Hylamide SubQ Anti Age and SubQ Eye Serum

More colourfully packaged skincare for you today, but this time for your face.  I've been trialling the much-hyped Hylamide face and eye serums for a few weeks now, and it's time to share my thoughts of each.

Deciem make a huge range of specifically targeted hair and body (both for internal and external use) products now, but the Hylamide range is the first face-specific produce they have released.  Hylamide SubQ is, at heart, a hyaluronic-acid based serum, designed for dehydrated skins. Practically 99% of people have dehydrated skin to some degree, so almost everyone can benefit from a hyaluronic acid-based product somewhere in their regime. 

 Housed in medicine-style bottles with a handy dropper, which makes using just a couple of drops very simple, the Hylamide products are both cutely and usefully packaged.  Containing five hyaluronic acid from five different sources, alongside copper and peptides, both serums are meant to be multi-tasking, tackling other concerns alongside simple dehydration, such as fine lines, both surface and deeper level hydration, they both work on firmness and evening out skintone too.  The eye serum also works on puffiness and dark circles.

Both thin and light serums, Hylamide SubQ is watery feeling, and you only need three or four drops to cover your whole face, whereas Hylamide SubQ eyes is slightly thicker and more milky, and you only need one (big) drop to cover both eyes.  Both leave your skin feeling refreshed and silky, and they sink in almost immediately, not leaving any residue at all.

Before I go much further though, I have to admit that the eye serum stung like :redacted*: well, it stung a LOT, but it didn't produce any signs of allergy aside from the burning, and didn't cause any redness or irritation, and if  I hadn't had to stop use early thanks to the burning, I suspect I'd have liked the product a lot more.  This is the first eye product I've tried in years that has stung, so it may be one for my sensitive-skinned sisters to avoid at all costs.  As it was, I was more than a little disappointed that I did find I had dehydration lines during the day on several occasions where I'd had less than optimal sleep when I was using this, so giving it up wasn't too hard, in all honesty.

However, I have been impressed with the non-eye serum, it is light and hydrating, and I like it very much indeed. It is perfect for adding moisture without greasiness. It is another one of those products where, if you have good skin, you probably won't think it is doing much for you, but you'll notice the difference when you stop - certainly I have found that when I don't use it for a day or two, my skin is noticeably more dull and less hydrated as a result.  I suspect if you have very dehydrated skin, you'd love this, possibly even more than I do.  I like the dropper for being able to use a measured "dose", too, meaning this little 30ml bottle will last a long time. 

Hylamide SubQ Anti-Age is available from Boots and costs £30, where the eye serum will cost £27. 



*Hell 
 
The Fine Print: PR Sample

The Even Finer Print: Hylamide SubQ Anti Age and SubQ Eye Serum We're not featuring full fragrance reviews on Get Lippie at the moment owing to illness - please see The Parosmia Diaries for more.


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Liz Earle Botanical Shine Shampoo and Conditioner

 Kalahari melon.  Apparently, they're a melon that grows in the desert, and an extract from their seeds has made it possible for Liz Earle to re-release their haircare range.  Initially rather underwhelmed when the Liz Earle haircare offering was just the shampoo alone, I've found using it in conjunction with the new conditioners is actually really good for my slightly coarse, definitely frizzy and (slightly) coloured hair.

Designed along their skincare lines, ie one "cleanser" (shampoo) to sort every possible type of skin (hair), then a specific "moisturiser" (conditioner) to address your particular concerns. There's one shampoo, and three silicone-free conditioners in the , one for fine hair, one for normal, and one for coarse/coloured hair.  There is also a hair "oil" (which I haven't tried), but I notice that the ingredients list Cyclopentasiloxane, Dimethiconol, Cetyl dimethicone and Aminopropyl phenyl trimethicon, which are all silicones, so don't be fooled by the "oil" moniker if you're going silicone-free.

