Travel Makeup - Trish McEvoy Beauty Charger

I'm away this weekend, having the family Christmas that had to be cancelled owing to the recent terrible weather, and I thought you might like to see what I normally take with me when I go "travelling".  This little baby is the veteran of many a trip - in fact you can tell how old it is by the old-style logo on the front, Trish McEvoy changed her font years ago!

I like the chargers, because they're essentially empty magnetic cases that you fill with products of your own choosing, here's what I have in mine:

Clockwise from top left we have: blush in Natural, Glaze in Sugar Plum, Eyeshadow in Cashmere, Definer in Bronze and Definer in Deep Amethyst.  I like the mix of natural and plummy shades, which means I can go from a barely there look to a full-on smokey eye, all from a small selection of shades.

But wait!  There's more:

There's a second layer in this card!  In here I have (L-R) Even Skin powder in No2 Bare, and Highlight in Blush (which has since been discontinued, sadly).

 I like Trish McEvoy because I find that the powder products are actually of a great quality, being softly silky and finely milled, and I love that you get to choose your own shades.  I've taken this all over the world, and it's done sterling service, I wonder where it'll end up next?

I'm also wondering what I should fill the gap on the top row with.  What'd you put in it?



This post originated at: http://getlippie.com All rights reserved. Please do not reproduce without permission.

Balayage with Jack Howard at Equus

Jack Howard is a man on a mission.  Having conquered the hairdressing world of the US with his missionary zeal for Balayage, training (amongst others) the Frederick Fekkai salons, and becoming a senior portfolio artist for L'Oreal Professional along the way, he's now here in the UK and he's determined to spread the word.

Balayage is the art of painting the hair with light, creating a soft, sexy, sunkissed effect, without foils, and regimented stripes.  The stylist has to pay attention to how light falls on the hair, how the hair fall on the client, and how the colours will compliment the woman wearing the hair, and an art it decidedly is.  It's not - entirely - new to the UK (I myself had a similar treatment last summer at The Chapel in Islington), but the technique is something that Jack is very keen to bring to wider renown to hairdressing clients (and hairdressers!) around the country.

Knightsbridge isn't somewhere I'd normally associate with cutting edge hair techniques, to be honest, so I was initially surprised that Equus was Jack's new base in the UK. Situated a few minutes from Harrods, and catering to a clientele that ordinarily includes princesses, duchesses, baronesses, the odd dame and lots of names you'd recognise from the pages of Hello magazine - alongside a lot of celebrities - it actually makes an odd kind of sense.  Jack believes in soft, sexy, natural hair, and clients who are willing to invest in their hair aren't going to appreciate skunk-stripes and badger highlights, so balayage is perfect for clients who want to look natural, groomed and polished.

I popped along to Equus to see Jack, try out the technique for myelf and have a look at the newly revamped salon, and I have to say I was very impressed. The salon is an oasis of calm, and has what are probably the most flattering mirrors I've ever actually seen in a salon.  This is surprisingly important, I find. Hairdressing clients are exceptionally vulnerable, and seeing yourself in too harsh a light when you're covered in cling film and cotton wool isn't great - every wrinkle, zit and pore highlighted, who needs that? - but the lighting and mirrors in Equus are delightful, and a wonderful surprise!

In spite of his reputation and pedigree, Jack is delightfully down to earth and amusing to spend a few hours in the company of, it was great to hear that we share a lot of the same opinions on grooming (essentially that less is more, and glamour is better when it's polished rather than "in your face" and the like), I also found that he really paid attention to my hair, playing with it, deciding where to best paint the highlights for the most flattering effect, and he spent a lot of time explaining what he was doing as he went along too.

Whilst the mirrors are flattering, my iPhone hates me, mind, always wanted to know what I'd look like platinum blonde ...

Essentially, the dye (or dyes, we decided to go both darker and lighter in my case, me being brunette and all) is lightly applied near the roots and is applied slightly more heavily towards the ends to give a natural "sunkissed" effect, and is painted onto v-shaped sections of hair, but with this technique, the art is more in the placement, and it's that which is the major difference between balayage and regular highlighting with foils, as it enables a personalised look to suit any and all clients.

