Get Lippie

Sunday, 1 June 2014

New Basenotes Article!

So ... some of you might remember that last year I spent a week marinating myself in the finest fragrances the Poundshop had to offer for Basenotes, well, it took over a year (a year in which it got nominated for a Jasmine Award though!) to finally come up with the follow-up, but I'm happy to announce that my special week-long Celebrity Fragrance Challenge has finally been published! There's a little hint as to who has been included in the final line-up above - you can click on the picture to get to the article.

Hopefully it'll make you laugh, I know it's already made a couple of people go out and buy their own bottle of celebrity "juice", so will you, too? A couple of them surprised me, and one of them astonished me, and you'll be surprised which one that was too, I promise you. That reminds me, I need a biscuit ...

This post: New Basenotes Article! originated at: Get Lippie All rights reserved. If you are not reading this post at Get Lippie, then this content has been stolen by a scraper

A Life With a View Scented Candles

By Get Lippie

:sigh: Very few people love candles as much as me. I rented my last abode purely because it had little cubbies I could display my candle collection on, and the love of the "candle wall" has remained with me ever since. I love candles. But, they have to be scented well, and they must burn cleanly. There are a couple of cult candle brands that I avoid like the plague because they're petro-chemical based, and so produce soot like a soot-producing factory faced with a hugely increased demand for soot. I'm not a fan of a sooty candle, you might have noticed.

A Life With a View candles deliver on the clean burn, and they are, I have to say, some of the best scented candles it has ever been my pleasure to come across. They're strongly scented both in the glass, and during a burn, and even a tiny travel candle can scent my entire flat for a whole evening, which, bearing in mind my stupidly high ceilings is a rather amazing feat. I have a travel set of The Gite candles, which provides a "View of Provence", they're scented with lavender, blackcurrant and spearmint, with a base of rosemary and woods, and they are delicious. I'm well known to be a bit of a sucker for mint-based scents anyway, but adding the lavender, with its already flinty, herbacious, minty facets works astonishingly well for a candle, even now in the slightly warmer months of the year. The scent is both bracing and soothing, like sitting in a warm Mediterranean garden, and they're amongst my favourite candles ever as a result.

But there is one drawback, and it's something I hadn't really considered until I put this candle amongst the others in my collection. The design. They look cheap. Really, really cheap, and somewhat nasty. Look at that picture at the opening of this post, does that look like £40's worth of candle to you? It doesn't to me.

Now, whilst packaging isn't everything, if you're paying £40 for a candle, or £50 for a set of travel candles, you kind of expect the product - especially a product that's left out on display like candles are - to also function as an object. The reason why, say, Diptyque candles are so popular is because of the simple, striking, and lovely labels, almost as much as it is the scents inside of the candle.

If only the outside were as beautiful as the inside (or I'd even settle for just plain not looking like it came straight out of the remaindered section of the poundshop, to be honest), then Life With a View candles might just be the best candles on the market. You can find them here.

This post: A Life With a View Scented Candles originated at: Get Lippie All rights reserved. If you are not reading this post at Get Lippie, then this content has been stolen by a scraper

London Muse Make-Up School

By Laurin

So, who likes make-up? Everyone? Excellent, good to know. I’ve always liked make-up, ever since my mother begrudgingly allowed me to start wearing eyeshadow when I was 12 years old because MELINDA’S MOM LETS HER WEAR PINK EYESHADOW AND I’M NOT A BABY ANYMORE *exits stage left slamming door, sobs are heard from offstage for next three hours*.

Like many women my age, I’ve been adorning my face on a near-daily basis for over twenty years. I read about make-up in magazines, talk to other women about it on the Internet and even blog about it. I like make-up pretty well. Or so I thought. Last Monday, for a variety of personal reasons and no reasons whatsoever, I took myself off to the foundation course at London MUSE Make-Up School near Leicester Square.

My main considerations when searching for a course earlier this year were as follows:

Will I have time to do this? I work six days a week, so getting time off to do a month-long course or an entire term was not an option.
Can I afford it? I had been advised that I should expect to pay at least £1,000 for a week of training.
Is it a good school? This should have been my first consideration, but honestly, if I didn’t have the time and couldn’t afford it, it wasn’t happening.

