I was very proud to be invited as a guest blogger to the official launch of the All For Eve range on Monday night. Held in the heart of Marylebone, this has to be the glitziest thing I've done on a Monday since, well, let's face it, since forever.
Before I start to talk about the evening I spent though, I just want to quote a sobering statistic I picked up whilst reading the press pack on the way home:
"Ovarian cancer takes the lives of 72% of sufferers every year, a figure that has not changed since 1972. Every day 20 women will die from a gynaecological cancer in the UK alone."
I don't know about you, but this fact shocked me, especially when you consider that the 5yr survival rate for breast cancer stands at 80%. I simply cannot believe that the survival rates haven't changed in nearly 40 years! This shocked and appalled me, and it brought home to me why All For Eve actually exists.
The brand has had, so far, a very short history, the initial idea came into being in November 2009, and it's already on the shelves in Harrods, and will shortly be available in Harvey Nichols, Selfridges, Fenwicks, Fortnum & Mason, and the top 50 Boots in the country. It's starting with beauty products, AFE is planning to expand the initial offering - currently comprising body products, a lipstick and nail polish, alongside a Swarovski crystal nail file - into some currently shrouded in mystery other areas - I'm thinking fashion though! Other brands lined up to join the All for Eve umbrella later this year include Elemis, Alpha H and Emma Hardie amongst others, which is a very interesting line up, and I, for one, can't wait to see what other areas the brand expands into. It's already won 4 CEW awards, and that's a record in the British beauty industry.
I had a brief chat with Sophy Robson, creator of the nailpolish, and we had a bit of a giggle about my twitter habit! But most definitely the high-point of my evening was speaking to Daniel Sandler, creator of the brand's iconic lipstick (which I am, of course, wearing in the pic at right, alongside it's creator!), about how he got involved with the company, and how he went about creating such a great lip colour. He told me all about the perfect red lipstick he discovered as a teenager (a Lancome shade, but I forget the name, but you bet I'll be speaking to the Lancome office to see if I can track it down soon!), and wanted to come close as possible to that shade within the budgetary constraints inherent within producing a product for charity. Personally, I think he's done an amazing job, and wasn't backward in saying so, I think it's a great lipstick (and I've seen some dreadful ones recently), and it's definitely on my list of classics.
As for why Daniel got involved, something I didn't know was that he was the man responsible for making Jade Goody look so amazing on her wedding day - say and/or think what you will about Jade, you can't deny that for an end-stage terminal cancer patient, she literally glowed as a bride, and she single-handedly did more to publicise gynaecological cancer than any woman has in a very, very long time - and she did a lot to inspire him. He pointed out that there are a lot of people have been affected by cancer, and he's very happy and privileged to find himself now in a position to be able to actually do something. Daniel is an exceptionally nice man, and very easy to talk to - sadly, I think I may have talked his ear off a little bit, if you read this Daniel, I'm very sorry! - and when he found out my mother works in a hospice with cancer patients, he immediately offered some help with fundraising efforts. I have to admit I was very touched by this, and I'll be getting in touch with the hospice soon to see if there is anything they need.
In the meantime, if there's something you want to do, then make a start and buy a product from All for Eve. Those survival rates have to change.
Beauty Without Fuss
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Wednesday, 28 April 2010
Tuesday, 27 April 2010
My Hair!
It's that time of year again, when my hair just absolutely gets on my wick. I've not had it cut since last December, and my last colour was a (slight) disaster ...here's how it looks at the moment:
Don't get me wrong, it's perfectly good hair, it's in good condition, it's long, it's healthy, the colour (finally) is okay. It's just ... dull. And shapeless. It just kind of hangs around, getting in my way, and I spend half my time with it tied back, just to keep it out of my way.