So, how did it turn out?  Rather excellently, as it happens, Jack's  light hand with the bleach has left me with shiny, expensive-looking hair, which glows with different shades as the light hits it, but, doesn't look anything but brunette from a distance, and Arturo gave me a fantastic blow-dry, which I was happy with for a couple of days after.  Here's the picture that best shows off the colour:

Gold and brown, and my own natural brunette. A rather "tortoiseshell" effect, I love it.  The technique isn't cheap (expensive-looking hair tends not to be, in my experience), but you can experience "face-framing" balayage from £75, and the technique goes up to £190 for a full-head of highlights.

If, however, you've read this far, and you're interested in meeting Jack for yourself, please drop an email to [address redacted] with your address details and I'll send you a gift voucher for 30% off balayage colouring with Jack, 50% off a cut and blow dry with the equally talented Arturo, alongside a complimentary keratin conditioning treatment AND a free Essie manicure.  How could you resist?  You can have a look at Jack's work on his website, but if you follow Jack on Twitter, he'll talk to you about the technique too, don't be shy!

EDITED TO ADD: This offer has now closed.  This blogpost was written in 2011.

The Fine Print: Get Lippie was a guest of the salon, but is expecting to go back, especially as it's practically on the doorstep ....

Dior Lip Addict Gloss: 707 Flash and 654 Pearl

Alongside the palette I showed to you yesterday, Dior have also released two lipglosses to go alongside, one a cool silvery grey and one a light, cool, milky coral:

Flash 707 is the one that caught my eye back in December, and I was intrigued as to how it would work in person, but when I saw 654 Pearl, I felt duty-bound to pick that one up too, as it was so pretty in the flesh!

As you can see, 707 Flash swatches pretty sheerly, and 654 Pearl swatches far more opaquely, but both have a hint of blue and copper micro-shimmer running through them, as you can see here:

They're both exceptionally pretty, but I have a feeling Flash will be a lot more useful as a layering gloss, than as a shade in its own right, I'm not entirely convinced grey lips are the way to go unless you're serious about looking like you have consumption ...

Both are typical Lip Addict glosses, lightly fruit scented, slightly sticky, not all that long lasting, but they don't dry your lips out, and I, for one, am a fan of the slightly OTT packaging.

The Fine Print:  You can call these samples, if you wish.  I prefer to refer to them as "shopping".

Dior Cannage - 002 Whisper Grey

 Saw this palette a couple of weeks ago at a preview and fell in love with it, but it's taken till now for me to get set up to do swatches!  For Spring/Summer 2011, Dior have gone for cool greys and pinks, which makes a refreshing change from all the bronzes and corals we had last year.  I have a selection of the products from this range, and I'll work my way through showing you them this week.

I selected the Whisper Grey palette because there was a little more pink in the shades than there appeared to be in 001, which is a lot more monochrome.  Also, it's a darn cute little thing:

It's quilted in the same fashion as Dior handbags and feels great in the hand.  There's no protective velvet pouch with this one though, so maybe not one for dragging around with you too much as the squashy pleather may get scratched.  Love the Dior logo though:

Once you open the palette, you have four shadows, a decent-sized mirror, and a sponge applicator:

There's a pink, a pale grey-taupe, a darker matte grey and a frosty white (at least, that's how they appear in the pan):

It appears on first glance that the top two shades are shimmery, and the bottom are more matte, but these shades are slightly more complex than they appear, as you'll see from the swatches:

(swatched dry over bare skin with the sponge applicator included with the palette)

 

 

As you can see, these are actually fairly pigmented (I don't have much luck with Dior, the last palette I bought barely showed up on swatching at all, and the Minaudiere I bought from my mum was snatched off me in a mugging before Christmas), and I like how they appear on skin. 

The shimmery pink top left is not quite as frosty as it appear here, and the grey-taupe (top right) is a lot more complex, and is probably (surprise!) my favourite shade in the palette.  However, the matte grey bottom left is probably going to get a lot of use from me, as it has a pinkish base, which I think will make it far more flatteringly wearable than a more traditional steel-y grey, which tends towards a blue base.  I was suprised by the white, expecting it to be flat - and chalky - but there's actually a hint of shimmer, and it's shot through with a very pale, flattering gold.  Used sheerly, I'm sure it'll be far more useful than a plain flat white.