The main courses at London Muse are run as week-long courses, although you can do the Foundation and Advanced certificates in make-up in two weeks back-to-back. I decided to do the Foundation course on its own because I knew I could get a week’s holiday and because I could afford it. The six day foundation course costs £1,200, although there is a 10% discount if you pay the full course fee up front, or you can pay in instalments. Finally (should have been “firstly”), several of the posters on the Sali Hughes Beauty Forum recommended the school, but our very own Luke sealed the deal when he told me that as a working make-up artist, he’s always impressed by the quality of work he sees from graduates of London Muse, even the ones who have only been on short courses. I paid my money, I took my choice.

Before arriving, I knew very little about Nicci Jackson, aside from the fact that she was a make-up artist herself, and she runs the school. I think I assumed that training sessions would be run by course tutors, and we might see Nicci once or twice. I was very wrong about this. Aside from our very last day, Nicci taught every syllabus herself and spent the afternoon sessions monitoring and mentoring our practical sessions with the help of her lovely and kind assistant Josie.

There were six of us on the course initially, five women and two men. We were a more diverse bunch than I expected, from a young South London hairdresser to a youth worker and mother-of-three from West London. We were joined on the Thursday by a woman who’d flown over from Egypt to attend the school. Only one of us had any previous make-up training, and we all had different ideas about how we’d use our knowledge when we’d finished. I thought perhaps I was a bit old to be on the course at thirty-five, but not only was one of my fellow students the same age, but Nicci assured me that she’d had plenty of more mature students on her courses in the past.

My third attempt at smoky eyes. I got told off for my “dolly cheeks”, which I slapped on at the last minute before time ran out. It is better to have no blusher than a sloppy application

Each day had the same structure: in the morning, Nicci took us through theory of a particular topic, demonstrating on Josie or one of us, and after lunch we were let loose to practice on each other, with Nicci and Josie watching and correcting. The six day syllabus touches on everything from facial geometry and contouring to kit hygiene and safe working practices to eyeliner effects, but the topics we spent the most time practising were base application and colour correction and smoky eye effects. As it turned out, everything I’d ever learned about “cool” and “warm” skin tones was completely incorrect, and it took me a couple of days to wrap my head around the correct colour terminologies and how to apply it to various skin tones. We also spent two days working on smoky eyes because as it turned out, not one of us could get it right on the first try.

Above: Nicci’s lip correction demonstration on me.

I’m not telling you much you couldn’t get from reading the syllabus on the website, so if you’re still unsure, here are a few things they don’t tell you:

Nicci Jackson does not bullshit or mollycoddle her students. When you get it wrong, she tells you, immediately. And then she very patiently shows you your mistake and makes you do it again. She absolutely gives praise where it is due, but if you want someone to stroke your ego and coo over the bizarre red and orange colour scheme you chose to deliver for your smoky eye brief because you liked the idea of an “urban acid sunset”, go elsewhere. This is a place to abandon everything you thought you knew and start from the ground up. It’s frustrating at times, but it’s also exhilarating.
On that note, whatever you’ve seen on YouTube is not a substitute for proper instruction from a working professional if you want to call yourself a make-up artist. The best way to learn is from true professionals who practice their craft every day.
The course does not finish after six days unless you want it to. Students are always welcome to come back and re-sit any day if they feel they need more instruction or practice. Free of charge. On the day that we all failed to deliver smoky eyes, we were invited to stay on for the evening foundation course and try again. We all did, and we nailed it the next day. Several of the students on my course are planning to go back this Wednesday evening for additional instruction. Free of charge.
The course runs from 10:30 to 5:30 each day, which doesn’t sound like too much of a stretch if you work regular hours, but you will be exhausted at the end of each day. If you can, don’t plan to go out in the evening while you’re on the course. Go home, have something to eat and go to bed. You will need all your energy and mental reserves for class. By the time I got home on Wednesday night, I was so tired that I forgot how to operate a perfume bottle.
The studio is on the fourth floor of a building with no lift, so you will have nice thighs by the end of the week.
If you thought make-up was a doddle, or had any doubts that it is a serious art and a highly technical craft, you will think differently by the end of the course. I have more respect for true make-up artists now than ever.
Get used to working under pressure. Your practical sessions will be timed from Day 1. I found this frustrating and stressful at times, but this is how real artists have to work in a professional environment.
If you don’t know, ASK. Help is always available during practical sessions, and I learned the best lessons by being told what I was doing was completely wrong and being shown the correct way.
You will want to own ALL the Illamasqua and MAC by Day 3.
You will want to go back. Three of the students from my group had already signed up for the next course when they started, and the rest of us spent the last few days discussing when and how we could get onto the advanced course ourselves.