Surprisingly, given my hair's propensity for being big and frizzy and basically out of control, the normal hair conditioner actually suits it best. I found that the one for "dry or damaged hair", which I initially found myself drawn to, was actually far too heavy, and led to greasiness.  But, I find the normal hair conditioner just about right, enough moisturisation to not leave it frizzy,  and it leaves my hair soft and shining for days after I wash - I don't wash every day, never have, never will, frankly.

All in all, I'm reasonably pleased with the conditioner, I remain a bit meh about the shampoo, but together they definitely get the job done. They cost £10 per tube.


The Fine Print: PR Sample

The Even Finer Print: We're not featuring full fragrance reviews on Get Lippie at the moment owing to illness - please see The Parosmia Diaries for more.


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Prismologie at SpaceNK

Intrigued by the invitiation which promised a global launch of a "beauty first", I trekked along to the Knightsbridge branch of SpaceNK recently (it's a hard life), and discovered Prismologie, A colourful and luxurious body care range. Prismologie promises to help lift your mood as well as care for your skin.

Taking the basics of colour-therapy as its starting point, Prismologie has 12 products divided into six colour ways each with a specific mood as its inspiration, and each has a corresponding scent and gem combination in the ingredients. There are signs that Prismologie is also incorporating some aromatherapy, and a little healing crystal therapy into the range, too:

White Beginning - consisting of a body wash and a rich body cream, for contemplation and relaxation.  This range is scented with neroli. and contains micro diamonds.
Yellow Day - a body lotion and a shower gel, to bring radiance and confidence.  This range is scented with bergamot and contains citrine.
The Red Hour - A foaming scrub and a dry oil, for stimulation and passion. This is scented with cedarwood, and contains ruby.
Green Epoch - a hand polish and bath oil, for serenity. With vetiver, and jade.
Pink O'Clock - hand cream and a cream-to-powder body balm for compassion and tenderness, scented with rose, and containing rose quartz.
and finally Indigo Interlude - a foot cream and a massage candle, for stillness and to help relax.  The indigo range smells of oud, and contains sapphire.

The scents for the range have been created sympathetically by Ruth Mastenbroek, and the products, from whichever colourway you pick, smell divine.  The neroli-scented body-cream in particular is absolutely gorgeous, and personally, I'd have adored it if the entire range smelt of it, personally, but all the scents are very good indeed.  I thought the oud in the footcream was an unusual - and brave - choice, but it smells woodsy and clean in this formulation. I think it's a sign that oud really has gone mainstream now though.  I mean, it's a footcream, not exactly the most glamorous of products, lets face it ...

The products themselves aren't coloured to match the (beautiful) packaging  - the range contains no parabens, SLS, mineral oil and are not tested on animals - but they are nice to use, and do what they're said to do on the label.  The White Beginning body cream is my particular favourite, it is rich and thick, and takes time to sink in, but the beyond gorgeous scent makes up for it.  I'm normally a body cream avoider (life's too short, and I don't have dry skin), but I've made a space for this one every day since I picked it up.

I remain sceptical - well I would - on the therapeutic benefits of the range, much as I would with any range that maintains to alter wellbeing through colour, or scent, but it is clear that the founders, mother and daughter team Intisar and Fatima Al-Sabah have produced a well thought through, and very high-quality range of products (every part of the body, right down to the cuticles, is catered for), which is delivered in beautiful, extremely eyecatching packaging.

Prismologie lands in SpaceNK on 12th May, and prices will start at £30.

The Fine Print: PR Sample

The Even Finer Print: We're not featuring full fragrance reviews on Get Lippie at the moment owing to illness - please see The Parosmia Diaries for more.


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An Introduction to Fresh: Sake perfume, Soy Cleanser and Black Tea Overnight Mask

I went along to the re-opening of the Fresh store in Marylebone last week, it has been a while since I was in there and I was thrilled at the new look, especially the sensorial bar, where you can experience all the scents in one place, and decide which one you like best.  The pale duck-egg tiles around the store also add a certain something special to the experience too - I think I know how I want my next bathroom decorating!