So, this week, I'm heading to the hairdresser to get it changed up a bit. What do you think I should do with it? First person to mention pink mohican (yes, Seona, I'm looking at you), gets a filthy look, but serious suggestions are welcome! I decided, however to consult some experts on what this seasons trends are. Some of them I've replicated below:
“Spring colour uses a palette of apricot, honey and vanilla tones. These suit paler complexions and fairer hair. For the brunettes, rich russets and caramels peak through natural chocolate tones. For summer, blondes have paler violet tones and bright platinum streaks. Some vivid shades of copper or magenta may be placed in strategic areas of interest to be on show or peek-a-boo colour. Darker hair is sun streaked using a technique called sun blushing. It is taking highlights a couple of shades lighter than your natural colour subtly under your parting to minimize any re-growth. This is a very popular technique in our salons especially as the credit crunch means frequency between visits may be lessening.”- Gina Conway, Ambassador of Hairdressing, Aveda Lifestyle Salon & Spa, Wimbledon and Fulham
“This spring/summer sees colour become more natural yet playful. The inspiration for these looks are from Marc by Marc Jacobs’s S/S10 runway collection, which is full of brightly coloured bows. Colour is softly progressing from autumn/winter through to spring/summer 2010. The rich hues of deep coppers have infused to coral peaches like an expensive piece of fabric. Keeping the root area natural or richer and working mutational soft tones through the mid lengths and ends. If you have naturally wavy or curly hair a great technique is to colour each individual curl as they naturally fall, this is a brilliant way to add definition. It’s all about creating texture but still keeping the colour shiny and well conditioned. For shorter styles keep the colour sold and richer if darker think cacao meets espresso, if your lighter keep your blonde locks in fab condition; high shine is the key. Remember your hair colour is an accessory so make sure it enhances your eyes and skin tone and makes you look amazing.”
- Amanda Dicker, Artistic Director, The Chapel, L’Oreal
“There are three main colour trends for S/S10, these are:
1. For ‘Notice Me Individuals’ colour takes on a bold experimental edge with splashes of intense colour from Geranium Red to 24 Carat Gold Blonde in hidden obvious sections contrasting with a muted all over tone.
2. The ‘Soft Touch’ is where hair is coloured in pretty shades of woven strands mimicking a sun kissed effect on a darker shades as well as lighter shades.
3. Our glamorous ‘Sensual Silhouettes’ is where hair colour resembles the Hollywood starlets from the past and of course the present. All over shades of one colour, whether blonde or brunette, are gorgeous.”
- AJ Blackadder, Technical Director, Andrew Barton Salon
“Rich chocolate is in for s/s, along with copper, rusts, and strawberry blondes - really rich multi dimensional shades are back. Caramel blondes, strong chestnuts, shades with a lot more warmth in are key. Lavender slices underneath a blonde give the element of movement that is so essential this season. The emphasis is on multi tones especially for blondes and coppers - at least 3 or 4 shades, but keep to the same tone so it's not a huge contrast - so no more than 2 levels difference between the three colours and stick within same shade, e.g. red copper, copper gold and rich copper. We're moving away from bright light white blondes so really look for gold shades and depth.”
- Brett Walker, Manager and Head Colourist, Michael Barnes Salon
“For spring/summer it’s all about blondes and rich chocolates. The colours are quite natural and full of warm tones, the blondes are leaning more to baby blondes with pastel highlights while the browns are very rich and luxurious with caramels running through. Although there is a big wave of rich deep Ribena purples making a come back, the sun will reflect these reds beautifully, the purples are more for the younger clientele.”
- Tracey Devine, Salon Director, Angels
Do you change you hair with the seasons? Do you follow hair trends? And finally my hair, HALP!
Don't get me wrong, it's perfectly good hair, it's in good condition, it's long, it's healthy, the colour (finally) is okay. It's just ... dull. And shapeless. It just kind of hangs around, getting in my way, and I spend half my time with it tied back, just to keep it out of my way.
