum Palette

 Not so much a review this as just a deep sigh of: "IT IS SO PRETTY, I CAN NEVER MAR ITS FABULOUS BEAUTIFULOSITY BY ACTUALLY  USING IT", the Urban Decay Full Spectrum Palette is released online now and costs £43.

Just look at that damned bejewelled cover.  LOOK AT IT.

Oh, and the eyeshadows are quite pretty too:

Arranged beautifully in ombre-d colour groups, there's every shade here for someone who wants a bright, beautiful and clear eyeshadow look.  Peacock eyes?  It's all here, and look at that yellow, amazeballs!  (I'm so channelling 2013, I know).

Cor.  Some seriously beautiful colours there.  I won't ever use it, my days of colourful eyeshadow are long gone (I'm all about the lips now, baby), but it is SO BEAUTIFUL.

What critical faculties?  I'm in lust.

The Fine Print: PR sample.


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GOSH Cosmetics Foundation Plus+ 002, 004, and 006 Review

GOSH Cosmetics are probably my favourite mid-priced range, and lots of their recent releases have set my jaded old heart pulsing - their last, with the lip oils, the foundation drops and those beautiful eyeshadow palettes and matte eyeshadow sticks, was one of the best thought-through collections I've seen in quite a while.  I was lucky enough to be invited to dinner with the brand recently and have an introduction to the Autumn/Winter 2016 collection, and I'm happy to say it's really up to their recent standards.  Incidentally, did you know that GOSH were an almost entirely vegan brand?  I didn't, and I think it's brilliant.  They're not completely vegan, because they occasionally use beeswax in a couple of their lipsticks, but everything else is totally vegan-friendly.  Good news!

Anyhoo, my pick from this collection so far is this lovely new foundation formula: Foundation Plus+.  Designed to give full coverage (but is actually blendable down to a medium-coverage), but still look like skin and have a dewy finish - which is almost entirely unheard of in a full-coverage foundation! - it is layerable, and very blendable, and feels moisturising  in wear, thanks to a formula that contains both hyaluronic acid and algae, meaning it's also quite nourishing for a foundation product, and definitely hasn't lead to dryer skin.

l-r 002 Ivory, 004 Natural, and 006 Honey

It's highly concentrated in its squeezy bottle, and you'll need only the tiniest amount to cover a full face, even a gigantic melon-face like my own, but it spreads easily, and melds well with skin.  The amounts you can see on my hand there would probably have covered at least three faces.  You can build up coverage in parts where required (usually in my patches of high-colouring around my nose and cheeks in my case), and you can even apply with a brush to spot-conceal should it be required.  I find that it definitely does require setting with powder to avoid sliding, but it is a good, long-lasting formula once on skin and set.  I like it a lot.  Best of all, it doesn't look flat or overly matte once applied - there's very little more ageing than a thick layer of too-matte foundation on skin of any age, if you ask me.

Wearing shade 002 Natural here, with GOSH Cosmetics Velvet Touch Lipstick in Cranberry

I concentrated my application around my nose and cheeks here to cover up my redness, but sheered it out over my forehead, so you can still see (a hint of) my freckles.  I think it looks surprisingly natural for a full-coverage product, my skin looks like skin not vinyl, and I especially like the customisable nature of the product.  The only downside for me is that it can be very difficult to get the foundation out of the squeezy bottle, but at £9.99(!) for a full 30ml I can overlook that particular issue.

GOSH Cosmetics Foundation Plus+  comes in five shades: 002 Ivory, 004 Natural, 006 Honey, 008 Golden and 010 Tan, and is available in Superdrug stores now.