The store is devoted to gifting, either buying beautiful things for yourself, or buying gorgeous presents for other people, and you'll notice an entire wall of these beautiful gift boxes right behind the till, which I think looks beautiful.  I was sent away with a gift box of my own which contained the following:

The cult Fresh Soy Cleanser, Sake eau de parfum, Black Tea Firming Overnight Mask, and Seaberry Skin Nutrition booster.  I've tried them all (except the booster, which I'm going to be trialling soon) and thought I'd pass on my thoughts so far.  I'll be honest, I'm not a fan of the Soy Cleanser, as I found it incredibly drying on my skin - it's a foaming gel, ideal for some people, but not for me, alas - I've passed this one along to Mr Lippie, and I'll let you know who he gets on with it.  I've had better results from the Black Tea Firming Overnight Mask:

It seems that if you call something an "overnight mask" instead of a night cream, I'll be more inclined to use it, but it does strike me that many overnight masks are just rich night creams re-branded as "masks".  That said, this is a nice one, scented with roses,  you apply it to freshly cleaned skin, right before bed.  I partially rub it in, leaving a trace of it on my skin, and it's all absorbed by morning.  I have found my skin is plumper and  beautifully moisturised the next day, so mask or night cream, I'll be using this once or twice a week till it is gone.

I fell a little bit in love with Fresh Sake, I have to admit.  Described on the Sensorial Bar as a fruity floral, this is a gingery, grapefruity osmanthus-filled take on a fruity floral, which was a far cry from the strawberry/vanilla monstrosity I'd imagined I was about to smell when I sniffed it.

 It's a cute bottle, too. Admittedly, I cant smell Fresh Sake in much detail (my fault, not the fragrance's), but it's a slightly prickly, quite different take on fruit and flowers and when I wear it, I can't help sniffing constantly at myself.  I can smell a touch of peach, possibly, and some generic white flowers but mostly it's a fresh (as opposed to Fresh) scent, which I enjoy wearing a great deal.

It has been a bit of a pain trying to purchase Fresh products in the UK up until now, with them having only one retail outlet, and no real online presence at all over here, but I'm assured that Fresh are launching a proper UK-based website which will carry all their lines later this year.  Keep your eyes peeled.  Personally, I'll be popping back to the shop for their rightly-famous lip treatments, and some of the Sake bathing products ...


The Fine Print: PR Samples.

The Even Finer Print: We're not featuring full fragrance reviews on Get Lippie at the moment owing to illness - please see The Parosmia Diaries for more.


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Clinique Aromatics in White

  
First things first, the original Aromatics Elixir from Clinique is a fragrance I've been wearing for around thirty years now, if I were to ever have a "signature fragrance", Aromatics would be it.  So, when Aromatics in White was released, I was intrigued.  

It is difficult for me to do a direct comparison, as the original is just still a little too strong for me to wear comfortably at the moment, so I haven't smelled it in the best part of a year now, but Aromatics in White is far more of a wearable proposition under the (parosmic) circumstances.

A lightened - by emphasising the rose - and brightened - by the addition of violet leaves and orange blossom - version of Aromatics, this is very much a whisper in a quiet room rather than the SHOUTING THROUGH A MEGAPHONE IN A LIBRARY stance of the punchy spices and funky patchouli of the original. I suspect a lot of people won't like it for that.  For me, the lightness and the brightness has simply lifted the facets of the original that I couldn't really notice under the funky spiciness -  I genuinely had never noticed the rose in the original, and still have trouble picking it out now even thought I've read a thousand reviews that have mentioned it - to the fore, without turning it into a watery and weak "fresh" version, which is all to the good as far as I am concerned.