So, this week, I'm heading to the hairdresser to get it changed up a bit. What do you think I should do with it? First person to mention pink mohican (yes, Seona, I'm looking at you), gets a filthy look, but serious suggestions are welcome! I decided, however to consult some experts on what this seasons trends are. Some of them I've replicated below:
“Spring colour uses a palette of apricot, honey and vanilla tones. These suit paler complexions and fairer hair. For the brunettes, rich russets and caramels peak through natural chocolate tones. For summer, blondes have paler violet tones and bright platinum streaks. Some vivid shades of copper or magenta may be placed in strategic areas of interest to be on show or peek-a-boo colour. Darker hair is sun streaked using a technique called sun blushing. It is taking highlights a couple of shades lighter than your natural colour subtly under your parting to minimize any re-growth. This is a very popular technique in our salons especially as the credit crunch means frequency between visits may be lessening.”- Gina Conway, Ambassador of Hairdressing, Aveda Lifestyle Salon & Spa, Wimbledon and Fulham
“This spring/summer sees colour become more natural yet playful. The inspiration for these looks are from Marc by Marc Jacobs’s S/S10 runway collection, which is full of brightly coloured bows. Colour is softly progressing from autumn/winter through to spring/summer 2010. The rich hues of deep coppers have infused to coral peaches like an expensive piece of fabric. Keeping the root area natural or richer and working mutational soft tones through the mid lengths and ends. If you have naturally wavy or curly hair a great technique is to colour each individual curl as they naturally fall, this is a brilliant way to add definition. It’s all about creating texture but still keeping the colour shiny and well conditioned. For shorter styles keep the colour sold and richer if darker think cacao meets espresso, if your lighter keep your blonde locks in fab condition; high shine is the key. Remember your hair colour is an accessory so make sure it enhances your eyes and skin tone and makes you look amazing.”
- Amanda Dicker, Artistic Director, The Chapel, L’Oreal
“There are three main colour trends for S/S10, these are:
1. For ‘Notice Me Individuals’ colour takes on a bold experimental edge with splashes of intense colour from Geranium Red to 24 Carat Gold Blonde in hidden obvious sections contrasting with a muted all over tone.
2. The ‘Soft Touch’ is where hair is coloured in pretty shades of woven strands mimicking a sun kissed effect on a darker shades as well as lighter shades.
3. Our glamorous ‘Sensual Silhouettes’ is where hair colour resembles the Hollywood starlets from the past and of course the present. All over shades of one colour, whether blonde or brunette, are gorgeous.”
- AJ Blackadder, Technical Director, Andrew Barton Salon
“Rich chocolate is in for s/s, along with copper, rusts, and strawberry blondes - really rich multi dimensional shades are back. Caramel blondes, strong chestnuts, shades with a lot more warmth in are key. Lavender slices underneath a blonde give the element of movement that is so essential this season. The emphasis is on multi tones especially for blondes and coppers - at least 3 or 4 shades, but keep to the same tone so it's not a huge contrast - so no more than 2 levels difference between the three colours and stick within same shade, e.g. red copper, copper gold and rich copper. We're moving away from bright light white blondes so really look for gold shades and depth.”
- Brett Walker, Manager and Head Colourist, Michael Barnes Salon
“For spring/summer it’s all about blondes and rich chocolates. The colours are quite natural and full of warm tones, the blondes are leaning more to baby blondes with pastel highlights while the browns are very rich and luxurious with caramels running through. Although there is a big wave of rich deep Ribena purples making a come back, the sun will reflect these reds beautifully, the purples are more for the younger clientele.”
- Tracey Devine, Salon Director, Angels
Do you change you hair with the seasons? Do you follow hair trends? And finally my hair, HALP!
Monday, 26 April 2010
Tarina Tarantino Makeup Collection
The pic on the left shows two eyeshadows (in headband and brooch) a blush (in feather) and a lipstick in cameo. Tarina also designs jewellery, and as you can see, a lot of thought has gone into designing the outside of this range.
But, do the insides measure up? Swatches after the jump.
Sunday, 25 April 2010
Lippie Chat - Nicola Elliot NEOM Luxury Organics
As it is my first "Organic Weekend", I thought this month's Lippie Chat would be with the founder of one of the loveliest organic ranges I've found recently: NEOM. Please welcome Nicola Elliot, who has very kindly agreed to take part this month.
Hi Nicola, can you tell us a bit about yourself?