I did also swatch these shades over primer, but they don't, in all honesty, look all that different:

It pulls the grey-taupe a little more silver (which I'm not entirely sure is a good thing), and make the pink a bit more frosty, but I think I prefer the swatches without a base, in all honesty.

Grey lipgloss coming up tomorrow!

The Fine Print: These products were bought'n'paid for.  Ask MrLippie, he was most amused bemused at my shopping habits.

Chantecaille Turtles Palette

Oh my, how pretty is this?

I spent several years living in Greece, and several nights whilst there were spent camping out under the stars and watching turtles lay their eggs on some of the beaches there, so this will be a lovely reminder of my days as a rep.

I love the fact that some of the whopping cost of these palettes (these retail around £73), about 5% , goes to help wildlife charities, this year it's Widecast). I rejected last years Chantecaille Tigers Palette as the shades were just a little too on the cool side for me, but this is something I'll definitely be picking up, I think. It's too pretty not to, I love the cute turtle oversprays, and that's a perfect coral blush bottom left there.  And ... is that a taupe, top right?!

Not sure when it's released in the UK yet, but I'll let you know when I find out ...

EDIT: The palette is due to be released in the UK at the end of February.  Swatches for you when I can get them.

(Pic courtesy Chantecaille US)

Project Perfume

Accountants need projects like fish need bicycles water.  This year, I've decided to set myself one, I have around fifty different projects going on at work so, what's another one for home?

Over Christmas, I downloaded Perfumes: The A-Z Guide by Luca Turin onto my Kindle App (Santa ignored my repeated requests for a Kindle this year, I hate him), and spent a glorious day and a half reading about practically every perfume under the sun.  I also spent a lot of time bookmarking those perfumes I was really interested in having a sniff of.  It's completely and utterly engrossing, and I learned a great deal reading it.

2010 was the year I really re-discovered perfume. After several years of avoiding buying it altogether, being disgusted with the proliferation of syrupy-sweet stinks that all smelled the same, I stuck to a few old favourites (Acqua di Parma, Jicky and Aromatics Elixir, in the main), and thought that there was nothing on the market to interest little old me.  I was wrong.

So, having spent last year discovering that there was perfume I like available, I'm going to spend some time this year, sniffing my way through the classics (and some not-so-classics - just because I love them) and see if I can educate my nose a bit more.  I spent some time before Christmas with some amazing perfumers, and I'll be talking about those soon.

It turns out that when I'd been bookmarking the scents I was interested in, I'd picked out around 100 or so that I was really, really super interested in, so, being an accountant, I've created a spreadsheet (I even added a pivot table, deep joy!) and I'll be tallying everything I've sniffed as the year goes on. I can manage two sniffs of new perfume a week, I'm sure.  I'll even review them here ... a bit.  Occasionally.  If, over the next 12 months, you see an anorak  accountant with a spangly pen frantically writing notes on random bits of paper in a perfume hall near you, then you'll have spotted Get Lippie out in the wild ... I'll publish the list in full at a later date.

So, if money were no object what perfume would you buy for yourself?

My Picks of 2010

Needless to say, you'll have seen a million of these posts already, and I was in two minds whether or not to post my selections too, but some of these products have been life-changing for me, and I thought I'd share them anyway ...

Bath Products of The Year:


Aromatherapy Associates

Early on in the year, I was sent an Aromatherapy Associates Miniature Bath and Shower oil selection, which I adored, and since then, I've been through two - count them! - full-size bottles of the Deep Relax bath oil.  Both heady and relaxing, this stuff has seen me through an operation, a change of job, and moving house, I can't recommend it highly enough.  A capful (or two, in my mega-bath's case) is more than enough to soothe my aching bones, and ease my weary head.  You can also use it as a shower oil, or, in extreme cases, you can dab it on your pulse points and sniff as required. They do great candles too.


Lipstick of the Year

Guerlain Rouge G in Georgia

Adore the packaging, love (love!) the colour, and the fact that it's both £10 cheaper than Tom Ford's Pure Pink, alongside being slightly easier to wear makes this glorious shade my pick of the year.   The Tom Ford Private Collection lipsticks did grow on me throughout the year (to the extent that I now own three of them), however, this is the shade I'll be buying  back up of very soon.