I can smell white roses and orange blossom up top, and there are some slightly smokey woods beneath, but in between there are musks galore, making this a skin scent first and foremost - no one will run away screaming in terror when you wear this (more's the pity) - but the longevity is good, and it is ladylike without being wishy washy or overly sweet.  They haven't drowned it in vanilla, either, for which I shall be eternally grateful.  It does, actually, remind me of AE, but in a fuzzy, milky, distant sort of way, like snuggling into a cardigan, or a cashmere scarf that was once dowsed in the original, and you're now left with the ghost of fragrance past.  This isn't to damn it with faint praise, though it may sound it, but there's enough of the original in the formula to evoke memories of Aromatics proper, making Aromatics in White a fair partner to have alongside.

Is it a classic like the original?  Possibly not, whilst there's still nothing available on the high street that smells like Aromatics Elixir,  and though Aromatics in White doesn't smell like absolutely everything else, it's familiar and friendly without ever being unconventional.  I like it and whilst I can't wear Aromatics Elixir, this is a good replacement for it.  But will I love Aromatics in White in 30 years?  Only time will tell ...

The Fine Print: PR Sample

The Even Finer Print: We're not featuring full fragrance reviews on Get Lippie at the moment owing to illness - please see The Parosmia Diaries for more.


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Makeup Forever - Artist Plexi Gloss 102p, 406 and 209

I do love a lipgloss.  I don't wear them nearly as often as I used to because very often they don't allow a proper slick of colour, and they don't last anywhere near long enough on the lips.  However when MUFE Artist Plexi Gloss unexpectedly popped through my letter box, I was really happy  because these are pigmented and they are properly colourful!

This is 102p Sweet Beige, 406 Burgundy and 209 Fuchsia, and you can see that 406 and 209 are simply packed with pigment, which makes them a delight.  102p is practically a clear gloss on my skin (and on my lips, as you'll see a bit later), but it has a lovely shimmer and will make a great layering gloss.  The other two are pigmented enough to wear alone.  You can see that 406 Burgundy which looks, frankly, terrifying in the tube is actually quite a wearable berry in the swatch.

The glosses have a flexible paddle applicator, with a tiny v-shaped notch that allows for greater ease of application - don't ask me why it works, but it does. I am too thick to have figured out how or why though, so I'm going to guess at: physics.  No!  Aerodynamics!  No! Ergonomics!  God, I just don't know - so it's actually quite easy to get a precise application on the lips, even with the most opaque colours in the range.

Top to bottom: my bare lips, 102p, 209 and 406

 As you can see 102p Sweet Beige just adds a hint  of milky peach to my lips - which isn't a look I particularly enjoy wearing myself, but it's lovely on others - 209 is a deeply opaque blued fuchsia and 406 is a sheer and surprisingly wearable (but not unpigmented) berry in wear.

Yes, they are a little sticky, but this is part of what keeps the glosses lasting several hours instead of several minutes.  I haven't noticed any particularly discernible flavour.   Overall, if you love a glossy look but don't love wishy washy glosses with no staying power (like me), then these are a good option.  Mine came from PAM in West London, which has long been the best place to get MUFE products.  Their online swatches are a bit ... unrealistic though, so do a little research into the individual shades before buying - there are 35 of them, so there will definitely be something to suit!

The Fine Print: PR Sample

The Even Finer Print: We're not featuring full fragrance reviews on Get Lippie at the moment owing to illness - please see The Parosmia Diaries for more.


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Zelens Z Pure Cleansing Liquid Balm

 

I'm on such a cleansing kick at the moment, it's not even funny. Luckily there are some amazing cleansers around right now, and from some great brands too, so I'm actually quite happy about this!  I've been dying to try Z Pure Cleansing Balm, from one of my favourite brands; Zelens, since before it was released, and I eventually gave up waiting for my promised sample a while ago and just bought myself a bottle, something I am wont to do on many occasions. It was £50 well-spent though, and I'm glad I cracked.  But then, with Zelens products, I usually am.