Originally from Yorkshire I moved to London to pursue a career as a journalist. I worked for In Style magazine and Glamour magazine for years before I decided to launch NEOM. I relocated back to Harrogate, Yorkshire where we moved the head office 8 months ago – the NEOM team and I are also obsessed with getting your chemical count down!
How did you end up in the organic “beauty” industry? How did NEOM come into being?
I was working as an Editor for Glamour at the time when Oliver (my business partner) and I decided to launch NEOM. Working for magazines I was always surrounded by gorgeous beauty products, however I always wondered how effective they were and most importantly what was in them. Suddenly I saw a gap in the market for a product which was not only luxurious and effective but was also completely organic too.
NEOM was 18 months in the making and we launched in 2005 with 5 candle scents. NEOM now has a candle scent library of 12 as well as home treatment mists and an organic bath & body range too.
A lot of previously “high-powered” women are increasingly giving up their lucrative careers in order to get involved with organic products at the moment, do you have any thoughts on why that may be?
I think we are seeing increasing numbers of people becoming more aware of organic products, whether it is food produce or beauty which is great. This awareness brings more businesses and individuals launching within the organic world.
What are the philosophies behind NEOM?
To be luxurious, highly effective as well as completely organic…Our NEOM promise is no petrochemicals, parabens, PEGS, silicone, SLS or synthetic fragrances – in fact no nasty chemicals whatsoever!
What makes NEOM unique?
All our products are organic and are made with the highest concentration of essential oils and the finest ingredients – no toxins, paraffin wax or synthetic scents. They also act as holistic treatments, so they make you feel relaxed, more energized or just a whole lot happier depending on which scent you choose. The candles are hand-poured in the UK and the wax burns completely evenly so you really do get to use all of the wax.
Who are you targeting the NEOM brand at?
The NEOM customer is sophisticated and stylish and interested in organics but won’t sacrifice the quality of a product just for its organic status. NEOM Luxury Organics places huge emphasis on the efficiency and luxury of any product, because the ‘gorgeousness’ of any beauty product is fundamental to its success.
What do you hope is in the future for NEOM?
We hope to continue to grow and develop more products. We have just launched our two new candle scents Serenity (Vanilla & Sandalwood) and Sumptuous (Rose & Neroli). We are launching some fabulous travel kits in the summer as well as reed diffusers and a gigantic four wick candle in September too - so watch this space.
What’s your beauty regime?
I am always up early with my son Charlie who is 2, so my regime is pretty minimal. I make sure I always light my NEOM ‘Refresh’ (Sicilian Lemon & Fresh Basil) candle to wake me up; even at 5.30am in the morning it does the trick! I apply some radiance face cream from Burts Bees and a dab of Bobbi Brown concealer before making sure Charlie is dressed and ready. Carrot cleansing butter from Organic Pharmacy is a great product for the evening as it wipes away everything in one easy step.
What is one cosmetic product couldn’t you live without?
NEOM Luxury Organics Complete Bliss body oil, I completely swear by this product. It is amazing to quench the skin and the Moroccan blush rose scent smells absolutely divine too.
What advice would you give Get Lippie readers?
Your skin is the biggest organ so know exactly what you are putting onto it – don’t trust any marketing blurb!
Saturday, 24 April 2010
Organic Weekend - Natural & Organic Products Europe Show
So, a couple of weeks ago, I was invited to attend the Natural & Organic Products Europe (NOPE) show at Olympia, as a guest of Balm Balm, who you've heard me talk about on several occasions before.
Dedicated to bringing together the brightest and the best of organic and natural products, NOPE is a trade show, which allows brands to showcase their wares to interested buyers and suppliers. They first introduced a Beauty and Spa section in 2008, and that was the part of the show I was most interested in seeing!
Naturally, I made Balm Balm my first port of call, and having a chat with Glenda, Hayden and the rest of the family was certainly one of the high-points of my day. I'm delighted that they're expanding their range even further with a new facial collection including a super-light and delightfully refreshing coconut cleansing oil which I'll be talking to you about in a bit more detail in a later post.
