Recover Correct and Conceal Red - Fair

Don't hate me, but I don't use concealer very often!  I'm lucky in that I don't have particularly bad dark circles around my eyes, so only need to dig into extra coverage when I've had a very bad night, or if I need to cover redness that my foundation isn't up to the job of erasing.  I have a huge tendency to redness, thanks to my sensitivity issues, and so occasionally I need a little help if I'm not to look like a gigantic pink balloon.  Recover Correct and Conceal Red is the latest product designed to help cover facial redness and it's a good (if expensive) one.  The brainchild of makeup artist Annabel Jardella, who has worked on films such as Sense & Sensibility and Evita (not to mention Gladiator), it's fairly safe to say Annabel knows how skin should look.

What is particularly innovative about this one, at first sight at least, is the delivery system.  A tube with a pump, and a metal disc to help spread the concealer over the skin, it feels cooling and lovely on your skin when you're applying, and, as red skin tends to be hot skin, this is great.  You depress the pump ever so slightly, allowing a dot of concealer to come to the surface and apply to the area you want to conceal.  No need for unhygenic fingers, or a brush! Application is simple and easy, a little bit goes a long, long way:

Seriously, you only need a very little bit.  This would be more than enough to cover any redness around my nose and my cheeks, and would be far too much for under-eye concealing.  But, as this is a redness concealer, and NOT an under-eye concealer, this isn't quite the problem you might think it is.   As it happens, I have used it as an under-eye concealer, and it's worked quite well, but the pigments in the product are designed to fight redness, not darkness (and my darkness is minimal) so please don't purchase Correct and Conceal Red for your undereye area.  Apparently, there is an undereye product on the way, and I'll be very interested to see it once it launches.

Top left|: Fair unblended.  Top Right: Fair, blended.  Bottom: swatches in  Light, Fair, Beige, Medium Tan, Deep tan.

The product blends out easily, and unusually for a product with such a high amount of coverage, it is whisper-light on the skin, and dries to a lovely matte finish on the skin.  You don't need to set it with powder, if you don't want to.  I have done, and it's fine, it won't cake, and it definitely doesn't have a greasy feel that makes you feel like it will slip off if it's not set.  Best of all, the coverage is excellent:

On Tuesday last week I woke up with what looked like the beginnings of a black eye, my cheek was all red, because I'd either walloped (or scratched) myself  a good one in my sleep. This was the real test for Recover Correct and Conceal Red, and it passed with flying colours - can you tell which cheek it was I'd punched myself in?*  Picture is unedited, SOOC, by the way.

I think the colour range is pretty small, they're expanding it with an "extra light" version soon, but the darkest "deep tan" stage really isn't very dark.  Of course, being a redness product means that possibly darker skins don't need so much in the way of redness concealment, but I think this is great for a quick smoothing and evening effect on uneven colouring too.

Recover Correct and Conceal Red retails for £29 for a 5ml bottle, but you use so little at a time that it'll last a long time.  The packaging means you have no way of knowing how much you have left, however, which is a bit of a pain, but it's a hygenic airless pump, which is a good thing.  All in all, I'm happy to have this in my makeup bag, it does precisely what it says on the tin.


The Fine Print: PR sample


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Elizabeth Arden Grand Entrance Mascara

I posted a bunch of selfies on instagram last week, not something I usually do, but in every single one someone went out of their way to compliment my "beautiful" eyelashes.  I'm lucky, my lashes are quite long naturally, as well as being black, and they curl quite well with a good mascara, but they are a little thinner than I would like, sometimes.  I use all kinds of mascaras, but have a particular fondness for anything that will give me daytime drag-queen lashes.  I want length, I want volume, and I want curl, but I mostly want my lashes to be visible, which means my mascara has be to be very, very, very black indeed, otherwise my lashes just look dusty.

Enter Elizabeth Arden Grand Entrance Mascara.  Equipped with a scooped brush that hugs the lashes tightly, and has short, plastic bristles (always my favourite kind) of differing lengths and thickness on the wand, it combs through lashes easily, and deposits just the right amount of mascara with every sweep.  It's black, too, very black, and easily covers my lashes.  It adds curl, and a nice amount of volume, and I'm incredibly pleased with it.

I've been using it for a couple of weeks now,  and it has rapidly become my "go-to" mascara. It applies nicely, without clumps, separates the lashes well, and doesn't run or flake throughout the day.  I'm a fan!  In the picture below, you can see just what a difference two coats of Grand Entrance makes to my lashes:

Before and after

So, a good brush, a great formula (I'll gloss over the ever-so-slightly tacky tube), and great lashes, no flaking, no smudging and no running.  What more could you want?  Currently it's on offer for £15 (a great price, and I'll be picking up backups for sure) but it'll normally be £22. 