The Fine Print: PR samples and purchases


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Urban Decay Vice Lipsticks Launch

l-r Pandemonium (mega matte), Firebird (cream), Naked (cream) and Conspiracy (metallised)

Urban Decay have finally launched their full range of Vice lipsticks in the UK, and they're really lovely.  With 100 shades in six finishes (sheer, metallised, cream, comfort matte, mega matte and shimmer), there's truly something for everyone.  I think the Gwen Stefani collection was really a taster for the new Vice finishes, so I'm not going to review them in depth here, but I thought I'd show you a couple of pictures of the lipsticks, and tell you that they're magnificent.  I have Pandemonium, a grape purple in the mega matte formulation, Firebird, which is a cream fuchsia (and a repromote of the same shade from the aforementioned Gwen Stefani collection), then there is also Naked which is a pale pinky-grey mauve and Conspiracy, a metallic coffee bean shade which will never, ever, ever grace my lips.  Ever.  Beautiful on the right person (like, my mum for example), but I have no desire to wear it personally, but doesn't it look gorgeous in the bullet?

l-r Pandemonium, Firebird, Naked, Conspiracy

There is figuratively nothing that makes my heart sing more than the sight of an untouched bullet of lipstick, and these are sooooooo photogenic.  Look, I have neither pets nor children, and only one sickly houseplant to take pictures of, so leave me my little indulgences, please.

I don't have swatches, because they're too pretty to mar, frankly, but here's a pic of me wearing the original version of Firebird taken back in February,  the lasting power on the cream formulation is marvellous, by the way,  and whilst not billed as a particularly long-lasting formula, I find they last at least 6-8 hours without reapplying, even if you eat whilst wearing:

Leave me alone, it was 6am on the Eurostar.

So there you go.  Not my most in-depth review perhaps (unless "pretty things are really pretty" is your bag, admittedly), but, by gum, they're pretty.

Urban Decay Vice lipsticks cost £15 each and are available now from the usual stockists. 

The Fine Print: PR samples and purchases

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Delilah Pure Light Illuminating Powder in Aura

I've been waiting to get my hands on Delilah's Pure Light Illuminating Powder in Aura ever since India Knight raved about it in the Sunday Times late last year! It sounded like it was the perfect powder, illuminating, not glittery, and she used the phrase "you absolutely do not look shiny, just lit from within".  Well, who doesn't want to look lit from within at all times for just £36?  I couldn't resist.  After India's review, it was sold out for months, and I ended up waiting till April to be able to pick one up.  Was it worth the wait?

Er ... I'm not sure, really.

 
 First things first, it's beautifully packaged in a hefty rose gold and pewter compact, and the powder within looks divine, delicately marbled with golds, peaches and lilacs, and yes, it does look lit from within. It is seriously, inside and out, a stunning piece of makeup.

However.

It is warm-toned.  Seriously warm-toned, and I am not. Delilah claim that it adapts to all skintones, but I find that I simply cannot use this powder alone because it just looks like I've painted myself pale peach. Warm-toned gals, and darker-skinned ladies will love this, but it's just too much for me. Oh, and it's shiny.  Really, really, really, shiny.  I have oily skin, and applying this over the top is just Too Much Shine.  Like I'm wearing a face made of pleather.

For me, as a face powder, it's a total failure, I'm afraid. But, in its favour, it makes a beautiful highlighter, and if I apply it in conjunction with a more matte powder it's wearable.  I've also noticed that parts of powder in the pan have "glazed" over - become hard - and this makes it more difficult to get it on the brush.  I hate it when powder products glaze over, as it's normally a sign of a cheap formula. In this case, I think it's just that the powder contains a high level of waxes to bind the pigments together, rather than it being a "cheap" powder, as such,  but glazing so much after only a month of use is very disappointing indeed.

It's not a universal powder, not by a long chalk, and that's a shame for me as a pale blue person. It'll be much less of a shame for you if you're warm-toned and light a highly reflective finish. As a result, I don't think I'll hit pan on this one for a long, long, long, long time, it'll never replace my much-loved Hourglass Ambient Light in Diffused, I'm afraid.

 The Delilah Pure Light Illuminating Powder in Aura costs £36 and mine came from Fortnums.
 

 The Fine Print: Purchase.


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Rodial Instaglam Compact Deluxe Banana Powder

 

I do love a yellow-toned face powder.  For years, my default face powder has been Hourglass Diffused, and, after hitting pan on my third one, I thought it was time to possibly try out a few different ones rather than just blindly buying the same powder again. Enter Rodial Instaglam Compact Deluxe Banana Powder.

