Christopher Drummond and Sue Devitt FotD

I've spoken of my love of "no-colour" makeup before.  This morning I was going for a totally neutral but slightly sunkissed look (so tired of it being dull and grey outside, so brought some sunshine to my makeup!), and so I reached for:

Christopher Drummond Veludo foundation in Fair
Christopher Drummond Finishing powder in Branco
Christopher Drummond Radiance Booster in Saude Pele
Sue Devitt Eyeshadow in Lonely Splendor
Urban Decay liquid liner in Smog
Cover Girl Lash Blast mascara
Cargo Illuminator in Wind
Chanel Rouge Allure in Incognito

Taupe is my go-to colour at the moment, and the Sue Devitt shadow has been a lovely addition to my makeup bag, it's a very soft and subtle shade:

As you can see, I'm still using Endora as my style icon at the moment, I love me a bit of swoosh on my eyeliner!  You won't be seeing any baby-blue shadow here though, I promise.

But what I really want to talk is the foundation, I've been having a lot of trouble with powder formulations lately, owing to having somewhat ... er ... mature skin, and it being a bit dry owing t the weather at the moment.  I find a lot of powders - and even some pigment-heavier creams are just sinking into lines and crevices during the day which I swear simply did not exist in the morning!

So it was some trepidation that I approached the Christopher Drummond foundation, powder and highlight, I'll be honest.  I was scared of looking cakey, dry and, well, old! I needn't have worried, these powders are silky smooth, and a delight to wear.

The Just Beauty Direct website (where my samples came from) says this about the Christopher Drummond range:

"100% natural, vegan, made with organic ingredients. These are products not only good for your skin, but good for the environment. Christopher Drummond believes that by having eco-friendly and animal-friendly cosmetics, we are contributing to the prosperity of our planet ... 

... Christopher's skin-friendly all-natural, organic based formulations include such soothing ingredients, including açai, and green tea, which contain healing antioxidants.

These products which have a natural sunscreen and are non-comedogenic will leave your s  kin feeling velvety soft and looking naturally radiant." 

What I liked about these was that you don't have to "buff" them into your skin, you just brush them onto your face, as you would with a liquid foundation, sometimes I find that the "buffing" required with other mineral foundations can aggravate a sensitive skin.  This foundation lasted really well, and didn't need a touch up until about three in the afternoon!  The finishing powder is very, very silky indeed, and the Saude Pele added just a touch of champagne coloured highlight to my cheekbones. I was delighted that there was no settling, no cracking, no caking and ... no ageing!

All that said, I'll definitely consider buying the full size product, even though it's priced at a wallet-thumping £50 - but that contains a travel container, full size foundation, and flat-topped kabuki for application - but, I'd be interested to see if Just Beauty Direct have any plans just to stock the foundation refills at any point, as I hate being forced into buying a brush everytime I just need a powder. Maybe I'll just get one of his liquid lip pots in the meantime, I think the samples are going to last a while!

You can buy Christopher Drummond products here and Sue Devitt products are available from QVC or Harvey Nichols.

Mystery FotD

Trying out some makeup I'll be featuring in my makeovers soon, can anyone guess the brand?  Tiny prize for anyone who does ...

Face of the Week - Ellis Faas

This was a very simple, and exceedingly quick look I created in about three minutes flat this morning.  After applying foundation (Rimmel Stay Matte in 200 Soft Beige), I used E105 on the eyes, darker on the mobile lid, and sheered out with the fingers towards the brow-bone. Eyes were finished with Clarins Wonder Perfect.  Then I used S302 on the cheekbones - I love the subtle flush of sheerly shimmering colour you get with this! - and finished with L307 on the lips, which is a lovely, and surprisingly wearable, coral shade.

I won't lie, there is a learning curve to using the Ellis Faas products, the applicators can be temperamental until you get used to them (not helped by the fact that I think the nozzles on my blush are all blocked bar one) but they're worth it as the eye and cheek products barely budge during the day.  The hard part is actually not applying too much!  This look was a lot brighter and more glow-y in the flesh.  I loved it, as it was natural and not too much for a day in the office.

Do you have any Ellis Faas?  Is it a brand you'll be checking out when it arrives in Liberty next month?