Above: My final application on my lovely fellow student Krisztina

All in all, it was a brilliant, exhausting, maddening and completely exhilarating week and I’ve never been more in love with make-up artistry than I am at this moment. Do it. You won’t regret it.

The fine print: Laurin Attended Muse at her own expense - this is not a sponsored post.

A Lippie Team Post - Skincare Routines

We're planning a number of these group posts, but we thought we'd start with the basics, so here's how the whole team at Get Lippie looks after their skin:

LOUISE (aka "Get Lippie")

My skincare routine has been kind of fixed for a while now – to the extent that one of the products is running out and I'm upset because current circumstances dictate that I can't afford to replace it at the moment, and panic is ensuing … anyhoo, here's the lowdown:

Cleanse: I'm still in love with Champneys cleansing balm. It's on the cheap and cheerful side (and the instructions are rubbish), but it gets the job done, and my skin loves it.

Treatments: I'm currently alternating between Pixi Glow Tonic and my old standby; Clarins Gentle exfoliating toner, (having temporarily run out of Zelens resurfacing pads) both of which are second to none at removing dead skin cells. I follow both of these with a quick spritz of La Roche Posay Serozinc spray, which I'm still miffed they won't bring to the UK.

Serums: Currently I'm using Sunday Riley's Juno Hydroactive Cellular Face Oil, which smells like a rancid spag bol according to my husband, but this is because it doesn't contain any scented essential oils to mask the smell of the seeds they've crushed into it. As essential oils are one of my sensitive skin triggers, this suits my skin very well indeed and I put up with the rather … unusual … scent. As always, I follow this up with a thin layer of Hydraluron.

Moisturiser: And here is where I cry, just a little bit. Sometimes I get press releases that are so bonkers that I have to call in the product, just to see how far from the point the the copy actually got. Such as it is with Argentum Apothecary La Potion Infinie. The flowery, overblown, overwritten, overpretentious prose on both the press release and, sadly, the website, mask what is, in fact, a bloody excellent moisturiser. I wasn't too impressed with it at first, but my love for it has grown by leaps and bounds over the last six months or so, to the point where I can now see the bottom of the jar, and my heart cries every time I see it. I've been known to panic about it running out. I'm sad, I know. However, formulated with colloidial silver, and featuring a really nice primer-style matte finish on the skin, this suits my fussy, sensitive, easily reddened skin very well, and as it's £147 a jar, I'm going to miss it a great deal once I do finally scrape out that final molecule from the jar. It's brilliant, but the website will give you a headache, I warn you. It's the only moisturiser I've tried in years that's come even close to replacing my beloved Kate Somerville Goat Cream, and that is really saying something. Once I'm back in funds, a repurchase will definitely follow.

LAURIN

My skincare routine is a many headed hydra, with one product being culled and another two springing up in its place. The one constant, however, is my DHC Deep Cleansing Oil. I've used this for nearly five years, and I've yet to find anything better. In the morning, it's a drop of DHC and a quick swipe with a flannel before I hit the shower. As soon as I hop out, I slap on Superdrug Aqua Pure Hydrating Serum, followed by Clinique Moisture Surge on my face and Clinique Superdefense Eye Cream all around my eyes. I've finally been converted to the cause of a daily SPF, so I finish with a layer of Soap and Glory Make Yourself Youthful Sunshield Superfluid.