A finely milled, soft yellow powder, Rodial are promoting this off the back of the current contouring trend as a "matte highlighter" for the high points of your face, and therefore allegedly perfect for that massive "Instagram Face/part time pornstar" makeup craze we're seeing everywhere at the moment.  Me being over forty, I can't be arsed, frankly, with attempting to create cheekbones on my gigantic wheel-of-cheese face, nor can I be bothered attempting to look like a Kardashian when my only plans for the day are popping over to Budgens in my pyjamas for a croissant or seven (which might explain my giant melon-head, now I come to think of it).  Oh, and you can "bake" your foundation with it, for all your "waking up wanting to be a Drag Queen" days. We all have them, apparently.

Actually, all I want a powder to do is set my foundation, even out my oiliness, and stop me looking like a boiled lobster on those days where my redness is too much to handle.  This powder fulfills all those functions really well.  It's highly milled, soft on the brush, and spreads over the face beautifully without caking.  I like it very much. It definitely hides redness, and does it very well.  I love the hefty compact too, it's a statement piece in any makeup bag.  However, it is very, very matte, and, being of a certain age, a very matte powder can exacerbate fine lines and wrinkles, and I worry that it's not the most flattering of finishes if I apply with slightly too heavy a hand.  I use it in conjunction with a powder that has a more gleaming finish which I will tell you about tomorrow to counteract that.

Is it a replacement for my beloved Hourglass Diffused?  Well, no.  But its a good powder nonetheless and I'll use it on days when I want a matte finish that lasts.

Rodial Instaglam Compact Deluxe Banana Powder costs £52 and is available instore now. 


The Fine Print: PR sample.


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Erborian 0.09 Touch au Ginseng Creamy Powder Compact

  
Sometimes I really shouldn't be allowed out, you know. I was at a launch with the founder of Erborian a couple of months ago, and I got so excited by this product that all I could say for about 20 minutes was "It's a jelly! But it's a powder! But it's a jelly!".  This is, I suspect, why I'm not going to be challenging any of the major beauty editors in the UK any time soon, I'm, like, sooooo eloquent and all that.

So, Erborian 0.09 Touch au Ginseng Cream Powder Compact, what is it?  Well, it's a powder.  but it's also a jelly (look, I don't get out much these days, and it may be affecting my vocabulary) and I find it makes a really nice base in its own right.  The 0.09 name comes about from the amount of water in the formulation, with only 0.09% aqua, this is basically a water-free product.  It's a hybrid powder that has an amazing bouncy texture, not in the slightest bit powdery, and I find that it smoothes out uneveness in tone beautifully.

What it's not, I have found, is a finishing powder. It's more of a base in its own right, though a sheer one.  It's rather a firm product and needs to be applied with a sponge, so over a foundation it's not the greatest finishing product as the sponge has a tendency to remove foundations, but over something like a lightly tinted CC cream (and it has to be said that Erborian make one of the best CC creams ever, especially now it comes in a new "light" version), or BB cream, it's rather wonderful. I use it on its own on good-skin days too.

Because it's a bouncy jelly texture it's perfect for carrying round in your handbag, because unlike powdery ... erm ... powders, it won't crack owing to being thrown around a bit. And it never looks powdery on the skin, and won't cake. It leaves a lovely velvety, glowing finish, and a little of it goes a very long way.  There's a good-size mirror in the lid too, for touch-ups on the go, though even on my oily skin, touch up requirements have been minimal, this has great lasting power.

It costs £27 from Erborian.com.


The Fine Print: PR samples and purchases


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Recover Correct and Conceal Red - Fair

Don't hate me, but I don't use concealer very often!  I'm lucky in that I don't have particularly bad dark circles around my eyes, so only need to dig into extra coverage when I've had a very bad night, or if I need to cover redness that my foundation isn't up to the job of erasing.  I have a huge tendency to redness, thanks to my sensitivity issues, and so occasionally I need a little help if I'm not to look like a gigantic pink balloon.  Recover Correct and Conceal Red is the latest product designed to help cover facial redness and it's a good (if expensive) one.  The brainchild of makeup artist Annabel Jardella, who has worked on films such as Sense & Sensibility and Evita (not to mention Gladiator), it's fairly safe to say Annabel knows how skin should look.

