LipsNspritz 7th February 2016 - Urban Decay Special

 

  
So, there were two themes for LipsNspritz on Instagram this week, one is pretty easy to spot, but did anyone notice the fragrant link?  I spent the week trialling the Urban Decay #UDxGwen lipstick collection, and I wore Ex-Girlfriend, Phonecall, Firebird, Wonderland and Spiderweb.  You can see colour descriptions and swatches of the full collection here, but I have to say that I am mightily impressed with the range.  Both Ex-Girlfriend and Phonecall are sheers, but last very well over a liner, around 3-4 hours or so.  Firebird, Wonderland and Spiderweb are all cream formulas (I've yet to wear the "mega-matte" shade 714 properly) and the lasting time on this formula is phenomenal.  I literally didn't have to touch any of them up for 10-12 hours, and, best of all, they didn't dry my lips out in the slightest.  Even Spiderweb, which I didn't wear with a liner underneath lasted as well as the others with a liner.  Amazing.

Clockwise from top left, Ex Girlfriend, Wonderland, Firebird, Spiderweb and Phonecall

All of the shades are glossy satin finishes, but of course the cream finishes are more opaque than both Ex-Girlfriend and Phonecall, and last longer as a result.  Overall, I'm delighted with the collection, even though I now have to remove my lipstick with oil of a nighttime!

Fragrance-wise saw me in both Maison Francis Kurkdijan's Aqua Vitae, and the brand new Baccarat Rouge 540.  Aqua Vitae was my fragrance of the year in 2013 (and you can read the review here) and I'm still getting to grips with Baccarat Rouge 540 (I was expecting something red and jammy, and got the scent of hot sand instead, which was confusing), but you can expect a full review in due course.  I also wore Jean Paul Gaultier Fleur de Male, and Classique Intense.  Fleur de Male is one of my favourite hot-soap, orange blossom and barbershop fragrances - now sadly discontinued - and Classique Intense, which I first smelled in the depths of my parosmic madness, but now reveals itself to be a huge talcum, and jasmine monster, which I've fallen rather heavily for.  And finally, I wore the gauzy and ethereal Elie Saab le Parfum, which is the smell of orange blossom glimpsed through chiffon, and is beautiful and wonderful.  And the link between all of these?  Francis Kurkdijan, of course.  I was lucky enough to spend an evening with him and Jo Fairley of the Perfume Society last week, which was lots of fun.  If you haven't been to a Perfume Society event yet, you're really missing a treat.  I'm off to Paris with them at the end of the month, and I can't wait!

What've you been wearing?

The Fine Print: PR samples and purchases


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The Fashion World of Jean Paul Gaultier

 By Get Lippie

To say I don't really "do" fashion would be a mild understatement.  I simply don't "get" fashion.  Part of this is because I'm what is euphemistically known as "plus size", of course, but mostly it's down to the fact that high fashion isn't really useful to those of us who either don't earn millions of pounds or, aren't six feet tall, or have, like, proper jobs and that.  Also, I'm an accountant.  Cutting edge accountancy fashion is making sure you've put the right buttons into the correct holes on your cardigan, frankly.  

All of this is a roundabout way of saying that I'm not really the target market for the current JPG exhibition at the Barbican, I basically only know Jean Paul Gaultier because of Eurotrash. Oh, and his perfume, of course!

But ... this exhibition is absolutely bloody astonishing.  Luke and myself were lucky enough to be invited to the press preview of the show the day before it opened to the public, and I found myself enthralled by the sheer size and scope of the exhibition, and the really amazing detail on the clothes themselves.

Basically, every era of JPG's career is represented, from his iconic work with Madonna's stage oufits, his film costumes, his catwalk haute couture, and, of course, his :ahem: pioneering work on Eurotrash, and there is even his Spitting Image puppet:

Frankly, terrifying.

 There are holographic mannequins, who gurn, giggle, and even sing to themselves, which genuinely have to be seen to be believed as the technology, even close up, is amazing (and much, much better than these next couple of quite frankly shonky photographs make it look):

We only had an hour for our view, and it wasn't, in my opinion, nearly a long enough amount of time, there was a lot of stuff that we simply didn't have time to see properly, and I missed the significance of some of the exhibits, as we were racing around before the main event of the day.

There was also a fragrance symposium after the exhibition, where it was revealed that there will be a new "intense" version of the JPG Classique fragrance released in the UK in July, which is great news for lovers of the original.  We were treated to a tiny sniff of the new formula at the symposium, and it's ... fruity.  Apparently, Francis Kurkdjan has been dying to make a fruity floral for a long time now (my heart sank at those words, I must admit), and he was delighted to be able to bring that to fruition.  I've no idea how the formula will translate on the skin, but I'll keep you posted once I've smelled it properly.

If you get a chance to pop along to the Barbican before the exhibition ends in August, then I recommend that you run to see it.  I'll definitely be going back - did I mention that it's amazing?

Because you can't talk about JPG without mention of THAT corset ...

 

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