The Fine Print: PR sample 


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LipsNspritz 7th February 2016 - Urban Decay Special

 

  
So, there were two themes for LipsNspritz on Instagram this week, one is pretty easy to spot, but did anyone notice the fragrant link?  I spent the week trialling the Urban Decay #UDxGwen lipstick collection, and I wore Ex-Girlfriend, Phonecall, Firebird, Wonderland and Spiderweb.  You can see colour descriptions and swatches of the full collection here, but I have to say that I am mightily impressed with the range.  Both Ex-Girlfriend and Phonecall are sheers, but last very well over a liner, around 3-4 hours or so.  Firebird, Wonderland and Spiderweb are all cream formulas (I've yet to wear the "mega-matte" shade 714 properly) and the lasting time on this formula is phenomenal.  I literally didn't have to touch any of them up for 10-12 hours, and, best of all, they didn't dry my lips out in the slightest.  Even Spiderweb, which I didn't wear with a liner underneath lasted as well as the others with a liner.  Amazing.

Clockwise from top left, Ex Girlfriend, Wonderland, Firebird, Spiderweb and Phonecall

All of the shades are glossy satin finishes, but of course the cream finishes are more opaque than both Ex-Girlfriend and Phonecall, and last longer as a result.  Overall, I'm delighted with the collection, even though I now have to remove my lipstick with oil of a nighttime!

Fragrance-wise saw me in both Maison Francis Kurkdijan's Aqua Vitae, and the brand new Baccarat Rouge 540.  Aqua Vitae was my fragrance of the year in 2013 (and you can read the review here) and I'm still getting to grips with Baccarat Rouge 540 (I was expecting something red and jammy, and got the scent of hot sand instead, which was confusing), but you can expect a full review in due course.  I also wore Jean Paul Gaultier Fleur de Male, and Classique Intense.  Fleur de Male is one of my favourite hot-soap, orange blossom and barbershop fragrances - now sadly discontinued - and Classique Intense, which I first smelled in the depths of my parosmic madness, but now reveals itself to be a huge talcum, and jasmine monster, which I've fallen rather heavily for.  And finally, I wore the gauzy and ethereal Elie Saab le Parfum, which is the smell of orange blossom glimpsed through chiffon, and is beautiful and wonderful.  And the link between all of these?  Francis Kurkdijan, of course.  I was lucky enough to spend an evening with him and Jo Fairley of the Perfume Society last week, which was lots of fun.  If you haven't been to a Perfume Society event yet, you're really missing a treat.  I'm off to Paris with them at the end of the month, and I can't wait!

What've you been wearing?

The Fine Print: PR samples and purchases


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Skincare of the Week 7th February 2016

A mixed bag skincare-wise this week, I started the week with a Zelens-heavy routine (have I mentioned how much I love Zelens?  It's true, I do), and, I still love a full routine from them - in particular the Z Recovery Intensive Repair Balm, which is a lifesaver.  A non-greasy balm that sinks in, heals and nourishes stressed skin, I've used it after operations, during illness, after allergic reactions, on burnt skin, and occasionally - just once in a while, mind - I use it as a particularly hydrating moisturiser too.  I'm near the end of this jar, and need to stock up, now I come to think of it.

The rest of the week has seen Tata Harper products settling in to become regular choices in my usual routine (instead of me being merely obsessed with them), and I've rotated some ByTerry choices from the Cellularose range into my routine too. The Cellularose range smells absolutely divine, but the oil only emulsifies partially, which is a bit odd, but I still like using it, regardless.

I'm trialling a new foundation at the moment, so I've been using a variety of moisturisers and oils  in order to give it a range of bases to work on.  I'm nice like that.  Moisturisers this week have included Kate Somerville Goat Cream (an eternal favourite), Laura Mercier Flawless Skin (a new addition after it turned up at Christmas) Indeed Labs Hydraluron Moisturising Jelly (love this stuff for hydrating without greasiness) Tata Harper Rebuilding Moisturiser (which I love an unreasonable amount) and, of course, the aforementioned Z Recovery, which is aces.

This week was all about the lipstick though, and more about that later.  What's been on your face? 


The Fine Print: PR samples and purchases


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Ren Moroccan Rose Otto Ultra-Moisture Body Oil

Now, having said in a previous review about my liking but not loving Ren, there are some Ren products that I do, actually adore, and the Rose Otto range in fact, encompasses all of them. 

In fact, I like the Rose Otto range so much that I actually asked for the bath oil for Christmas, and, husbands being husbands (or more specifically, my husband being  …  my husband) I actually ended up with a bottle of this instead.  And now I have two.  Not bad for someone who never uses body products!  However, taking this into account, these two bottles are probably a life-time supply.