Shampoo/Conditioner of the Year:

Andrew Collinge Smooth & Shine

An oldie, admittedly, but a damn good one.  I found this moisturising, and made my hair behave beautifully.  Easy to rinse, and it left my hair with an amazing shine, and at a bargainous £4.99 for a 500ml bottle, it lasted forever too!  If it were SLS-free, I'd be using it still (I had a keratin treatment at the end of year, so am using SLS-free formulations right now), but I had no issues with colour-stripping whilst I was using this on my dry, colour-processed hair.

Blusher of the Year

Daniel Sandler Watercolour Blush

2010 was the year I really started to get into blusher, it started with Estee Lauder's Bronzed Goddess bronzer, and ended with Nars Douceur, but in between were these little gems. I love them still, and now own three, in Truth, Cherub and Dare (plus I intend to get my hands on Flush and Gentle at some point too), as they're practically perfect.  Long-lasting, buildable and perfectly tinted, after I learned to handle them, I fell in love.

Eyeshadow of the year

Le Metier de Beaute Kaleidoscope in Le Cirque

To be fair, everything I've tried from Le Metier this year has been great, but the Le Cirque Kaleidoscope blew me away a little bit. Beautiful and endlessly versatile, this is practically the only eyeshadow palette I've reached for since I bought it a couple of months ago. Alas, it's limited edition, so I'm glad I arranged a backup when I could.

Foundation of the Year

A tough one, this, so there are two winners (and a runner up ...):

 Guerlain Lingerie De Peau and Bourjois Healthy Mix

Both great for a glowing finish (even though the Bourjois is technically only a "satin" or semi-matte finish), I genuinely couldn't choose between the two.  The Guerlain is a lighter-than-air, dewy finish that I find works best when set with just the tiniest bit of powder, whereas the Bourjois doesn't need setting, but I find the coverage is a little heavier.

Just want to give a mention to a distinguished runner up, which is Armani Face Fabric.  Amazing mousse texture, but for me, I need to be having a really good face day to do it justice.  But this is great stuff:

Nail Varnish of the Year

Deborah Lippmann: Hit Me With Your Best Shot. 

A glimmering steel-grey shade with hints of multi-coloured micro-shimmer, I've reached for this polish again and again since it arrived in my stick little paws, I love it, and it just edged out Dolce & Gabanna's Perfection (which it very nearly is) as my pick of the year.  Unfair as I still don't think House of Fraser have it in stock yet, but when they do, snap this one up!

Candle of the Year

Jonathan Ward Idina's Locket

No competition - unless you count the rest of the candles in this superbly-scented Amber range from Jonathan Ward, of which I bought the entire range of the day it was released!  And I know I wasn't the only person to have done the same, either. Warm and evocative, this candle smells like it was stolen straight from the boudoir of  Coco Chanel herself.  I now have more candles from Jonathan on my "Candle Wall" than I do from any other maker, and the reason for that is because they are wonderful, not to mention very clean burning.


Perfume of the Year

Untitled by Maison Martin Margiela

A possibly controversial choice,  but my blog, my rules, so ... I have to say that out of all the mass perfume releases I smelled this year, this was by far the most interesting, and it's definitely the scent that's responsible for getting me interested in perfume at all during 2010, so for that, it was a very important discovery for me.  Not every perfume in store smells like sweeties, and thank goodness for that.  You're going to be hearing a lot from me about perfume in the coming months, so you can all blame the 'Martin.

Skincare Range of the Year:

 Much like Le Metier above, where I haven't had a duff product from them all year, Alpha H has been the same for skincare.  I've tried practically every product from the range now, and (one exploding eyecream aside) I've liked (at worst) all of them, and loved some of them.  Start with Liquid Gold, try the facial oil, then move onto the masks, you can't really go wrong.  I'll have some more in-depth reviews of a couple of things coming up soon, but this is a great, no-frills brand, and I highly recommend them.

You might also want to have a look at Mir Skincare, which is formulated for sensitive skin, and is a bit of a marvel, in particular I loved the (vegan-friendly) Argan Oil, which I'll shortly be placing a replacement order for.

And finally - if you're still reading!

Overall Product of the Year

Clarisonic

Quite simply, it's a life (and skin) changing bit of kit.  I've banged on about it at relentless length several times before now, so I shan't go on, but suffice to say, I can't imagine life without this now.  Even if it is, essentially, a giant toothbrush for your face.

This has been one massive post, sorry!