What is particularly innovative about this one, at first sight at least, is the delivery system.  A tube with a pump, and a metal disc to help spread the concealer over the skin, it feels cooling and lovely on your skin when you're applying, and, as red skin tends to be hot skin, this is great.  You depress the pump ever so slightly, allowing a dot of concealer to come to the surface and apply to the area you want to conceal.  No need for unhygenic fingers, or a brush! Application is simple and easy, a little bit goes a long, long way:

Seriously, you only need a very little bit.  This would be more than enough to cover any redness around my nose and my cheeks, and would be far too much for under-eye concealing.  But, as this is a redness concealer, and NOT an under-eye concealer, this isn't quite the problem you might think it is.   As it happens, I have used it as an under-eye concealer, and it's worked quite well, but the pigments in the product are designed to fight redness, not darkness (and my darkness is minimal) so please don't purchase Correct and Conceal Red for your undereye area.  Apparently, there is an undereye product on the way, and I'll be very interested to see it once it launches.

Top left|: Fair unblended.  Top Right: Fair, blended.  Bottom: swatches in  Light, Fair, Beige, Medium Tan, Deep tan.

The product blends out easily, and unusually for a product with such a high amount of coverage, it is whisper-light on the skin, and dries to a lovely matte finish on the skin.  You don't need to set it with powder, if you don't want to.  I have done, and it's fine, it won't cake, and it definitely doesn't have a greasy feel that makes you feel like it will slip off if it's not set.  Best of all, the coverage is excellent:

On Tuesday last week I woke up with what looked like the beginnings of a black eye, my cheek was all red, because I'd either walloped (or scratched) myself  a good one in my sleep. This was the real test for Recover Correct and Conceal Red, and it passed with flying colours - can you tell which cheek it was I'd punched myself in?*  Picture is unedited, SOOC, by the way.

I think the colour range is pretty small, they're expanding it with an "extra light" version soon, but the darkest "deep tan" stage really isn't very dark.  Of course, being a redness product means that possibly darker skins don't need so much in the way of redness concealment, but I think this is great for a quick smoothing and evening effect on uneven colouring too.

Recover Correct and Conceal Red retails for £29 for a 5ml bottle, but you use so little at a time that it'll last a long time.  The packaging means you have no way of knowing how much you have left, however, which is a bit of a pain, but it's a hygenic airless pump, which is a good thing.  All in all, I'm happy to have this in my makeup bag, it does precisely what it says on the tin.


The Fine Print: PR sample


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Elizabeth Arden Grand Entrance Mascara

I posted a bunch of selfies on instagram last week, not something I usually do, but in every single one someone went out of their way to compliment my "beautiful" eyelashes.  I'm lucky, my lashes are quite long naturally, as well as being black, and they curl quite well with a good mascara, but they are a little thinner than I would like, sometimes.  I use all kinds of mascaras, but have a particular fondness for anything that will give me daytime drag-queen lashes.  I want length, I want volume, and I want curl, but I mostly want my lashes to be visible, which means my mascara has be to be very, very, very black indeed, otherwise my lashes just look dusty.

Enter Elizabeth Arden Grand Entrance Mascara.  Equipped with a scooped brush that hugs the lashes tightly, and has short, plastic bristles (always my favourite kind) of differing lengths and thickness on the wand, it combs through lashes easily, and deposits just the right amount of mascara with every sweep.  It's black, too, very black, and easily covers my lashes.  It adds curl, and a nice amount of volume, and I'm incredibly pleased with it.

I've been using it for a couple of weeks now,  and it has rapidly become my "go-to" mascara. It applies nicely, without clumps, separates the lashes well, and doesn't run or flake throughout the day.  I'm a fan!  In the picture below, you can see just what a difference two coats of Grand Entrance makes to my lashes:

Before and after

So, a good brush, a great formula (I'll gloss over the ever-so-slightly tacky tube), and great lashes, no flaking, no smudging and no running.  What more could you want?  Currently it's on offer for £15 (a great price, and I'll be picking up backups for sure) but it'll normally be £22. 

The Fine Print: PR sample 


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Urban Decay Gwen Stefani Blush Palette and Brow Box

 I don't do much to my eyebrows (they're tattooed on, so I don't have to), but the Urban Decay Brow Boxes are lovely, and there's a special edition of them for the Gwen Stefani Collection, and it's this one in Bathwater Blonde.