I then moved on and had a little chat with the lovely girls at Lily Lilo, who spent some time talking to me about a lot of the new products they have coming up later this year, including mascaras, pressed foundations (really interested in those!) and some balms. The brand has really expanded in the last few years, I'm happy to see, and I'll be giving it a proper look-over in the months to come.
I popped over to Melvita who I'm sure you're familiar with by now! I had a gorgeous hand massage, and a nice chat with their therapists, which was really lovely. I have some products out with some lovely, lovely guest reviewers at the moment, and they'll be giving me their feedback soon!
At this point, I thought I should have a look at the organic food side of things, however, I was distracted by this:
Yup, Heather Mills-McCartney (as was) doing a cookery demonstration. I didn't hang around long enough to figure out what she was cooking, whilst I was there she was chopping carrots very s l o w l y and lecturing people on categories of vegetarianism. And Omega three, for some reason ...
I then popped along and had a chat with Phillip Martin's Organics who have a range of hair care, skin care and cosmetics. Hailing from Italy (Phillip Martin sounds so Italian a name, dontcha think?), the products reminded me a great deal of John Masters ranges, and they look like they'll be something super-interesting to look out for.
I went and found the Spieza stall and chatted to the girls again after meeting them recently at The Vitality Show, this time I actually got around to trying some of the products! I have to say that I think their rose and chamomile scrub is one of the most interesting products I saw on the whole day. Utilising chamomile stamens, it's an great use of what would ordinarily be considered a by-product of organic cosmetic production!
I also had a chat with Sarah of Pai, I've been trying one of her moisturisers since we met, so look out for a review of that soon, and Sarah has also agreed to be featured on my "Lippie Chat" series, so we'll be hearing more from her soon!
There's plenty more, but this is running long, so I'll bring you the rest next week ...
Friday, 23 April 2010
Clinique Anti-Blemish Foundation
This post is a promotional feature.
Okay, I very rarely feature products before I've tested them, but I'm making an exception for this one. It's no secret that I'm not a fan of Clinique's patent 3-step skin-care system, but I've always liked their cosmetics, and I believe their spot-care range (can you call it that? You know what I mean, I'm sure) is second to none.
Certainly, when I first developed adult-onset acne at around the age of 27 or so, I found that their spot-clearing gel was one of the few things that helped clear my zits up. I found adult acne a profoundly depressing experience, not helped by some profoundly insensitive friends making jokes about it, and I hated that most cosmetic ranges were either targeted at the already beautifully smooth skinned, or were for spotty teenagers and were simply guaranteed to wreck my already - by that time - hyper-sensitive skin.
Anyway, what I'm getting around to mentioning is that Clinique have brought out an Anti-Blemish Foundation, which promises to feel fresh and natural, AND help clear "blemishes". What I wouldn't have given for a foundation like this a few years ago! I used to cake (and I do mean cake) myself in Estee Lauder Double Wear, and the heaviest layers of powder I could manage, and hope no one would notice the crater face underneath! Here's a video featuring an independent makeup artist showing some hints on how to use the latest release from Clinique's foundation stable. Please take a look:
Now, I've noticed that my skin is going through one of it's periodic "insane" stages, meaning a crop of breakouts is, sadly, one the way - I can already feel a couple of humdingers cropping up on my jawline, so I'm going to be giving this foundation a go for a couple of weeks. Want to join me and let me know how you get along - and I'll be grateful to hear from anyone else who's already tried the product! - then click here to buy yours.
Okay, I very rarely feature products before I've tested them, but I'm making an exception for this one. It's no secret that I'm not a fan of Clinique's patent 3-step skin-care system, but I've always liked their cosmetics, and I believe their spot-care range (can you call it that? You know what I mean, I'm sure) is second to none.
Certainly, when I first developed adult-onset acne at around the age of 27 or so, I found that their spot-clearing gel was one of the few things that helped clear my zits up. I found adult acne a profoundly depressing experience, not helped by some profoundly insensitive friends making jokes about it, and I hated that most cosmetic ranges were either targeted at the already beautifully smooth skinned, or were for spotty teenagers and were simply guaranteed to wreck my already - by that time - hyper-sensitive skin.