Face of the Week - Korres

This little lot was supposed to be saved for a makeover, but when it arrived I fell in love with some of it so much that I had to give it a trial run for myself:

I'll talk more about the foundation and mascara (at the back) later, but I wanted to talk about the shadows today, they're lovely.  I got 77s Plum (on the left) and Base 12s which is a pale taupe colour, with a twist, here's how they look in the pan:

(top -  with flash, bottom - without)

I'm not sure how visible it is in the pic there, but the pale taupe has a gorgeous - and unexpected - hint of iridescent pink, and I was delighted with it.  The shadow had been a little banged up in the post, so I'd had to smoosh it back down into the pan a bit, hence why it's looking a bit bumpy there.  It was during this that I discovered that these are really silky soft, buttery-smooth shadows, much silkier than anything I own from, say, MAC for example.

Here's how they swatch on the skin:

 (Left - with flash, right - without)

They start off pretty sheer, but the colour is buildable. I've swatched them here on bare skin on the left of each pic, and over base on the right.

I used the 12s as a colour wash all over the lid, and added the plum on the outer corners and worked it into the crease, I found them very blendable, and loved how my eyes looked after, so much so, that I've worn this look a couple of times this week already!

The eyeliner is really very soft and blendable too, I got the blue-black shade, and it's very beautiful, but I couldn't pick up the gorgeous colour on these pics for some reason. I'll try and post pictures of it  that actually do it justice next time I use it. Please enlarge the collage to see the colours.

Korres Cosmetics are available from Liberty, or online at ASOS.

Holdover Makeover and Foundation Review

Okay, it's a couple of days late, I apologise, but here's the latest pics of the FotW I promised you on Thursday.

First of all, the obligatory shot of me without makeup. I'm shiny, and my pores are ENORMOUS:

It is also 6.30 in the morning, hence the simplicity of this make up, and my dopey expression. First things first, this complexion needs foundation, and needs it quick! 

So, a layer of  L'Oreal Studio Secrets foundation in Gold Ivory, and a dab of Benefit Bluffdust later, here's what you get:

Nice and matte and even. Now, I quite like the L'Oreal foundation, it applies well - and easily - and you don't need to use a huge amount to get good coverage. Admittedly, I really only use it on my T-Zone and to cover up some of the redness I tend to get around my nose. The foundation has a built in brush, but I find the bristles are a little too short for it to be really useful for blending, and I worry about the hygiene issues of not having a separate applicator, but for makeup in a hurry, it's not a bad choice - as far as application goes, it's actually fairly foolproof!

That said, it's not very long lasting.  It gives good coverage for the first two hours or so, then wears off pretty quickly, especially around the nose - where skin tends to be oilier - and after four hours or so, I find it's pretty much entirely disappeared, and/or been absorbed into my skin.  I find this with a lot of High St foundations though, ranges like Rimmel and CoverGirl and the like are cheaper mainly because they use less pigment and setting agents.  However, this is being sold as a "Pro" range, and it's not, as the High Street goes, all that cheap (currently £15.99 at Boots, though I paid about a tenner for mine a few weeks ago), so this lack of durability is very galling. It's not something I see myself buying again, I'll be honest.

However, onto the rest of the makeover ...

After applying my foundation, I usually do my eyes first, and that's what I've done here.  As I'm going for a quick, office-suitable look, I apply UDPP, a colourwash of the Bare Escentuals Bravo, then line the upper waterline only with a smudge of MAC Feline eyeliner, and add a single layer of Lancome Hypnose Drama in Black:

I have hooded eyelids, and it's hard to get a shot of how the eyeshadow looks on my lids from directly in front, but it's a lovely soft, shimmering silvery-brown colour, with a but more depth than you'd expect from that.  It's a loose shadow though, so it really, really, really needs a primer underneath to "lock" it in place.

Once my eyes are done, I add blusher (Chanel Rose Defile - the colour of which I love, even as I HATE the texture of the powder. Chanel are only really getting their act together with regards to their powder cosmetics right now, and the way all their old products dry out, and harden so quickly and have a tendency to be rather under pigmented is infuriating) and Bare Escentuals Buxom lipgloss in Brandi.

Here's how the colours look together:

And here's how it looks from the front:

 Again, my stupid hooded eyelids make it difficult to see the shadow that's applied, but you can see a hint of greyness there. I think I've gone a little too heavy on the blusher there, but that's because the lighting in my room - there is NO natural light in my bedroom at 6.30am on a weekday morning at the moment, so I have a tendency to overapply in the mornings, so before taking this last shot, I blended it out a bit:

So there you go, a simple work look that takes - if you're not trying to photograph it in a dark room! - about 7-8 minutes to apply, start to finish.

I think I need a fringe.