A clear liquid, reminiscent of the Alpha H Liquid Laser Oil I featured recently, this has a slightly sticky gel texture initially that quickly melts into an oil on the skin, and then emulsifies into a milk in contact with water. This is a beautifully refreshing cleanse, perfect for first thing in the morning, thanks to its gently minty shiso-infused scent. 

It's not so minty that you can't use it at night though, and it is a fantastic oil for massaging. It stays on the surface of your skin without sinking in for the longest time, and it prepares you beautifully for any night-treatments you might be using too.  Whilst it will remove makeup (something it does it very well, actually), at this price point, you're best off using it after you've removed your makeup, which will allow the skin-loving perilla oil - which is one of the main ingredients in the formula -  to nourish your face, rather than just have it pushing makeup debris and leftovers around your skin.

I remove it with a hot cloth, rather than emulsify with water and rinse, but it is easily removable either way. It doesn't leave a greasy residue, or dry your skin out, you just have soft, perfectly clean skin, ready for anything you care to throw at it afterwards.  Z Pure Cleansing Balm, alongside the aforementioned Alpha H Liquid Laser oil, and the Oskia Renaissance Gel I also reviewed recently are the three main cleansers I have in my rotation at the moment. Let me tell you that it takes a massively good formula to take me away from my beloved solid balms for any length of time, and these ones are very, very good indeed - I've not looked at a solid balm in months! 

Invest in a good cleanser, and your skin will thank you for it, is my particular philosphy.  Zelens Z Pure Cleansing Balm is worth every penny.  Mine came from SpaceNK, where it cost £50.

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Charlotte Tilbury Matte Revolution Lipsticks - Walk of Shame, Red Carpet Red, Very Victoria

I was lucky enough to be at the annual CEW awards lunch on Friday, and when Charlotte Tilbury won two awards (Best New Brand - Prestige and overall Best British Brand) the cheering was insanely loud in the room.  It's fairly safe to assume that they were incredibly popular wins!  I have really liked everything I've tried from the brand and thought it was time to show off some of the lip products, as I realised I've only written about eye products up until now.

I love the rose-gold packaging of the lipsticks, it screams old-school glamour, and the contents are even better:

L-R: Walk of Shame, Red Carpet Red and Very Victoria

Walk of Shame is a warm and slightly browned berry shade, Red Carpet Red does exactly what it says on the label, being a beautiful Hollywood red, and Very Victoria is a nude, with hints of taupe, which was specially created for Victoria Beckham. 

The texture, for a matte, is incredibly silky, and they're not as full-on opaque as you would expect - it feels like these have a gel base, and the finish is hugely flattering on the lips, you don't get that heavy, powdery feeling like you can with some matte lipsticks that amp up the pigment at the expense of emollients and turn your lips into rags by the end of the day.  These textures are light, and you can barely feel them on your lips.  I like that the coverage is buildable, too.  Lets face it not every day is a bright lip day, much as you might want it to be.

Walk of Shame

Red Carpet Red

Very Victoria

The colours are fairly complex, as you can see in the close-up pics, there is just the merest hint of micro-shimmer in the formulations, this is undetectable on the lips, but just adds a bit of depth and stops the formula being completely flat in wear.  The squared-off, chisel-shaped tips aid in application too, being small enough to get into all the nooks and crannies your lips might offer.

Top to bottom - my bare lips, Walk of Shame, Red Carpet Red and Very Victoria

All offer good, but not totally opaque coverage, and Walk of Shame is a perfect (for me) easily wearable "not quite nude" shade, and Red Carpet Red is a great statement shade.  Very Victoria is a great nude, but as always, I find these brown/beige/caramel "nudes" incredibly challenging to wear owing to my colouring, but I do wear it occasionally if I'm wearing strong eyemakeup.