The “Ultra Moisture” body oil (actually, does one have “moisture” in an oil product?  Surely, as they say, moisture is the essence of wetness, and oil is greasy rather than damp, isn’t it?) is a really genuinely lovely product .It doesn’t enhance my bathtime in the same way the, you know, bath oil would had I gotten a bottle. Oh well. Ren Rose Otto Ultra Moisture Body Oil smells delicious. It smells divine. It smells of both the idea of rich red rose petals and a hint of the woody stems beneath.  It smells rich, and it smells expensive.

Now look, the Morrocan Otto scent is a signature of the Ren line, and I beg you, Unilever (who recently bought Ren), to no matter how much you are tempted, not to screw with the formulas of the Rose Otto line at all – I know several hundred people who will stop buying Ren altogether if you do, and they’re already hacked off at you for buying the brand in the first place.  Anyway, I’m digressing, but I need to tell you that the Rose Otto Line contains products that people care about, and if go on to pump them full of mineral oil to save themselves a couple of pence a bottle they will notice, and they won‘t forgive.  Just so they know.  Oh, and I’ll be one of them. I may even egg them on.

Anyway, back to the review.  I was delighted on trying the oil again recently to discover that roses had “come back” to my nose, as they’ve smelled like burned paper for the last year and a half. Discovering they smell almost normal (in spite of my parosmia) has been great.  The Ultra Moisture Oil is a thick, unctuous oil, that nonetheless seems to sink in quite easily, and it definitely does seem to do good things for drier skins.  My hands are, I’ve noticed, becoming slightly crepey and my forearms have definitely been drier recently, but this oil definitely feels more nourishing than the spray moisturisers I’d been using recently to combat those conditions. Sprays only seem to moisturise the very top layers of the skin, I've found.  A little of this, however, goes a long way, too.

I do also like the redesigned labels for the Rose Otto line, I always think Ren packaging doesn’t quite go far enough in underscoring the price tags of the products – the designs usually just look cheap, or too simplistic compared to what’s inside the packaging, but the design on the Rose Otto line show that you don’t actually need to change much to make something look more expensive, or more thought out, or simply just to draw the eyes in to something.  They’re still “clean”, but look infinity more luxe than the other products Ren puts out.  Ren straddles a line, and it’s a difficult line, being cheaper than its prestige  cousins on the shelf (which is a good thing, good skincare should be available at all price points), but also by looking cheaper than the other lines, even the ones at a similar price point (which I think it does), it won’t appeal to those who like prestige and also like a bargain (like moi).  Something is only a bargain if you feel like it’s worth more than you paid for it, cheap-looking packaging just looks cheap.

So yeah, body oil.  Two bottles and I'm set for life.  How about you?


The Fine Print: PR samples and purchases 


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Clinique Sweet Pots ptII - Black Honey and Red Velvet

It's hard having completist tendencies.  I mentioned Clinique Sweet Pots a couple of weeks ago, and mentioned that I wanted Red Velvet and Black Honey.  And lo! Here are Red Velvet and Black Honey (note to Clinique, I can't resist Black Honey anything, as well you know).  From left to right here are Candied Cassis, Orange Blossom and Pink Framboise, then Red Velvet and Black Honey.  Basically, I'm writing this paragraph to see how many times I can write the phrase "Red Velvet and Black Honey" without wanting to gouge my eyes out.  It's okay, I think I've reached my limit now.

This isn't really a review, I reviewed them a couple of weeks ago, but I thought people might like to see two more shades, particularly Black Honey, as that's not available in stores.

 I really like both of these shades, my favourites from the range are Black Honey, Red Velvet and Candied Cassis, how about you?

The Fine Print: PR samples and purchases


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Currently Testing ...

As well as bringing you proper reviews of the Urban Decay Gwen Stefani collection soon, I'm also trialling a few new base products, namely the new Les Beiges  foundation in Rose 22, alongside its sister product, the le Blanc de Chanel Multi-Use Illuminating Base.  Initial thoughts are that the foundation is all kinds of aces, but trialling it with a cold has meant that I've probably not seen it at its best.  As for the base, well, I'm not sure what the other uses are, but I'll see if I can figure some out ...

I'm also trialling these:

I've used the Meteorites Base before, and I liked it a lot, but the new re-issue is really lovely.  I'm sure, but can't be 100% certain that the perles are bigger in this edition, but when I find my old bottle, I'll know more.  And words fail me when I come to describe just how beautiful the Meteorites Voyager compact is.  I love it.

But more in-depth analysis of all of these when I don't have a cold, and am not constantly wiping my base products off ...

What've you hauled lately?

The Fine Print: PR samples and purchases

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