Anyway, what I'm getting around to mentioning is that Clinique have brought out an Anti-Blemish Foundation, which promises to feel fresh and natural, AND help clear "blemishes". What I wouldn't have given for a foundation like this a few years ago! I used to cake (and I do mean cake) myself in Estee Lauder Double Wear, and the heaviest layers of powder I could manage, and hope no one would notice the crater face underneath! Here's a video featuring an independent makeup artist showing some hints on how to use the latest release from Clinique's foundation stable. Please take a look:
Now, I've noticed that my skin is going through one of it's periodic "insane" stages, meaning a crop of breakouts is, sadly, one the way - I can already feel a couple of humdingers cropping up on my jawline, so I'm going to be giving this foundation a go for a couple of weeks. Want to join me and let me know how you get along - and I'll be grateful to hear from anyone else who's already tried the product! - then click here to buy yours.
Clarins Instant Sunlight Applied (FotD)
It's okay, I got rid of the quiff, look!
Now, I'm sure you're all as sick of the sight of my face as I am right now, so this'll be the last FoTD for a few days, I promise. I created a slightly more traditional take on a smokey eye with this one - the colours were a fair bit darker in the flesh than they appear here, and there's a lot more gold visible on the skin than my camera can pick up, it seems. The Cream Eyeliner in the quad has a lot more gold than expected, and it's not quite as creamy as I'd like it to be, meaning it's slightly claggy to apply, but it's a very nice colour indeed, and worth the slightly painstaking application process. Incidentally, don't even bother using the eyeliner brush they give you in the palette, it's very small, and combined with the not-very-smooth liner, you'll be applying it for hours before you get a visible line.
Oh! Can't believe I forgot to show you this when I showed you the palette the other day! This is the lipbalm that also forms part of the Clarins summer collection. Isn't it pretty? Something to do with jellified oils and, polymers and, er ... something, but it's basically a clear - literally - lip balm, and it's very very nice. It's not a particularly fantastic lipbalm (you'll have to prise my Sisley Nutritiv from my cold dead hands, frankly), but it is a fantastic looking lipbalm, and as such, it has a place in my Lip Balm Hall of Fame. I'm wearing it in the pictures above, if you're wondering how it looks applied. A very soft, gentle wash of slightly glossy colour. There's also a red and a pink version, but the orange is the most pigmented, I found. I may have to sneak back and get the others too.
Whassat? Can't hear you!
So, that's three summer collections I've shown you in a great amount of detail now, what's your favourite?
Now, I'm sure you're all as sick of the sight of my face as I am right now, so this'll be the last FoTD for a few days, I promise. I created a slightly more traditional take on a smokey eye with this one - the colours were a fair bit darker in the flesh than they appear here, and there's a lot more gold visible on the skin than my camera can pick up, it seems. The Cream Eyeliner in the quad has a lot more gold than expected, and it's not quite as creamy as I'd like it to be, meaning it's slightly claggy to apply, but it's a very nice colour indeed, and worth the slightly painstaking application process. Incidentally, don't even bother using the eyeliner brush they give you in the palette, it's very small, and combined with the not-very-smooth liner, you'll be applying it for hours before you get a visible line.
Oh! Can't believe I forgot to show you this when I showed you the palette the other day! This is the lipbalm that also forms part of the Clarins summer collection. Isn't it pretty? Something to do with jellified oils and, polymers and, er ... something, but it's basically a clear - literally - lip balm, and it's very very nice. It's not a particularly fantastic lipbalm (you'll have to prise my Sisley Nutritiv from my cold dead hands, frankly), but it is a fantastic looking lipbalm, and as such, it has a place in my Lip Balm Hall of Fame. I'm wearing it in the pictures above, if you're wondering how it looks applied. A very soft, gentle wash of slightly glossy colour. There's also a red and a pink version, but the orange is the most pigmented, I found. I may have to sneak back and get the others too.
Whassat? Can't hear you!
So, that's three summer collections I've shown you in a great amount of detail now, what's your favourite?
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