Charlotte Tilbury Matte Revolution lipsticks are incredibly well-named, as it's not a texture I've ever come across in a matte lipstick before, and they're all the more amazing for that.  They cost £23, and are available at Selfridges and online at CharlotteTilbury.com

The Fine Print: PR Samples 
 
The Even Finer Print: We're not featuring full fragrance reviews on Get Lippie at the moment owing to illness - please see The Parosmia Diaries for more.


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Maison Francis Kurkdjian - Oud Satin Mood

I should probably preface this review with two facts: the first is that Oud Silk Mood by Francis Kurkdjian is one of my all-time favourite fragrances of all-time and this review will potentially be coloured by that, and secondly it must be made known that I am still currently parosmic  and as a result I'm not sure how much use a review written by someone with a distorted/lessened sense of smell will actually be, but I'm jolly well going to write one about this anyway.

Almost two years ago, I wrote a rather prickly review of Oud Silk Mood by Francis Kurkdjian, one in which I loved the fragrance, but had got rather tired of perfume bloggers attitudes towards oud as an ingredient in perfume.  Fast forward to now, and I'm rather over the cynical "We need middle eastern clients! Let's make an oud!" fad in perfumery myself to be honest, but I still do love an oud when it is well done.

When Francis Kurkdjian released his initial oud fragrance in 2012, there wasn't an oud fragrance quite like it.  He'd taken a thick, medicinal, traditionally "heavy" (or funky, or gross, depending on your point of view) ingredient, and turned it into a lightly shimmering phosphorescent haze of beauty.  His original Oud was still odd, but it was acceptable, even pretty, and infinitely wearable, even for the oud-phobic.

In 2013, Kurkdjian released the Oud Moods collection, featuring oud fragrances as inspired by fabrics, namely Silk, Cashmere and Velvet.  All showcased oud as the major ingredient, but featured another scent alongside to recreate the sensous feeling of fabrics on skin.  As someone with synaesthesia, which often took the form of textures and fabrics (iris, for example, was grey cashmere) in the past, this collection really appealed to me.  Cashmere and Velvet featured labdanum and cinnamon respectively, and Silk Mood was roses.  Jammy, fruity, lush and deep, deep red roses, which were displayed atop a splintery bed of shimmering, yet still somehow slightly dusty oud.  It's a perfume I reach for whenever I want to wear roses, but not the roses your grandmothers would wear, and it's probably in my top five fragrances of all time.

However, since I became parosmic, roses have become a tricky ingredient for me, sometimes smelling burned, sometimes papery, sometimes just flat and unpleasant, and so I have been reaching for Silk Mood less and less recently, as I couldn't predict on any given day how I'd be able to perceive the smell.  Life with parosmia is often hugely surreal and unpredictable, and so my fragrance choices have been by necessity been more limited over the last twelve months, in order to avoid nausea. However, when I heard that the new addition to the Oud Mood range was going to feature violets alongside the roses, I let out a little whoop of joy, for, after a trip to the Osmotheque in Paris last year, I know that violets are one of the few smells that for me are never distorted, and so I looked forward to smelling Oud Satin Mood very much indeed.

Oud Satin Mood opens with candied violets over a powdery soft vanilla, which is both sweet and floral. Until the rose turns turns up in the midsection it is rather soft and quiet, but the dark roses appear here to add both richness, and more vibrancy to the scent.  Where Oud Silk Mood is jammy and voluptuous, Satin Mood is powdery and ladylike, the soigné Grace Kelly to Silk's rather blousy Jayne Mansfield.   At the end, which takes a good long while to arrive at, there is a warm and comforting hug of benzoin mixed with the vanilla, which stays close to the skin, but doesn't get cloying. Throughout wear, there is a shimmer of oud, which adds mystery, alongside both depth and an unexpected gauziness, alongside a certain playfulness to the scent. But the oud itself never overpowers the other ingredients as it does is many other formulas, happily remaining a background player at all times.  It is quieter than Silk Mood, less prone to blooming in the heat, and stays closer to the skin. Even my damaged nose can still pick up the scent 8-10 hours after application, so wear-time is extensive.

