Clarins Barocco Winter Collection 2010

I saw this collection on British Beauty blogger last month and thought it was Oh So Pretty! I still don't know when it's released (I'm assuming September-time, but if I get any more information, I'll let you know), and I've been pretty desperate to get my hands on it ever since laying eyes on it!  It is so exquisitely packaged, and the black shadows and red lipstick really spoke out to me.  

Persistence pays off, and I have managed to get my grubby little fingers hands on a couple of pieces from the collection to show you, namely the aforementioned lipstick and the eyeshadow.  Some swatches and initial thoughts coming right up ...  First off, the shadows:

This is a really unusual choice for Clarins, I think, I normally associate them with neutrals and pastels (possibly mistakenly) for some reason. Three baked shadows in black, blackened gilt, and pure gold, alongside the usual disposable sponge-tipped applicator - am I the only person who, on opening a new palette, immediately throws away the sponges? - in a gold case, it's simply beautiful, and I can imagine a whole heap of smokey and dramatic looks I can create with this.

So, how does it swatch?  Well, the answer is, more sheerly than expected.  Picture below shows the shadows without primer (top), and with (bottom):

As you can see, in the top swatch, it's very sheer, and you get just a hint of the shades from the shadows, and, depending on your point of view, this can either be a good or a bad thing.  Personally, I think that with such dramatic shades, it's not actually a bad thing, as it means you can build up the coverage so you can get the intensity you require.  Over primer though (Trish McEvoy's in this case), the colours intensify very nicely, and you can see the greenish-bronze shades peek through in the middle colour.  I love the way the pure-gold shade goes from slightly gritty on bare skin to gorgeously glowing over primer. There's veru little yellow in it, so it doesn't look brassy on the skin, which is great.  Wear is middling to average without primer, and average to good with primer.

Now for the lipstick:

Again, beautifully packaged with the signature baroque swirls of this collection's packaging, the lipstick appears, in the bullet, to be a rather brownish, wine-y sort of colour, but on the skin it appears a lot brighter than expected, and a touch cooler than you might think from the colour in the tube.  I love it.

Apologies for the horrifically out of focus lip shot!  It's a lovely moisturising formula that lasts really well - no ring of doom! - I really like the shade too, it's a perfect Christmassy red, with just enough brown in it to not make me look a little clownish.  It's one of the new Rouge Prodige formulas, and I've had no problems with it, it has a slightly floral scent (in the traditional Clarins style), but I don't find it too overpowering.

I know it's a bit mad to be showing you a winter collection in the middle of August, but I'm just so excited about being on the cusp of red lipstick weather again!

Mr Lippie Reviews: Soap and Glory

He's been at it again, using products then making stuff up about them.  Please check out MrLippie's latest review of Soap & Glory for men at Ape to Gentleman

My favourite bit?: "...Don’t blame me. I just get chained to a keyboard until my random button-pressing makes some kind of sense...."

Perfume Review - Acqua Di Gioia by Giorgio Armani

Said to resemble a mojito, with notes of mint, water jasmine, brown sugar, and primo fiore lemon, this is the latest release from Giorgio Armani perfumes.  It's meant to also have some aquatic notes, and smell very "wet" as a result.

I've seen it described as a "floral aquatic", and many of the reviews I've read describe all the notes as read in the press releases.

I think maybe my nose is broken, because I smell melon (chanterais, maybe, a little honeydew, but definitely no watermelon), I don't get any of the mint, or the lemon, or the jasmine (no flowers at all, in fact), but after a while on the skin, I can smell the sugar.  In fact, after it's rather crisp'n'fruity opening, it's really, really, really sweet on my skin, to the point where I can't stand it any more.  It's a shame really, as on paper this scent sounds like it's really my kind of thing, I adore mint in perfumes - go crazy for it, in fact, as you'll see in a couple of weeks - so I'm terribly upset that this scent, to me, just smells like another generic fruity, woody musk that you can buy by the bucket-load anywhere in the UK.

That said, it'll sell MILLIONS. Armani perfumes are always stupendously popular, and this isn't a bad one, not by a long stretch, it's purely a malfunction of my nose, I think. I do adore the wonderfully tactile bottle though, it's a delight in the hand.

The Fine Print: Samples were acquired for review purposes.  If they weren't, I'd be reviewing something else, so there.

Tiny Edward Bess Collection

 I own three Edward Bess products, a compact rouge (Island Rose), lipstick (Secret Desire), and eyeshadow (Intimate).  Edward's line recently made it to the UK, and after a while lusting over it on my US friend's blogs, I was delighted to get my sticky fingers on some of the products!

In a slightly different order (because I'm an idiot), you can see Secret Desire which is a soft, peachy nude, Island Rose, which is a gorgeous cool raspberry colour, and Intimate, a murky, sludgy taupe shade.  These products are on the pricey side, it's undeniable, but the quality is also undeniable.  Shades swatch true to pan, they're gorgeously blendable, and scented delectably with wild fig.

I went for slightly cooler shades than I would ordinarily (the Secret Desire was sample I received at a press event), but I'm totally in love with the compact rouge.  I adore the eyeshadow, it's a lovely "goes with anything" shade,  and it works as either a crease or a lid colour.  I'm a big fan of the sludgey shades, and this is a lovely example of a great, but not boring neutral shadow.

As for the compact rouge, you can see it sheers out for wear on the cheeks, and adds a natural and lovely pop of colour - I've had it in my makeup bag every day since it arrived, I've also used it once or twice on my lips, and it's simply divine:

I'm slightly more ambivalent about Secret Desire - it's not a shade I would have picked out for myself - as it's a little too nude for me, what do you think?

It's a beautiful formulation though, moisturising and opaque almost in one stroke.  I'll definitely be seeking out more shades.

I've read criticism that the range isn't exciting, that it isn't packed with colour, that's it's just full of "dull" neutrals.  I say "pshaw!"  Good neutrals that anyone can wear are one of the hardest things for a cosmetic brand to get right, if you ask me, and this brand - whilst muted - is anything but dull.

Embrace your inner taupe-lover, you'll never regret it ...

Nail of the Day - China Glaze Re-Fresh Mint

Long-time readers of this blog will know of my (possibly irrational) hatred of pastels.  I don't like them, and what's more, they don't like me.

So, it was a surprise to find that I like this shade:

China Glaze Re-Fresh Mint, from the Up, Up, and Away collection, which I largely avoided as it was ALL pastels.  Or mainly pastels.  Or even possibly just partially pastels.  I forget.  But anyway.  This is a pastel green.

And I like it.  So there.

It was on the thick side, a little, but this shows two coats with a sticky base from Orly, and an OPI topcoat.

It lasted a day before I took it off, btw.  While I liked it, it was still a pastel too far.  I am now sporting greige.  I like greige.  Greige doesn't give me The Fear.