Quite obviously defined for people with fairer hair than I, the brow box comes with two shades, and is most suitable for dark blondes/light brunettes.  Sadly, I am a dark brunette ... 

It comes complete with two brushes, two powders, one wax, one tiny pair of tweezers, and two mirrors, one of which is magnifying, there's really all you need to do your brows on the go.  Do you do your brows on the go though?  Admittedly I only brush mine through as a finishing touch last thing in the morning then ignore them for the rest of the day, but would a travel brow kit work for you?  Tell me, I'm curious!  It costs £19.50, but I think it's perfect for girls with medium shades of hair, there's no red in either of the shades, which is great too.

The blush kit though, I can totally get behind, even though it's a tad on the warm side.  Urban Decay describe the shades as:

Cherry - light pink satin,
Easy - deep rose w/gold shimmer,
Angel - champagne-nude shimmer,
Lo-Fi - soft bronze matte,
Hush - medium pink w/gold shimmer and
OC soft pink w/peach shift. 

So you basically have all your blusher, bronzer and highlight options covered in one palette, which I really like.  It's a good and hefty palette though, which will stand up to a fair bit of abuse in a makeup bag (the only other cheek palette I have is made of cardboard, which basically won't travel), and the pans are a decent size, so at £35 for the whole thing, it seems good value.  I'll do a Face of the Day featuring my picks of the collection (and I'll be doing a Gwen Stefani special over on my LipsNspritz hashtag on Instagram this week) some time towards the end of the week.  Light depending.

What would you pick up from the collection?

I reviewed the eye palette previously, here.


The Fine Print: PR samples.

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LipsNspritz of the Week 31 January 2016

 So, I take all my LipsNspritz pictures in one batch on a Saturday afternoon, then wear them throughout the week, taking different pictures of stuff on a daily basis is far too much like hard work for me!  I assure you I do wear them though.  LipsNspritz is my attempt both to wear my entire perfume and lipstick collection, and to help my nose "relearn" perfume whilst I continue my recovery from parosmia.  I'm no longer completely anosmic, merely hyposmic (I estimate that I have around 60% of my sense of smell back now) and I'm leaving my parosmia behind.  It still bothers me, but to a much lesser extent than it used to.  That said, I still struggle with recognising smells out of context, and I still struggle with some smells, though I have recently discovered that coffee no longer smells of sewage (it doesn't - yet - smell of coffee, however), and that has been a huge breakthrough.  

Anyway, on with what I was wearing this week.  The week began with Molton Brown Black Pepper, which is a divinely spicy, prickly, peppery hoot of an aftershave.  Or rather, it was before they reformulated it and called it Black Peppercorn.  It's still good, but a shadow of it's funny, unexpectedly sexy former self.  I wore it with Lipstick Queen Red Sinner, which as fine a red lipstick as a red lipstick can be.

I also tried a re-wearing of Escentric Molecules 01,  There's been a lot written about this one over the years (and if I read one more piece mentioning pheromones, or how it "melds with your personal chemistry to create a bespoke scent for the wearer" piece - ALL perfumes do that - I shall grind my teeth into powdery bloody stumps), and I shall not go on too much, but the "trick" of 01 is that it contains only one scented ingredient; a molecule named Iso E Super.  Iso E Super is a light and airy, slightly sweet and woody scent, and it can be difficult to smell in isolation.  On skin, it smells like clean skin, with a slightly cedary spect, and smells good, without really smelling like a traditional "perfume", much in the way ambergris-based fragrances smell to my nose.  As it happens, I couldn't really smell it whilst wearing it, but others could, and they liked it, without being able to say either why, or what it smelled like.  But this matches with my experience of wearing it before anosmia too, so that's that then.  I wore it with Lipstick Queen Butterfly Ball Lipstick in Smitten, something else which doesn't draw attention to itself, but makes you more polished just the same.

Right now as I write this, I'm wearing Demeter Wet Garden, and Lipstick Queen Deep Red Sinner lipstick (alongside my favourite polka dot pyjamas.  What?).  I smell like lilacs in April, and I'm - apparently - channeling  Norma Desmond.  In pyjamas.  Oh yes, it's glamorous alright in beauty blogging.  Aren't you glad I don't vlog?