Thanks to the roses no longer being central in this iteration of Oud Mood, this, along with the addition of ionones from the violet accord, means that they no longer seem burned or papery to my nose, making this a more pleasurable wear for me than Silk Mood at present.  As an aside: it seems that ionones have the simplest molecular structure of many other perfume ingredients, and so may require fewer functioning receptors available in the nose in order to be able to smell them (this is a theme I'll be returning to in a later blog post, however), and so even people with a distorted or hugely lessened sense of smell might be able to at least faintly pick up the scent of violets where previously it was thought they couldn't smell, or distinguish much at all*.

Oud Satin Mood is an eau de parfum rather than an extrait de parfum, and this is reflected in the price, which will be £165 when the fragrance is released on May 1st, rather than the £275 that the rest of the Oud Mood collection sells for. The packaging is also slightly different, a black box rather than the blue of the rest of the range, and the gold fascia on the bottle is no longer there, but it is good news for purses, at least!

I don't mind admitting that a few happy tears were shed on initially smelling this fragrance. So few things smell "right", much less beautiful, at the moment that having unexpected access back into the world of both one of my favourite fragrances and one of my favourite perfumers has been a very happy event indeed.  I can no longer smell in as near as much detail as I used to (though things improve almost every day at present), so if this review - my first full fragrance review in almost twelve months - seems thin on descriptions, I can only apologise. In any event Oud Satin Mood is a glorious addition to the Oud Mood collection, however badly your nose might be brain-damaged.

* Info from The Monell Centre in a conversation via Twitter.

The Fine Print: PR Sample

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Estee Lauder Pure Colour Envy Sculpting Lipstick - Impassioned, Rebellious Rose and Dominant.

And we're back to lipsticks! I'm genuinely not sure why these haven't been on the blog before now, but the Estee Lauder Pure Colour Envy Sculpting Lipsticks are incredibly beautiful.  They feature intense, opaque colours, with a gorgeous feather-light texture, a hydrating formula, and a glossy long-lasting finish.  But anyway, they're here now, and they're beautiful.  Did I mention that?

From left to right here we have Impassioned, a crazy-beautiful tomato red, Rebellious Rose, a slightly toasted mauve, and Dominant, which is a cool blue-toned fuchsia.

The texture of these is amazing, creamy and emollient, they cover the lips in colour in just one sweep, and you can barely feel it is there once in wear.

You can see how soft and creamy the formula is here.  The bullets are so smooth and beeeeyoootiful straight from the package, you won't even believe it ...

Here you can see the glossy finish in the formula, and I am so happy that these aren't matte shades.  Don't get me wrong, I love a matte lip every now and again, but the glossy satin finish you get with these is, for my money, much more flattering.

Impassioned is a fab "statement" red, wear it with your best power suit for a huge impact.  Rebellious Rose is, for me, a great neutral lip for pairing with a smokey eye, and Dominant (is it just me, or is Dominant more of a red lipstick name than a pink?  No idea why that should be) is a lovely fashionable shade that will go fabulously wherever you would normally wear a red.  Gorgeous for us cool-toned ladies.  Rebellious Rose is probably the one I've reached for most since I bought it, it's gorgeously wearable on a variety of skintones.  Impassioned and Dominant are definitely for when you want to make a statement.

Estee Lauder Pure Colour Envy Sculpting Lipsticks come in 21 shades, and cost £24.


The Fine Print: Mixture of purchases and samples.

The Even Finer Print: We're not featuring full fragrance reviews on Get Lippie at the moment owing to illness - please see The Parosmia Diaries for more.


This post: Estee Lauder Pure Colour Envy Sculpting Lipstick - Impassioned, Rebellious Rose and Dominant. originated at: Get Lippie All rights reserved. If you are not reading this post at Get Lippie, then this content has been stolen by a scraper