Cabrini Studded Leather Jacket from Navabi (A tale of intense nervousness and the BBC)

"Just wear whatever you feel most comfortable in!"  

Was there ever a sentence designed to fill a fat lass with such dread?  I heard it from the producer of a BBC2 TV programme I'd been invited to take part in, and, well, the thought of making my national telly debut in a decades old pair of Coca Cola-themed pyjamas and a lightly Doritos-stained Motley Crue hoody didn't really appeal, if I'm being honest*. Particularly not when the TV show in question is a serious scientific documentary about my anosmia and parosmia problems over the last couple of years, anyway.  So for several weeks in September, I was in a serious tailspin over what to wear for making a documentary, I have NOTHING to wear!

Actually, not quite true, I have lots of clothes, and I scrub up quite well (for an accountant), but I wouldn't say I really had style, unless "cardigan chic" is the topic in question, that is.  As some of the filming was to take place on Shepherd's Bush market (and you haven't lived until someone calls you a wanker on film when you're trying to talk about your trials with potatoes whilst walking backwards through a market, let me tell you) I knew a coat would be necessary, but in September a winter coat would have been too much and my rain coats were all designed with thinner people in mind (that thinner person being me, two summers ago, but hey ho).  I harboured idle thoughts about a purple coat from Joe Brown for about two minutes before the idea of a leather jacket popped into my head and I remembered about Navabi.

Navabi, if you don't know, is a supplier of designer clothes for the more generously proportioned amongst us. I discovered it quite by accident last winter, and went a bit bonkers buying faux-leather trimmed skirts and dresses by the score ("Leather dresses!  For big girls! Wheeeeee!" went my brain), then I went on a total clothes no-buy for the summer, because I was busy buying furniture instead.  I love Navabi (and no, they're not paying me for this blog post) because unlike SOME plus-size clothing suppliers they don't a) feature celebrity "designed" ranges b) don't cover absolutely everything in sequinned appliqué butterflies and c) don't feature "celebrity" "designed" ranges covered in appliquéd sequinned butterflies.  Whilst I'm all for appropriate sequinnage - yes, I do wear them to the office, more regularly than you might think, actually - butterflies and applique can get stuffed, frankly.  I also love it because it's proper designer-wear (sometimes with prices to match), and whilst there are the occasional potato-sack-style couple of items, they're deliberately done so, and not your only option if you're above a size 14, unlike some websites. Whatever your style, and whatever your budget, and whatever the occasion (and your size), there's something you can wear.  I have a selection of their shift dresses and long jumpers from last winter, and the styles are both classic and timeless. A trawl through the website is always a treat - even for me, a confirmed clothes and shoe-shopping hater.  Oh yes, I went there.  Not even slightly sorry.

Anyway, where was I?  I spotted this Cabrini studded leather jacket, and I fell, completely, utterly head over heels in love.  A biker style, but so much more feminine (and flattering) than that, it had to be mine. HAD TO! And, luckily for me, Navabi were incredibly generous on hearing about my "plight" (such as it was, I know, I know) and agreed to send me a sample for the filming.  I haven't worn any other coat since it arrived, and, after a couple of years without a leather jacket in my wardrobe, I'm wondering how the heck I managed without one.  You know when an item of clothing turns up, you put it on, and it feels so completely like "you", you never want to be parted from it again?  Well, that's this jacket for me.  "Wear whatever you feel most comfortable in"?  No problem.  Thank you so much, Navabi!  You can find the jacket (and much, much more!) here: https://www.navabi.co.uk/product/studded-leather-jacket-36989/?colorcode=2400 (not an affiliate link) It's buttery soft, comfortable, and aside from the studs being brass rather than the silver I'd expected, is exactly as advertised.

Me (sadly, sans jacket) with Sarah McCartney and the BBC Scotland production team

I'll talk more about the filming nearer the time of broadcast (providing, of course, that my section makes the cut!), but it was a huge amount of fun being a telly "presenter" for the first (and, no doubt, last) time, and, as well as being grateful to Navabi for solving my clothing woes, I'm also indebted a huge amount to the wonderful Sarah McCartney at 4160Tuesdays and the gorgeous Linda Pilkington of Ormonde Jayne, without either of whom the filming probably wouldn't have happened. 

Me in the jacket of joy - I had flu when this pic was taken
though, so please don't enlarge it, you won't thank me.

 I just have to save up BIG TIME for my next Navabi spree now ...


* And if you think I'm not wearing them RIGHT NOW as I type this, you'd be sadly mistaken, I'm afraid.
 
The Fine Print: PR sample.



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The Fashion World of Jean Paul Gaultier

 By Get Lippie

To say I don't really "do" fashion would be a mild understatement.  I simply don't "get" fashion.  Part of this is because I'm what is euphemistically known as "plus size", of course, but mostly it's down to the fact that high fashion isn't really useful to those of us who either don't earn millions of pounds or, aren't six feet tall, or have, like, proper jobs and that.  Also, I'm an accountant.  Cutting edge accountancy fashion is making sure you've put the right buttons into the correct holes on your cardigan, frankly.  

All of this is a roundabout way of saying that I'm not really the target market for the current JPG exhibition at the Barbican, I basically only know Jean Paul Gaultier because of Eurotrash. Oh, and his perfume, of course!

But ... this exhibition is absolutely bloody astonishing.  Luke and myself were lucky enough to be invited to the press preview of the show the day before it opened to the public, and I found myself enthralled by the sheer size and scope of the exhibition, and the really amazing detail on the clothes themselves.

Basically, every era of JPG's career is represented, from his iconic work with Madonna's stage oufits, his film costumes, his catwalk haute couture, and, of course, his :ahem: pioneering work on Eurotrash, and there is even his Spitting Image puppet:

Frankly, terrifying.

 There are holographic mannequins, who gurn, giggle, and even sing to themselves, which genuinely have to be seen to be believed as the technology, even close up, is amazing (and much, much better than these next couple of quite frankly shonky photographs make it look):

We only had an hour for our view, and it wasn't, in my opinion, nearly a long enough amount of time, there was a lot of stuff that we simply didn't have time to see properly, and I missed the significance of some of the exhibits, as we were racing around before the main event of the day.

There was also a fragrance symposium after the exhibition, where it was revealed that there will be a new "intense" version of the JPG Classique fragrance released in the UK in July, which is great news for lovers of the original.  We were treated to a tiny sniff of the new formula at the symposium, and it's ... fruity.  Apparently, Francis Kurkdjan has been dying to make a fruity floral for a long time now (my heart sank at those words, I must admit), and he was delighted to be able to bring that to fruition.  I've no idea how the formula will translate on the skin, but I'll keep you posted once I've smelled it properly.

If you get a chance to pop along to the Barbican before the exhibition ends in August, then I recommend that you run to see it.  I'll definitely be going back - did I mention that it's amazing?

Because you can't talk about JPG without mention of THAT corset ...

 

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