I love the sour-rhubarb and white flowers of Jour d'Hermes.  The sour fruit of the opening is such a surprise compared to grownup and ladylike white flowers of the middle notes, and I like the opening very much.  Sadly, for my nose, the white flowers are a little too ... ladylike and so it's not a fragrance I reach for very often as a result.  The lipstick was Jean Queen by Lipstick Queen, which is something else I find confusing.  The concept of matching ones lipstick to ones jeans is a bit ... superfluous (and my jeans are black, anyway), but it's a pretty pink-mauve, which doesn't scream "I AM WEARING JEANS!", so it will do.

I also wore Diptyque's Phylosykos this week.   I love this fragrance so very, very much.  It smells of a fig tree in its entirety, from the leaves, to the bark, to the milky fruit, with just a slight hint of coconut oil in the base.  It's rather wonderful and it reminds me, every time I wear it, of my days off in Cyprus (I used to be a holiday rep over there) where I used to slather myself in Hawaiian Tropic (factor 2!)  and drink cocktails under the fig trees on the beach.  Not only is it the best fig fragrance on the planet, it's also an instant holiday in a bottle.  Get some.  I wore this with Lipstick Queen Sinner in Wine.  I also like wine. Wine is good.

And finally, Shay and Blue Atropa Belladonna starting with a savoury blackcurrant accord, Atropa Belladonna slides into a waxy and fat jasmine and sandalwood, which is interesting, before ending in a sticky vanilla kiss.  I like this very much (not quite as much as I like their surprising and lovely Salted Caramel, however), and it was a fitting fragrance to spend a Saturday (also in pyjamas) afternoon wearing.  I paired it with Revlon Red Velvet Lip Butter, which should never have been discontinued.

What have you been wearing?

The Fine Print: PR samples and purchases


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Pixi Books of Beauty

Currently available as limited editions at Marks and Spencer you need to rush to pick these up for Christmas presents this year!  I love a bit of Pixi Beauty and they do great kits.  This year they're in book form, and I have three of them to show you.  Minimal Makeup, Brow Know How, and Touch of Blush.

Each book comes with six large pans of colours, some of which are split, so you get 6, 8 or 12 shades in each book.  Let's take a closer look.

Minimal Makeup

Comes with two highlighters (top), a blush and a bronzer (middle) and four eyeshadow shades (bottom), all in beautifully neutral shades.

A Touch of Blush

Six shades of blush, three warm, and three cooler, there are infinite mixing and matching possibilities for this one.

And finally, Brow Know How:

More of a pro-palette this one, it contains six split pans of eyebrow powders to suit every single eyebrow eventuality.  I love this one, and none of them are maroon, either ...

Run, don't walk, to your nearest branch of M&S beauty to pick one of these up for the makeup obsessed friend of yours this Christmas!


The Fine Print: PR Samples


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New CiD i-Glow and i-Bronze Minis

There is little more pleasing than a giant version of something small, or a mini-version of something rather larger.  When New CiD sent me a taster of their mini-versions of their really rather superb face powders last week, I was utterly delighted.  I'm a big fan of New CiD powders, I think they're hugely underrated for blushes, and it must be said that their i-Glow in Coral Crush is probably my favourite blusher ever - certainly it's the only one I've hit pan on twice!

They sent me i-Glows (which work as blushes or highlighters, or in the case of Coral Crush, both) in Sirocco and Ice Pop and an i-Bronze in Rio, which, if you've ever read this post, you'll know I own full-sizes in these already:

Coupled with their dinky powder brush, these are an ideal stocking filler, and a perfect addition to any makeup bag.  I'll be carrying Ice Pop around with me for blush emergencies from now on!

So, how do they measure up to the full-size versions?  Full size i-Glows and i-Bronzes are 8gms of product, and the mini-size contain 1.8g, so just less than a quarter size.  That said, these powders last and last and last though, in daily use, 1.8gms would probably last you at least 6 months, if the two year lasting power of a full-size powder is anything to measure by ...