Night time gets a bit trickier. The minute I get home, I take off my make-up with whichever version of Bioderma Micellar Water I bought on special last, then it's a full cleanse with the DHC and a hot cloth. On Monday, Wednesday and Friday, I use Clarins Gentle Exfoliating Toner and on Sundays I use Alpha-H Liquid Gold. Whatever the day, then use Estee Lauder Advanced Night Repair and Kiehl's Creamy Avocado Eye Treatment. The last thing I do before I go to bed is massage in a few drops of Kiehl's Midnight Recovery Concentrate.

With all the money I'm literally sinking into it, it's a good thing beauty lasts forever, and I can use my face as my pension. Right? RIGHT?

TINDARA

I may be shunned by the rest of the Get Lippie team after saying this, but, I’m a bit lax with my moisturising at night. Four nights out of seven my head will hit the pillow cleansed with Bioderma Hydrabio H2O Micelle stuff but unmoisturised. I love the clean face feeling, and I sleep with a CPAP mask on, as I have sleep apnoea, so no gunk on my face makes it more comfortable. Honest.

Those other three nights though, I really go for it, I hot cloth cleanse with Skyn Pure Cloud Cleanser or Boots Botanics Ultra Calm Gentle Cleansing Cream and then use Elizabeth Arden Prevage Serum and Eye Serum – they really work! – followed by Clarins Blue Orchid Face Oil, and sometimes more night cream or balm on top. Depending on my skin and/or the time of year this might be Waitrose Baby Bottom Butter or this Est Rose and Honey Remedy from Australia. It’s really soothing and healing, and I love the Lavender and Tea Tree version too. It feels just the right level of comforting and medicinal.

If it’s warm, I might leave it at the Clarins or put a little of my day moisturiser on top instead, currently that’s Skyn Pure Cloud Cream, but this changes all the time. Then some lip balm. I’m using Hurraw or Clinique lip balms at the moment. In the morning I use Organic Surge Daily Care Face Wash in the shower, and I swap the Prevage for Eucerin Hyaluron Filler Concentrate.

Most of the time, my sensitive rosacea prone skin behaves itself, but if it doesn’t I dial it right back and just use Bioderma micelle cleanser and day moisturiser and maybe one of the Est balms occasionally.

When I remember, I throw a bit of Elemis Papaya Enzyme Cream on followed by a hydrating mask of some description, I’m not loyal to any in particular, my last was a Decleor Hydra Floral mask. Any recommendations?

LUKE

Cleanse: I generally flit between these two depending on mood and what my skin feels like that morning/evening. I ADORE the Elemis Pro Collagen Cleansing Balm. The smell, the texture, the way my skin feels afterwards, the all of it is just fantastic. Not heavy at all (some are) and just an absolute pleasure to use. This is ALWAYS in my kit, purely because every single person I use this on falls in love with it. For the odd time when I think my skin feels a little dull, and needs a bloody good scrub, the Dermalogica Daily Microfoliant is ABSOLUTELY SECOND TO NONE! Did I make that clear? This is one of the BEST products for exfoliating that I have EVER used. It says daily, however I find it a little too abrasive for daily use. Once or twice a week is absolutely enough for me.

Treatments/Serums I use a lot of these. Especially at the moment with all the fake tan I am trialling, but ANYWAY, these are the ones that if I had to choose, would be the ones that pretty much cover all bases. The Clinique Laser Focus Repairwear Serum, recently reformulated, is now even better than it was the first time round. And they have improved the packaging so that you don’t end up with the drips all collecting around the edge. I use this pretty much all summer, or when the sun is out as a sort of insurance. I like the silky feel, and it seems to make my skin feel hydrated also.

Day Creams I am quite picky about my day creams. I always want a good SPF in my day cream, as I have said before. One of these has a high SPF of 30 already ‘built in’ and the other doesn’t have one, but I add one over the top. La Prairie Anti-Ageing Day Cream SPF30 is one that I will use literally every day when the sun is strong, hence why this is nearly at the bottom of the jar at this point. It smells pleasant, and has a micro blasted SPF that is so fine and non skin clogging that it’s a joy to use. I have never caught too much of the sun with this on, and it still managed to not dry my skin out either. The space age silver packaging and heavy glass make it not great for travelling with, but my, what a cream. Not cheap, but not out there expensive either.