They're just as pretty and as pigmented as the full-size powders, and cost £14 each, as opposed to the £25 for a full-size one.  The brush, also a handy makeup bag size also costs £14.  Now, I'm just off to pick up a mini Coral Crush, and I'm all set ...

You can find New CiD makeup at their website, or at Look Fantastic.

The Fine Print: PR Samples


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Laura Mercier Glam to Go Kit

I do love this time of year for makeup kits!   Laura Mercier is one of my favourite makeup brands (my all-time favourite eyeshadow of all time is Laura Mercier Twilight Grey) and they have some cracking kits this Christmas, and this is my favourite one.  Look at that gorgeous packaging!

Opening it up, there's more of that gorgeous burnished packaging, and a sparkly lipgloss (Lip Glace in Sparkling Daiquiri), and when you flip up the flap, these are revealed:

A blush (Rich Nectar - gently peachy), a mid-tone bronzer, and four neutral eyeshadows, which  are: Espresso Bean (dark brown), Ro-Cocoa (taupe), Vie en Rose (grey-taupe) and Coquette (soft off-white).  All the shades except Espresso Bean are lightly shimmering.  I love that they are all neutrals, it makes the palette beautifully versatile, and very useful.  I'd have liked a pinker lipgloss, personally, but that's just me.  At £35 this contains practically everything you need for a full makeup (barring foundation and mascara) and this price, for Laura Mercier, is quite a bargain.

A great accessory for any handbag, this one.

The Fine Print: PR Sample


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Cover FX Custom Cover Drops in P40

I was agnostic about Cover FX Custom Cover Drops, to be honest. I thought they couldn't possibly work, and thought the hype about them "mixing with everything" was just that.

I was wrong, and happy to be proved so to be, because Cover FX Custom Cover drops are ace, and I love them an impossible amount.  And, even though I have found something they won't mix happily with (because I'm nice like that, I am), I still think they're brilliant.

The idea behind them is one of those which sounds simple in theory, but that I suspect cost a fortune in R&D to actually make happen.  Essentially, these are bottles of pure pigment and you select the amount to add to the moisturiser, primer, oil or serum of your choosing to get the coverage you need.  One drop for a sheer veil of colour, two for medium, three for medium-full, and four for full-on opaque coverage.  And believe me, they're not lying about it being a drop, or two or three!

The shades are divided into Pink, "Golden" and Neutral undertones, and the sensible numbering system is easy to figure out. As I'm rather cool-toned, I was matched at Harvey Nichols to P40.  I was actually matching myself to P30, but I do think that would have been just a little too pale for me.  Altogether there are 24 shades to be matched to, and they really do range from the lightest to the darkest, which is great.

P40 is great match to my skintone, and I've tried mixing Custom Cover Drops with oils, moisturisers, serums and primers with great results all-round.  I like two drops (not being a sheer kind of girl, as discussed previously) and this gives me more than enough coverage mixed in with my normal amount of moisturiser or oil that I use for an application regardless, but I find the best results are when you mix it with a primer, as this just gives it a bit of bounce that you don't get from a moisturiser or oil, and allows it not to settle into pores as much as it might.

What Cover FX Custom Cover Drops don't like being mixed with is "hydrating" serums, or anything that is designed to stay "wet" on the skin.  I found mixing this with Pixi H2O Skindrink left this dripping off my skin, and felt very odd, but it's an easy enough mistake not to make again.  Oils give you a gorgeous dewy glow, moisturisers most resemble a traditional foundation "satin" finish, and using a primer (I really like this with Sunday Riley's primer, btw) will give you whichever finish the primer is designed to give you.

Lasting time is great, I haven't noticed any fading, but you will need a larger than average application of moisturiser or oil if you're thinking of using four drops of this for daily wear, as the powder pigments will make a small application look rather cakey and artificial.

It's official.  I love these.  They've more or less made my (rather extensive) foundation redundant.  Bravo Cover FX!  They cost £33, and my bottle came from Harvey Nichols.


The Fine Print: Purchase


This post: Cover FX Custom Cover Drops in P40 originated at: Get Lippie All rights reserved. If you are not reading this post at Get Lippie, then this content has been stolen by a scraper