Night cream: Finally, the night time. I am of the school of thought that if it’s a moisturiser, it’s good enough. Most of the time a good moisturiser would be perfectly adequate for a night cream I would think, but nonetheless, I am still using these like they are going out of fashion. Neal’s Yard Beauty Sleep Concentrate has been a favourite for a long while. The multi award winning cream contains all sorts of goodies in it hat help to regenerate the skin, and has essential oils that are known to relax you and gently send you off into the land of nod. Me being somewhat of an insomniac, every little helps. It’s a very light lotion type texture, but seems to be nourishing enough, and a little really does go a long way.

Pleasure & Purpose With Aesop & Odette Toilette

By Luke

I have been meaning for a long time to write about Aesop. I remember Aesop from eons ago when the only place you could buy it was in Space.NK. It looked very smart and sort of clinical in its modest and understated medical grade brown glass jars and metal tubes. It was always a bit of a favourite - sceptical and unwilling as I am most of the time to use any skin care that claims to be ‘natural’ - and has few of the ingredients in them that I know work. That said, there is no getting away from the fact that Aesop products do work, and are an absolute joy to use, not least because of their scent.

Aesop then made like £10 Poms and disappeared back its native Australia for a little while. However, without me noticing until recently it has sprung up again in the UK in various locations in the form of the most beautiful boutiques and in selected department stores. It has several locations throughout London now, and each has a very distinct, and gorgeous character of their own.

We were invited along to the boutique in Covent Garden for a bit of an olfactory treat under the tutelage of scent expert Odette Toilette. Pleasure and Purpose was the title of the event, summing up the entire Aesop line rather well, so I was intrigued as to what exactly we would be doing and shuffled along. The store itself is an absolute haven of a space. The familiar brown glass is littered along the walls, and in amongst those were gorgeous seasonal blooms. It’s airy, clean and very, very cool looking, both figuratively, and literally.

We were guided downstairs to a makeshift classroom and were each given a ‘workbook’ for our efforts, and several exercises were undertaken with the presentation of particular oils on a blotter. Rather than guess which oil we were smelling from the scent alone, we were asked in several different ways to demonstrate how a scent made us feel, or what colours it reminded us of, or how it made us feel, or if we felt it had a masculine or feminine quality to it. This was designed specifically to make you think differently about what you were smelling, and find out more about the emotional response you can have to a smell, without any preconceived notion about the scents from the names alone. Some of the oils were beautifully scented, and others … decidedly less so.

Of course, all the oils that were presented to us were key ingredients within some of the Aesop range. Smelling them in their raw state, they were either extremely unusual, possibly even unpleasant at times, and some were very familiar, but you weren’t able to put your finger on exactly where you had experienced it before. One exercise saw us taking coloured pencils and using only the medium of the crayon, describe in colour and texture how the scent was, which was a genius way of thinking about something very differently.

One of the hero oils that lace the Aesop range is parsley seed oil, which on its own smells rather like slightly ripe food that’s been in the sun a little too long, or, if you're Get Lippie herself: vomit. Parsley seed of course is present in an entire line of its own at Aesop, and it is extremely high in antioxidants. The Parsley Seed Cleanser is easily one of the best smelling products in the line, despite the relative stench of the pure oil, it's masked by other ingredients, and the cleanser is a joy to use as a result.

There was also violet leaf, found in the really very smooth and gorgeous smelling Hair Balm, which is particularly good for hair that has a tendency to go a bit wild for no reason and is on the fried side of normal. And there was pure geranium oil, which is in the Geranium Leaf Body Scrub, which has natural bamboo stem to exfoliate and absolutely gorgeous rose like scent.

I ended up taking a mouthwash home with me. Clove oil was the main scent here, alongside extract of spearmint. It comes in a rather grand looking, and ENORMOUS bottle complete with a tiny little glass flask (which I broke immediately on getting home) and it now takes its place rather grandly on my bathroom shelf.

Welcome back Aesop. Welcome back.